Tag: nagoya

Birthstone Ensembles – July – Ruby

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Another month, another beautiful birthstone! For July, we have the bright and bold ruby. If you saw my sneaky little addendum to the series last week, you’ll know that I just did garnet for January, and I wanted to make sure Ruby was a much flashier and more vivid ensemble despite them both being red.

I was also feeling the urge for a bit more contrast, since so many of these outfits have been very monochrome. Of course the kimono had to be red, so I took the opportunity to feature this vintage komon again. It’s bright red with a hint of a magenta undertone, just like an actual ruby. I had this black, gold, and red nagoya that still hasn’t been used much, and I though it would tie in the black and gold accents on the kimono and bring some metallic sparkle to the outfit. Red, black, and gold accessories to finish things off, including this haneri that I use way too frequently. In fact, I think I may have used it last time I used this kimono. Oops!

Seasonally, the motifs here are somewhat wintery (ume, tsubaki), which doesn’t exactly suit the July theme, but eh. This is more of a vibe project. Maybe next year I’ll focus on seasonal/birthday flowers and see how that goes!

It also reminds me of a more casual riff on the very first kimono and obi I ever purchased. That kimono is still one of my fondest treasures and I really should get her out and feature her sometime soon.

Items used in this coordination

Stepping out of my comfort zone

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In the more than two decades I’ve been studying, collecting, and coordinating kimono and Japanese arts and aesthetics, one thing I still find myself struggling with is Japanese colour palettes. I studied graphic design before I fell into this little rabbit hole, and my colour sensibilities are innately Western.

 

It’s possible you’ve seen this adorable little A Dictionary Of Color Combinations book on some fashion and personal style social media accounts lately, it’s gone somewhat viral, and for good reason. It’s less a book and more a collection of colour palettes that appeal to the Japanese aesthetic. If you’re ever stuck for inspiration, it’s a fantastic place to start. You can either open a random page and go from there, or if you have a piece in your collection you’re unsure of what to do with, there’s a handy index at the back. Find the swatch closest to your piece and then view all the options! That’s what I ended up doing here, with this gorgeous early-Showa komon I picked up at the Palm Springs vintage market a few months back.

 

 

I found this palette with the colour “Eugenia red”, which was about as close as I could find to the kimono. The complementary options were “Sulphine yellow”, “Green Blue”, and “Raw Sienna.” The obi is nearly spot-on for the sulphine yellow, and the other two colours show up in the obi motifs quite nicely. Would I normally have paired a red kimono with mustard and green accessories? Not in a million years! Was it successful? That’s for you to decide. I think it works, but it’s definitely not my favourite thing I’ve ever put together. I will definitely keep trying combos from this book though

Also if you’re curious about my manicure in the book pics, it’s Zoya Midori stamped with this Maniology sashiko plate. I was going for “matcha latte” vibes.

 

Items used in this coordination

 

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Soft blushing pink

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By now you’ve likely heard the viral, catchy, colour-mixing song from Dokodemo Jamboree and either you love it or you hate it. But either way, it’s probably stuck in your head! It was certainly stuck in mine while I was trying to come up with a cute coordination, so I decided to go in a monochrome direction and have a bit of fun making a video to go with this post. I am trying to be a bit more active on short-form reel platforms, but I am old and tired and prefer being behind the camera nowadays. Interacting with my TikTok or Youtube accounts will help me find the motivation to keep up with them.

I have plenty of items in multiple colours I could have “combined” to do this, but soft pink is always a really safe and comforting fallback, and I suspected these two pieces, with their warm blush backgrounds and bright pops of colour, would work really well together. While it’s not really “proper” to have a kimono and obi be the exact same like this, you know I love bending the rules. I just made sure the rest of my kitsuke was as perfect as I was capable of assembling considering how out of practice I am.

Toss in a few more accessories in a deeper shade of the same salmon pink and voila! It might not be vibrant or “PINKU!”, but it makes me happy and nowadays isn’t that the important part? I have to find joy wherever I can. You should too! Whether that be unconventional combinations, making meme videos, putting a kimono on the fake Labubu you found in a parking lot, or anything else people might deem frivolous or silly. If it brings a smile to your face in these dark times and doesn’t hurt others, do it unapologetically.

Also, I’m trying out a new setup for photos that allows me to work in my bedroom instead of taking over my parents’ living room. I might even be able to bring it with me to California because it all collapses down, but I definitely can’t bring the mannequin. Let me know what you think!

 

Terrific Texture

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As much as it pained me to remove last week’s coordinate, it was time to change the mannequin. I thought for today I would focus on textures, an often-overlooked facet of kimono style and construction. This outfit may have no real variation in colour, and yet it’s anything but boring!

I paired my richly-textured mint iromuji with a tone-on-tone dusty pink hakata obi. Not only do these two pieces play well together texture-wise, the muted colour palettes complement each other perfectly. I emphasised the texture aspect even more with this haneri with a thick woven kiku design, a white shibori obiage (which is a bit too formal for this coord but it worked so well thematically) and a a white beaded obijime to introduce one last texture without adding more colour. I even arranged the obiage so the ruffled hem was visible, just to add one more layer of interest. Typically that edge is tucked away out of sight, but I thought it was a nice little touch.

I really like how this all came together. It’s very simple but also feels very luxurious, due to the nature of all the fabrics together. It’s even more effective in person, but you’ll just have to take my word on that!

Items used in this coordination

Palate Cleanser

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Lately, all the outfits I’ve put together have been high-concept in one way or another, be it stage hiki styling, non-traditional accents, or bugging other people for ideas. I was really in the mood for a simple, classic, and familiar palate cleanser of an outfit. I’ve also been watching the j-drama Watashitachi wa Dōka Shiteiru rather obsessively (review coming soon!) and was feeling inspired by the classic, traditional, and subtly elegant komon kitsuke often displayed in that show.

A while back I’d noticed that the dusty pink of this hakata weave nagoya obi perfectly  matched the flowers on this komon; I had been meaning to work with them for a while but kept putting it off in favour of “more interesting” pairings. But with my urge to do something clean and elegant, this was the perfect time.

A handful of matchy-matchy accessories, and this was exactly the mood I was going for. There’s enough contrast between the obi and kimono to be interesting, but nothing really screams out for attention. It just feels very balanced and effortlessly chic to me.

Items used in this coordination