Tag: odori

Dancing Queen

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This is one of those coordinations that’s been on my to-do list pretty much since the day the kimono arrived. I love this dance piece and I really wanted to pair it with the orange hakata side of this vintage chuuya obi and do a fun odori-influenced outfit. For some reason the photographs don’t capture either orange properly, they’re a much better match in real life.

I decided to go with an ochre haneri to kind of reflect the gold of the kimono, a gold and silver obijime for the same reason, and this red shibori obiage was to draw attention to the red date-eri that’s sewn into the kimono. A simple bunko musubi literally ties it all together, a fairly standard one for odori outfits.

Also, every time I hear or think of Dancing Queen by ABBA now, this ridiculous video gets stuck in my head. If you have a few minutes and need a good laugh, I can’t recommend it enough!

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Touches of Gold

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(There’s some personal emotional garbage as well as an attempt at explaining the lack of content lately at the bottom of this entry. Feel free to skip it if you’re just here for the pretties.)

My lovely friend Maral was helping someone destash some kimono and I fell in love with this green odori piece as well as a gorgeous purple and white obi that will make an appearance sooner or later. Everything about this piece makes me happy; the colour, the bridge, the willow branches, and the size. It’s deceptively large!

I decided I really wanted to play up the warm orange and touches of gold in the kimono. I used my black shishi obi to help anchor the coordination and bring in even more metallic accents, and the red obiage to tie in the red date-eri that was already sewn into the kimono. My initial instinct was a white and gold haneri but I defaulted to this yellow chirimen one that I use way too often, because somehow despite being the colour of stale mustard it seems to go with almost everything.

This outfit is quite straightforward compared to a lot of what I’ve been doing lately, but there’s a lot to be said for the classics. The whole coordination feels balanced, and just flashy enough. It’s also sort of accidentally Christmas colours, which works well because it’ll be on the mannequin over the holidays. It wasn’t intentional, but let’s pretend it was.

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If you’re reading this far, thank you. The past month or so has been rough, you guys. I was supposed to spend my birthday (Nov 16) and American Thanksgiving with my dude but then my household got exposed to the virus that shall not be named and we all had to quarantine for two weeks. As we were dealing with the aftermath of that, we lost my grandmother. She’d been ill for quite a long time and it’s a relief to know she’s not suffering anymore, but considering I was going through some emotionally messy garbage before all this happened, you can imagine how I was feeling afterwards. However, we’ve buried my grandmother’s ashes and she’s at peace, and barring another exposure incident I will be spending Christmas with Keith so I’m starting to feel better finally. I should have much more new content and a more regular update schedule in the new year. 💕

Concert Style

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You might have seen this awesome treble-clef obijime knot going around lately. Youandi over at Chayatsuji Kimono posted a great video showing how to tie it, and it’s actually deceptively simple once you’ve got the basic concept down.

This rich purple nami-chidori irotomesode has always been one of my favourite kimono, and it’s always given me a dramatic stage vibe with its bold contrast and large scale design. It seemed like a good opportunity to pull it out and show it some love. I wanted to go for something you might see on an enka singer, bridging the gap between traditional and modern.

The obijime knot and the kimono really needed to be the focus here so I kept the obi and accessories simple. A white haneri with white sakura and a geometric white-and-silver obi help to bring a subtle bling to the outfit without being distracting, and my ice-blue obiage echoes the pale end of the obijime. It’s a very simple, classic, elegant coordination and I think it would look absolutely perfect up on a stage. I definitely accomplished what I’d set out to, which always makes me very happy.

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Kits-Mas Day 7 – Midnight Bubbly

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The last day of the year is upon us! I think we can all agree that 2017 was a bit of a dumpster fire. I don’t know about you, but I’m certainly glad to see the end of it!

When I was younger, I enjoyed going out on New Year’s Eve, but the older I get, the more content I am to stay inside in a nice fuzzy pair of pyjamas. We’re also still in the depths of a record-breaking cold snap here, as is the rest of Canada and the eastern United States, so going out to watch fireworks at midnight was just not remotely appealing to me. Instead, I thought it would be fun to run with a New Year’s theme for the mannequin tonight.

I thought this gold-accented men’s odori kimono would be the ideal place to start, since it’s so bold and flashy. I considered of all the trappings of a really fun party; sparkling champagne, glitter, fireworks, laughter. The next logical step seemed like this fun hanhaba obi I bought recently with stars on it. It’s a little dull next to the kimono, so I pulled out some gorgeous silver ribbon to use as an accent and a haneri. I still don’t quite have the hang of using a men’s kimono like this, as a woman’s outfit, but all I can do is practice, right?

While the obi still feels a bit subdued against the kimono, I do think this is a bubbly, sparkly, fun outfit that seems like a fitting end to the year.

I am utterly terrible at keeping resolutions, so rather than enumerate things I will inevitably not complete, I am just going to head into the new year with an open mind, an open heart, and a wealth of unbridled enthusiasm. I hope the coming year brings you all sorts of amazing things!

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Odori Otoko-Poi

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I bought this dance kimono on a whim a while back, because I loved the graphic quality of it. The seller had listed it as a woman’s kimono but I was fairly certain it was actually a men’s dance piece. My suspicions were confirmed when it arrived. I don’t hold it against the seller, they list tons of items every single day and I’m sure it was an honest mistake. I was still very happy because it’s so fun and bold. I knew I wanted to do an otoko-poi or tomboyish look with it, and I wanted to keep the colour scheme really simple, so I pulled out my tenga obi with a gold side and stuck to black accessories. I would have preferred an all-black or monochrome haneri but since I don’t own one I thought the pink flowers on this one were neutral enough for the time being.

This is my first men’s kimono and I was actually quite surprised by how different putting it on was. I’m so used to slack in the collar, the extra length and ohashori, and the open sleeves that this was much more of a challenge than I’d initially anticipated. Despite that, eventually I’d like to try to wear this outfit, but I’d like a paler gold obi and a solid black collar first. I am curious to see if wearing a men’s kimono feels as different as using it on the mannequin did.

By the way, I am still on vacation, I just took these photos before I left so there wouldn’t be too huge a content gap while I was out of town 🙂 I’ve got a few more things in the works, but this will be the last mannequin coordination until I get home. Thanks for understanding! ❤

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