Tag: teal

Birthstone Ensembles – June – Alexandrite

, , , , , , , , , , , 0

Alexandrite is my favourite of the birthstones, and it holds a special place in my heart. Not because I’m a June baby — far from it, my birthday is in November — but because I love the unexpected intersection of physics, chemistry, and aesthetics that cause it to change colour so much that my engagement ring and wedding band feature it heavily. Many stones have a sort of iridescent shimmer or glow to them, but few legitimately change colour the way alexandrite does. The main stone in my ring is typically a rich indigo, looks teal under fluorescent lights, bright purple in the sun, deep plum in candlelight, and on the rare occasion I’m under direct UV light (gel manicures, the occasional round of day-glo mini-golf) it beams an impossibly eerie neon red.

Of course, I knew I had to reflect as many of these colours in today’s coordinate as I could, and this houmongi has them all aside from the neon red. The shapes of the… windows? around the hem also remind me of cut gemstones, which made it even more perfect. While the actual gemstone does not have a propensity to shine yellow, there’s already yellow accents in the kimono and they reminded me of gold so I ran with that for the accessories. The obi also looks faceted and shimmers between blue, green, and teal, so that was a no-brainer as well.

I tried something funky with the obi musubi but to be honest I’m not sure it worked. At least the pieces all work well together otherwise!

Items used in this coordination

 

Life, the Universe and Everything

, , , , , , , , 1

This is one of those coordinations I’ve wanted to do from the very moment I got this kimono, and have just been putting off for one reason or another for years. It was high time I fixed that! This past Thursday was my 42nd birthday, and this coordinate has auspicious motifs of hayama and kagami (arrows and mirrors) and my favourite colour (teal) so I decided it was finally time to do it.

This kimono is definitely interesting – it’s brighter and more bold than most kurotomesode of the era, and it’s definitely very long for its age. The hem has a slight roll to it, so it’s a bit heavier than the rest of the fabric. This, along with the length, lead me to suspect it was a hikizuri, meant to be worn trailing. I’d like to think it may have been a geisha’s piece, worn at the new year, but this is just a suspicion of mine and I have no way to verify it. Whatever it is, I absolutely love it and should coordinate it more often.

The cool afternoon lighting in my living room makes the teal look bluer in these photos, but it definitely sits right between green and blue in person. I decided to use reds and blues in the accessories to emphasize how bold and punchy this piece is, and to sort of reinforce the geisha-adjacent feel of it. I also decided to let it drape, hikizuri style, to show off the beautiful flow of it, and tied the obi wider than normal to match. The collars are a bit wonky, but sometimes I just cannot get them to cooperate due to the shape of the mannequin. Alas.

This birthday has been a good one and I have very upbeat feelings about this coming loop around the sun. I hope I can share lots of new content and great news with you all soon!

Items used in this coordination

Showa-ing Off

, , , , , 0

Sometimes it amazes me how small the online kimono enthusiast community can be. A while back I was browsing eBay and saw a bundle of some pieces I really liked for sale by a local seller. I reached out to them to ask if they’d be willing to offer local (but socially distanced!) pick-up and about an hour later I get a Facebook message from my friend Sasa, asking if the message was from me!  😆

One of the main reasons I wanted the bundle was this particular kimono; it reminds me very much of the first “big loss” I ever had on eBay, the first time I truly fell in love with a piece and was outbid in the last few seconds. It’s got a very distinct mid-late Showa era feel to it, the bold colours contrasting against a very soft background, the fantastical floral motifs that almost feel inspired by 60s psychedelia. I chose to pair it with this slightly older obi that echoes the teal-green foliage and has hints of a pale peachy pink that ties in to the kimono background.

I really love how well it all ties together. The obijime is an utterly perfect match for the kimono, and the red obiage provides just enough punch while echoing the bold red tones in the kimono designs. The soft kimono and bold obi contrast very well and the whole thing just feels very mid/late Showa era. I’m quite pleased!

Items used in this coordination

Bold, Bright, Beautiful

, , , , , , , 2

Yesterday I got two obi in the mail that I wasn’t expecting until at least a few weeks from now. It was a lovely surprise! Of course, I knew I’d want to coordinate them soon, so I asked you guys on Facebook and Instagram which of the two I should coordinate. This bold black and red tsubaki nagoya won by a landslide, so here we go.

I couldn’t decide if I wanted to go with a very subdued kimono to really show off the obi, or something a bit more bright to try to balance it out visually. Then I remembered that this giant poly komon (one of two kimono I own that currently fit my fat butt) has accents of pretty much the exact same colours – red, cream, and yellow/gold. Loud and busy won the day, as it often does in my life lately!

Because the pattern on the obi is so large and graphic it almost reads as quiet next to the busy quality of the kimono. I think that rather than competing for attention they complement each other beautifully. I went with a solid yellow haneri because I figured there was enough going on with the two main pieces that I didn’t want to introduce yet another pattern or visual element. As for the obiage and obijime, I know I use these so often but they just work with so many of my things. I still don’t quite understand how such obnoxious, lemon-yellow accessories match basically everything, but they do. Kimono sorcery!

The finishing touch was a brooch that belonged to my grandmother. I’m not sure what the stone in the centre is, but it’s a perfect match to the kimono, and brings just the right pop of teal in to break up the obi slightly.

Items used in this coordination

Vibrant Vintage

, , , , , , , 0

For someone who keeps telling herself she doesn’t need more kimono, I sure do keep ending up with more kimono. But when I saw this gorgeous vibrant turquoise Taisho irotomesode on Ichiroya recently, I knew it had to come live with me. This piece is not in great shape, admittedly. It’s got sun damage that leads me to believe it was folded and then stored badly at some point in its life. But I was just so in love with the colour that I couldn’t pass it up, and it became my tax refund gift to myself. It’s also incredibly small, bordering on too small for the mannequin even, so I have no delusions of ever being able to wear it even if I lose weight. Alas. 🙁

I knew immediately that I wanted to pair it up with this bold orange nagoya obi that really pulls out all the gorgeous warm tones in the hem design of tachibana and kaioke. My initial instinct was to go for more muted accessories, including an obijime that has nearly the same shade of turquoise, but then I remembered I have this bold haneri with tachibana in the same colours as the obi and just ran with it. I love the emphasis the rich purple tones bring to the whole coordination. I will definitely be revisiting this kimono soon with a more gentle and subtle coordination, but I really do love how bold and vibrant this turned out.

Items used in this coordination