Tag: black

P is for Patapata

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Patapata, パタパタ, onomatopoeia of “fluttering wings”

Ever since I saw this tutorial for an adorable patapata musubi with a bow accent, I knew I wanted to try it. I kept procrastinating for some reason, but now I’m glad I did because that means today I can show you this perfectly puffy pink patapata coordination! Japanese is a language full of adorable onomatopoeia, and patapata represents the fluttering sound made by bird or butterfly wings, and looking at the soft blousy folds it’s easy to see where the name came from.

I used the pink bubble side of my adorable whale obi, along with a sweet multi-floral black komon kimono. The outfit felt a little too boring as-is, so I pulled out a bright pink haneri and lace shawl to complete the look while making sure nothing distracted from the adorable obi bow.

If you’d like to learn to tie patapata musubi yourself, here is the video I followed! I love Sunao’s videos, they’re very clear and the English subtitles are very well-written.

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C is for Chidori

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Chidori, 千鳥, plover

Since today’s feature is about everyone’s favourite goofy little bird motif, chidori, I had two obvious choices for this entry. My bold, high-contrast irotomesode with nami-chidori (plovers on waves) around the hem, or the quieter but more unusual kurotomesode with tiny chidori over stylised matsu (pines).

The subtle, small chidori won out in the end though. I really love this kimono so much, for several reasons. It was purchased in Boulder, Colorado, which is a place that means a lot to me, and it’s also a rarity since there was only a brief period where it was acceptable and stylish for kurotomesode to have a small amount of motif on the back of one sleeve. As much as I love the showier irotomesode, this piece below will always have my heart.

I paired it with a tsuke-obi that also has pine motifs and went for accessories all in the same sort of warm green/brown colour scheme. It’s a very subdued and harmonious outfit, which appeals to me more and more as I get older.

Since “chidori” is also the term used for herringbone patterns, I debated using this obidome as well. You can see where the name came from, the little interlocking shapes do indeed look like the stylised shape used to represent the birds. But it felt too modern and casual for the rest of the outfit, and didn’t fit over the obijime I’d chosen, so I’ll save it for another time 🙂

Items used in this coordination

Clear as Black and White

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I’ve been rolling the idea of an all black and white coordinate for quite a while now. I find myself with a surfeit of free time now, due to my sudden lack of employment due to the COVID-19 outbreak, so I figured I may as well really buckle down and start doing all the kimono-related things I’ve had loosely percolating in the back of my mind for months now.

Of course, I started with my all-white shiromuku bridal furisode. The black anchor came from the homsue-hem style juban I made last summer for the fashion show. I debated removing the ruffles afterwards but decided I liked it so much I wanted to use it in other ways. I’m very glad I kept it! To balance out the black at the cuffs and hem, I went with a black obi. For the haneri and obiage, I actually used some fabric I had left over from last year’s Halloween costume, where I went as a sort of celestial moon goddess. I really love how it works here and I’m seriously debating cutting and hemming some pieces properly, to use again in the future. The final finishing touch was a beaded silvery-white obijime that echoes the sparkle of the stars on the accessories as well as breaking up the solid black of the obi.

The fun thing about this outfit is that it allows me to use pieces that would traditionally never be used outside of specific circumstances; a wedding kimono and mourning obi and accessories! But since it’s such an out-there ensemble, and the addition of the very non-traditional ruffles on the juban, I think I got away with it just fine  😉

As I mentioned up top, I have indeed (temporarily) lost my job. The store where I work is a small, non-essential business, and we had no choice but to close indefinitely. I’m incredibly lucky to share a house with my folks which means that I’m not at risk for eviction or starvation. However, running this blog and bringing you guys new and exciting content on a regular basis isn’t exactly free. Whether it be new coordinations, book reviews, DIY projects, or even just covering the cost of hosting the blog, things might take a hit if I’m out of work for much longer. I know this crazy pandemic situation is affecting everyone, so I’m certainly not expecting anything, but if you are lucky enough to be working from home and have a steady income, I’m not too proud to add a link here to my donation & support page. Thank you for reading all this!

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Bold, Bright, Beautiful

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Yesterday I got two obi in the mail that I wasn’t expecting until at least a few weeks from now. It was a lovely surprise! Of course, I knew I’d want to coordinate them soon, so I asked you guys on Facebook and Instagram which of the two I should coordinate. This bold black and red tsubaki nagoya won by a landslide, so here we go.

I couldn’t decide if I wanted to go with a very subdued kimono to really show off the obi, or something a bit more bright to try to balance it out visually. Then I remembered that this giant poly komon (one of two kimono I own that currently fit my fat butt) has accents of pretty much the exact same colours – red, cream, and yellow/gold. Loud and busy won the day, as it often does in my life lately!

Because the pattern on the obi is so large and graphic it almost reads as quiet next to the busy quality of the kimono. I think that rather than competing for attention they complement each other beautifully. I went with a solid yellow haneri because I figured there was enough going on with the two main pieces that I didn’t want to introduce yet another pattern or visual element. As for the obiage and obijime, I know I use these so often but they just work with so many of my things. I still don’t quite understand how such obnoxious, lemon-yellow accessories match basically everything, but they do. Kimono sorcery!

The finishing touch was a brooch that belonged to my grandmother. I’m not sure what the stone in the centre is, but it’s a perfect match to the kimono, and brings just the right pop of teal in to break up the obi slightly.

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I’m back!

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First of all, I’d like to take a moment to thank you for your patience, support, and faith in me. It’s been a very long few months. As you may know, my bedroom flooded a few months back. Mercifully, my kimono are stored in a separate room upstairs, so they were safe. But my life got turned quite upside-down while my room was being renovated and restored. Then the holidays hit, and as I’ve mentioned before, I work in a toy store so things get very hectic around then. To top things all off, I somehow forgot to put my anti-depressant/anti-anxiety medication in my pill organiser at the end of December. If anyone’s gone off anti-depressants cold turkey, you know how rough it can be. I did that without even realising what I’d done wrong, so January was a very, very hard month for me.

Thankfully, that’s all behind me now. My room is complete, work has definitely quieted down, and my medication is stable again. I knew it was time to get back into the swing of things and start blogging properly again.

I received this gorgeous kimono as a birthday gift from Sophie back in November, and I think it was the perfect piece to use to celebrate my return. I love the variety of colour and pattern, and I’m always a sucker for black-based kimono that aren’t kurotomesode. It came with the red date-eri already attached, so using more red accessories was a no-brainer. I felt that the orange and gold obi had a similar showa-fabulous vibe, and the colours are very harmonious. It’s not a risky or adventurous coordination by any means, but it works well.

Honestly, I was worried I’d be rusty and out of practice, but kitsuke really is like riding a bicycle. After a few minutes, the muscle memory just takes over.

I also have some exciting news to share. Costume-Con 38 is taking place here in Montreal next month and I will be doing three panels; two kimono dressing workshops and one lecture on the history and evolution of kimono. If you’ll be attending, I’d love to see you!

Thank you again if you’ve stuck around during my little break, I really do appreciate the support. <3

Items used in this coordination