Tag: vintage

Stepping out of my comfort zone

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In the more than two decades I’ve been studying, collecting, and coordinating kimono and Japanese arts and aesthetics, one thing I still find myself struggling with is Japanese colour palettes. I studied graphic design before I fell into this little rabbit hole, and my colour sensibilities are innately Western.

 

It’s possible you’ve seen this adorable little A Dictionary Of Color Combinations book on some fashion and personal style social media accounts lately, it’s gone somewhat viral, and for good reason. It’s less a book and more a collection of colour palettes that appeal to the Japanese aesthetic. If you’re ever stuck for inspiration, it’s a fantastic place to start. You can either open a random page and go from there, or if you have a piece in your collection you’re unsure of what to do with, there’s a handy index at the back. Find the swatch closest to your piece and then view all the options! That’s what I ended up doing here, with this gorgeous early-Showa komon I picked up at the Palm Springs vintage market a few months back.

 

 

I found this palette with the colour “Eugenia red”, which was about as close as I could find to the kimono. The complementary options were “Sulphine yellow”, “Green Blue”, and “Raw Sienna.” The obi is nearly spot-on for the sulphine yellow, and the other two colours show up in the obi motifs quite nicely. Would I normally have paired a red kimono with mustard and green accessories? Not in a million years! Was it successful? That’s for you to decide. I think it works, but it’s definitely not my favourite thing I’ve ever put together. I will definitely keep trying combos from this book though

Also if you’re curious about my manicure in the book pics, it’s Zoya Midori stamped with this Maniology sashiko plate. I was going for “matcha latte” vibes.

 

Items used in this coordination

 

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Birthstone Ensembles – March – Aquamarine

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Welcome to the first/third installment of a year-long project. I’m determined to make a coordination every month that features the primary colour of one of that month’s commonly accepted birthstones. I say one of because many months have more than one accepted stone.

Should I have started this in January? Probably, yes. But I only got the idea a week or so ago, and here we are. I will be doing January and February’s shortly and backdating them. I will also have to do a few in advance, when I know I’ll be in California, but at least this way I’m guaranteed to get back to my roots and post at least one kimono ensemble per month, barring some unforeseen disaster like the Great Legsplosion of ’23 or some other such nonsense.

For March, we have the beautiful aquamarine. Not quite blue, not quite turquoise, but that ephemeral middle-ground. I knew I had to use this Taisho-era irotome, and the vintage mirror motif obi was a spot-on pairing. I love how it adds some sparkle and shimmer, very appropriate for a gemstone theme! I decided for a few hints of pink in the accessories because they’re already present in the kimono and read almost as neutral here. It also gave me an opportunity to use the amazing rainbow obiage I got from Chayatsuji Kimono recently. I am happy with how this all came together, and it gives me hope and encouragement for the rest of the project.

What’s your birthstone? Or, if you have several, which one do you prefer?

Items used in this coordination

Montreal JCCC Fashion Show 2023

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Ooof. No, that year in the title is not a typo. I’m just three tanukis in a michiyuki when it comes to following up on things.

In the spring of 2023, I was invited to participate as a stylist and vendor in Everyone Can Kimono!, a fashion show and event put on by the Japanese-Canadian Cultural Centre here in Montreal. It aimed to encourage a love of kimono and show that it really is for anyone who is passionate about it! Being a giant awkward white woman, I was humbled and honoured to be considered. And yes, I stuck out like a sore thumb in the dressing areas, but I was welcomed openly and encouraged by all the other stylists, which was so lovely.

Sasa and Yurie did an incredible job organising everything, and helped me find some absolutely fantastic and gorgeous models to show off the ensembles I put together. I got to feature some of my favourite vintage pieces, including a few I’d never been able to use before on a person or mannequin. My models were all so gracious and enthusiastic and dressing them all was an absolutely dream.

Here are my lovely models. Due to the casual vintage nature of most of these coordinates as well as their unfamiliarity with kimono, I went with a looser and less restricted style of kitsuke, which I think worked perfectly. Don’t get me wrong, I love the tight, padded, nearly-regimented style of the modern kimono-school variety, but there’s something so effortless about more relaxed dressing that helps remind us that these used to be everyday garments.

Don’t they all look amazing and poised, and like they’ve been wearing kimono for years? They were so good!

Of course, there were plenty of other stylists who are all way more skilled and visionary than I am, and it was humbling to be included in such a talented group. Here’s a gallery of all the other fantastic outfits. It was an incredible blend of traditional, modern, and totally alternative stylings.

There was also a Q&A session at the end of the show, and I got roped into helping answer a few questions, particularly about vintage kitsuke. Some of the medication I’m on makes me particularly susceptible to heat, so behold me in all my fat sweaty glory. Yes, that is a tenugui with lemons on my head. It’s called fashion, look it up.

And some lovely group shots of all the models, as well as the whole team of stylists, honoured guests, and JCCC staff! I managed to avoid being in these because I was setting up a booth to sell off parts of my collection it was time to say goodbye to. A few pieces found good homes, and I hope their new owners cherish them like I did.

This has gone on to be a yearly event, but I’ve been in California for the past two years and haven’t been able to participate or attend. If you’re ever in Montreal in the spring, keep an eye out for announcements and definitely try to come see the show if you can! Maybe one day the timing will work out and I’ll be able to be involved again, but either way I still urge you to support small local kimono initiatives like this whenever possible 🙂

Life, the Universe and Everything

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This is one of those coordinations I’ve wanted to do from the very moment I got this kimono, and have just been putting off for one reason or another for years. It was high time I fixed that! This past Thursday was my 42nd birthday, and this coordinate has auspicious motifs of hayama and kagami (arrows and mirrors) and my favourite colour (teal) so I decided it was finally time to do it.

This kimono is definitely interesting – it’s brighter and more bold than most kurotomesode of the era, and it’s definitely very long for its age. The hem has a slight roll to it, so it’s a bit heavier than the rest of the fabric. This, along with the length, lead me to suspect it was a hikizuri, meant to be worn trailing. I’d like to think it may have been a geisha’s piece, worn at the new year, but this is just a suspicion of mine and I have no way to verify it. Whatever it is, I absolutely love it and should coordinate it more often.

The cool afternoon lighting in my living room makes the teal look bluer in these photos, but it definitely sits right between green and blue in person. I decided to use reds and blues in the accessories to emphasize how bold and punchy this piece is, and to sort of reinforce the geisha-adjacent feel of it. I also decided to let it drape, hikizuri style, to show off the beautiful flow of it, and tied the obi wider than normal to match. The collars are a bit wonky, but sometimes I just cannot get them to cooperate due to the shape of the mannequin. Alas.

This birthday has been a good one and I have very upbeat feelings about this coming loop around the sun. I hope I can share lots of new content and great news with you all soon!

Items used in this coordination

The Seventies called; they want their outfit back

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I haven’t used this gorgeous showa-fabulous houmongi Sophie got me for my birthday a while back anywhere near frequently enough. I decided to have some fun with it today, and realised this obi (which I nearly sold! what was I thinking?) is the absolute perfect seventies-style match for it.

As timeless as the shape of a kimono may be, the patterns and colours are just as susceptible to trends as western clothing is. This particular shade of orange, especially paired with gold, and the big warm-toned and almost pop-art flowers, are very emblematic of the middle of the second half of the Showa era, from the late 60s to the early 80s. I could just as easily see this general colour and pattern scheme on a polyester pantsuit as I could on this particular coordination.

I decided to keep things relatively quiet with the accessories, since the kimono and obi are so flashy already. This soft leafy green picks up the green accents in the design so it seemed like the best choice, but the obijime did get a bit lost against the obi. Then I remembered this padded, decorative little cord I picked up at the Daiso last time I was in California. It’s a bit too thin and delicate to be a functional obijime by itself but it’s absolutely perfect wrapped around as an accent. The black and bold colours just call back to the kimono so well and I’m so happy I remembered I had it!

Items used in this coordination