Classy and Creepy

Happy Halloween! An appropriate day to raise myself from the dead, I think. I’ve just been incredibly busy, travelling and working and whatnot, but I do have some stuff in the works for the next little while.

I knew I had to get this one up today, though. The “obi” is too perfect for a classy and creepy outfit. Funny thing is, it’s not an obi at all. It’s two table runners from Target! One wrapped twice around the body, and one for the musubi. I wanted to keep the rest of the outfit subtle but still halloween-y so my bat menuki obidome and spiderweb haneri, and then remembered I had this lovely piece of soft spiderweb mesh I found in a remnant bin at the fabric store. It makes the perfect shawl, doesn’t it?

I love how this outfit feels seasonal and creepy but totally wearable, and I also love how the two star pieces are both found items that have nothing to do with kimono. The orange accessories were the finishing touch, and they add just the right amount of pop.

Items used in this coordination

T is for Tachibana

Tachibana, 橘, mandarin orange

I somehow didn’t realise how many tachibana items I have in my collection until just now! It makes sense though, it’s a motif I love. I have lots of kimono I could have used for today’s coordination, but I thought I’d give this obi some love instead. It’s not in the best shape, but it’s so soft and sweet that I’m able to look past the smudges.

It’s a fukuro obi, so arguably too formal for this komon, but because it’s got an evenly-spread all-over woven pattern with no metallic and no embroidery it reads as very casual to me. On first glance, I think most people would assume it was a nagoya obi.

I decided to keep things very soft and genteel with this muted kimono. The peach accessories were already out from a previous coord (and my utter inability to put things away when I’m done using them), but I realised that not only does the peach look lovely, but the obiage actually has a motif of tachibana as well!

I’m not sure this outfit really features and focuses on tachibana but I do like how it turned out nonetheless.

Items used in this coordination

G is for Gosho-Guruma

Gosho-guruma, 御所車図, Imperial Carts

Confession time: these representations of the carts used by imperial nobles are quite possibly one of my least-favourite kimono motifs. To me they look like deformed marshmallows. Because of that, using gosho-guruma as today’s word for the letter G didn’t even occur to me at first. But then I remembered I have this one kimono I love, despite the motifs. I guess the fact that they’re partially hidden behind lovely flowers helps a lot!

I’ve been wanting to see how this kimono looks with this particular orange obi ever since I bought it. I think it’s perfect for this particular coordination, since it’s very low-contrast against the kimono, which helps make the cart motifs the main feature. I pulled out accessory colours from the floral arrangements in front of the carts. I’m not sure how well this particular obijime works, but I don’t hate it. I just think it might have been better with a more muted one to match the low-contrast feel of the rest of the ensemble.

Overall I think I did a good job of featuring a motif I am not fond of! That’s the important part.

Items used in this coordination

E is for Ebi

Ebi, 海老 , shrimp, lobster, or other long-tailed crustacean

Quite possibly one of my favourite motifs! I love all sea-creature motifs, but I seem to have a soft spot for the goofy-looking rock lobsters often found on wafuku. I had several choices to work with for today’s coordination (you can see them all below) but in the end this pente lobster tsuke-obi won out. I just love it so much.

I paired it with this gorgeous soft brown Taisho-era houmongi. I love how the black pops against the muted brown, and the beige clouds on the kimono echo the shells on the back of the obi. Red accessories draw further attention to the ebi itself and anchor the red sleeve lining. The finishing touch was a brown obijime tied in a way to faintly evoke a lobster trap or net.

As much as I love this obi I tend to forget how long it’s pre-tied in the back. It would suit a taller person (like me, hello!) much better than the mannequin, I think. I don’t mind though, I still love the finished outfit to bits.

So far these are all the items I have with ebi motif in one form or another, but I’ll never say no to more!

Items used in this coordination

C is for Chidori

Chidori, 千鳥, plover

Since today’s feature is about everyone’s favourite goofy little bird motif, chidori, I had two obvious choices for this entry. My bold, high-contrast irotomesode with nami-chidori (plovers on waves) around the hem, or the quieter but more unusual kurotomesode with tiny chidori over stylised matsu (pines).

The subtle, small chidori won out in the end though. I really love this kimono so much, for several reasons. It was purchased in Boulder, Colorado, which is a place that means a lot to me, and it’s also a rarity since there was only a brief period where it was acceptable and stylish for kurotomesode to have a small amount of motif on the back of one sleeve. As much as I love the showier irotomesode, this piece below will always have my heart.

I paired it with a tsuke-obi that also has pine motifs and went for accessories all in the same sort of warm green/brown colour scheme. It’s a very subdued and harmonious outfit, which appeals to me more and more as I get older.

Since “chidori” is also the term used for herringbone patterns, I debated using this obidome as well. You can see where the name came from, the little interlocking shapes do indeed look like the stylised shape used to represent the birds. But it felt too modern and casual for the rest of the outfit, and didn’t fit over the obijime I’d chosen, so I’ll save it for another time 🙂

Items used in this coordination