By Any Other Name

I found this charming rose furisode at the same time as I got the absolutely unctuous brown houmongi recently. As a married woman in her mid-forties, did I need yet another furisode? Heck no. Was I going to let that stop me? Also no. I love how subtle and demure it is, especially for a furisode. And the price was fantastic.

My beloved emerald and gold hakata packs a nice punch against the muted creme tone of the kimono, and pink accessories were a no-brainer. I’d love to get an actual rose obidome or obi-kazari to go with it, but this gold and sakura piece works in the meantime. I feel like this is a good “mature” furisode outfit, especially if I were to tie the obi in something a bit less large and fluffy next time.

The kimono is quite new so I don’t have a catalogue photo for it, but weirdly I don’t seem to have one for this sanbuhimo either? Which is odd, because I’ve had it for eons. One day I’ll get my collection catalogue up to date. One day…

Items used in this coordination

Poppies and Promises

Those of you who’ve been around for a while know I make a point of keeping an eye out for items with a poppy motif, since my mother’s name is Poppy. They’re doubly special to me now since orange poppies are also the state flower of California, my new home. I got this kimono from Sasa and I’ve had it for quite a while and I knew I wanted to coordinate it before I headed back to California in a few weeks. My kitsuke skills are a little rusty, since it’s been over a year but once I got into it muscle memory took over and I think I did alright, all things considered.

In person this houmongi a gorgeous pale minty colour that’s basically impossible to capture digitally. My mobile phone actually did a better job so that’s where these photos are from, but it’s still not quite accurate. It really makes the red, orange, and yellow poppies… well… pop. I used my beloved orange hakata chuya obi since it’s such a perfect match to the flowers, and the green obijime is almost the exact same bright mint as the kimono so that was a no-brainer.

I had to take these photos in a different spot in our living room due to things still being upside-down from the fire I mentioned a while back, but I think it works for now. I’m not sure when I’ll be able to do another mannequin coordination since I head back to California in a few weeks, but I’ve got lots of fun DIY projects, reviews, and little field trips in the works so hopefully those will tide us all over for a bit 🙂

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Dancing Queen

This is one of those coordinations that’s been on my to-do list pretty much since the day the kimono arrived. I love this dance piece and I really wanted to pair it with the orange hakata side of this vintage chuuya obi and do a fun odori-influenced outfit. For some reason the photographs don’t capture either orange properly, they’re a much better match in real life.

I decided to go with an ochre haneri to kind of reflect the gold of the kimono, a gold and silver obijime for the same reason, and this red shibori obiage was to draw attention to the red date-eri that’s sewn into the kimono. A simple bunko musubi literally ties it all together, a fairly standard one for odori outfits.

Also, every time I hear or think of Dancing Queen by ABBA now, this ridiculous video gets stuck in my head. If you have a few minutes and need a good laugh, I can’t recommend it enough!

Items used in this coordination

Go With the Flow

Last week, I espoused the virtues of not always sticking to your initial plan. This week reminded me once again why that’s so important! I received this lovely purple-and-pink hakata and asanoha obi during the week and had an entirely different kimono in mind for it. I’m working from home today, so during some down-time I went into the kimono room to collect the pieces I needed and just couldn’t find the kimono anywhere! While rummaging, I pulled this vintage turquoise beauty out and decided to re-think my entire plan. Pink and purple of the obi are both very prominent accent colours in the kimono so I just ran from there.

Once I’d committed to this kimono the rest all slotted neatly into place. The haneri matches the plum purple of the obi and echoes the tachibana motif in the kimono, and my ridiculously versatile yellow accessories literally tied the rest together. The “obidome” is actually a brooch that belonged to my late grandmother and just happens to be a spot-on match for the kimono, as well as having a lovely vintage feel to it that suits the age of the kimono very well. I tied the obi in a sort of tsunodashi variation because it’s a knot that always feels vintage to me too, and I love the way it shows off the two-colour design of the obi so nicely.

I’m very glad I didn’t fight and get frustrated and give up when I couldn’t find the kimono for my initial plan, because I love this one so much more!

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Palate Cleanser

Lately, all the outfits I’ve put together have been high-concept in one way or another, be it stage hiki styling, non-traditional accents, or bugging other people for ideas. I was really in the mood for a simple, classic, and familiar palate cleanser of an outfit. I’ve also been watching the j-drama Watashitachi wa Dōka Shiteiru rather obsessively (review coming soon!) and was feeling inspired by the classic, traditional, and subtly elegant komon kitsuke often displayed in that show.

A while back I’d noticed that the dusty pink of this hakata weave nagoya obi perfectly  matched the flowers on this komon; I had been meaning to work with them for a while but kept putting it off in favour of “more interesting” pairings. But with my urge to do something clean and elegant, this was the perfect time.

A handful of matchy-matchy accessories, and this was exactly the mood I was going for. There’s enough contrast between the obi and kimono to be interesting, but nothing really screams out for attention. It just feels very balanced and effortlessly chic to me.

Items used in this coordination