Clear as Black and White

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I’ve been rolling the idea of an all black and white coordinate for quite a while now. I find myself with a surfeit of free time now, due to my sudden lack of employment due to the COVID-19 outbreak, so I figured I may as well really buckle down and start doing all the kimono-related things I’ve had loosely percolating in the back of my mind for months now.

Of course, I started with my all-white shiromuku bridal furisode. The black anchor came from the homsue-hem style juban I made last summer for the fashion show. I debated removing the ruffles afterwards but decided I liked it so much I wanted to use it in other ways. I’m very glad I kept it! To balance out the black at the cuffs and hem, I went with a black obi. For the haneri and obiage, I actually used some fabric I had left over from last year’s Halloween costume, where I went as a sort of celestial moon goddess. I really love how it works here and I’m seriously debating cutting and hemming some pieces properly, to use again in the future. The final finishing touch was a beaded silvery-white obijime that echoes the sparkle of the stars on the accessories as well as breaking up the solid black of the obi.

The fun thing about this outfit is that it allows me to use pieces that would traditionally never be used outside of specific circumstances; a wedding kimono and mourning obi and accessories! But since it’s such an out-there ensemble, and the addition of the very non-traditional ruffles on the juban, I think I got away with it just fine  😉

As I mentioned up top, I have indeed (temporarily) lost my job. The store where I work is a small, non-essential business, and we had no choice but to close indefinitely. I’m incredibly lucky to share a house with my folks which means that I’m not at risk for eviction or starvation. However, running this blog and bringing you guys new and exciting content on a regular basis isn’t exactly free. Whether it be new coordinations, book reviews, DIY projects, or even just covering the cost of hosting the blog, things might take a hit if I’m out of work for much longer. I know this crazy pandemic situation is affecting everyone, so I’m certainly not expecting anything, but if you are lucky enough to be working from home and have a steady income, I’m not too proud to add a link here to my donation & support page. Thank you for reading all this!

Items used in this coordination

Fall’s Bounty Ikebana

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I guess all that complaining about how summer was sticking around actually accomplished something, because it’s wonderfully crisp and cool out now. It seemed like a good time to share this last of the triad I created from that one big bundle of flowers my mum brought home a while back.

The lilies and the greenery forming the horizontal grounding of the arrangement harken back to the end of summer, while the carnations and chrysanthemums scream autumn to me. Unfortunately the piece does end up feeling a little cluttered, in retrospect, and I might have been better off just foregoing the orange lilies entirely. Oh well, you live and you learn, right?

I’d also like to take a moment to thank any regular readers for their patience. My schedule at work and life in general have been a little out of whack for the past few weeks and I’ve found it hard to devote time to blogging. But things are back to normal now, so I should be back to two entries a week or so.

Bridal Redux

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Bridal kitsuke is probably the most complex and exhausting of all standard forms of kitsuke. I’ve done it on the mannequin a few times before, but always having to improvise a little. I’ve done  fully coloured ensemble and an all-white ensemble, but when I found this red and gold accessory set for a fantastic price, I knew I wanted to do the transitional style often done for a reception. I paired the bold accessories with my flamboyant and loud uchikake but kept the demure subtle white kimono and obi. I think this is actually my favourite type of bridal ensemble.

I think I’m finally getting the hang of wrapping hikizuri-style kimono to get that lovely x-shaped drape of the hem. It’s not perfect, but I can see definite improvement every time I attempt it. The collar’s pretty mangled, but let’s not speak of that… Because this is my first real, full set of accessories, including a proper-sized bira and an actual kakae-obi, I couldn’t resist taking a bunch of detail shots. I hope you enjoy them!

It’s very satisfying to see the whole thing put together like this. Maybe one day someone will let me dress them up in the whole ensemble.

Items used in this coordination

Taisho Turquoise, Take Two

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How’s that for some terrible alliteration? I know the last coordination I posted was with this kimono, but I just love it so much I couldn’t bear to take it off the mannequin yet. As I mentioned in my previous entry, I also had plans for a more subtle coordination with it, and since I’m feeling a little under the weather (this allergy season has been horrendous) simply changing up the accessories rather than re-dressing her from the ground up seemed like a good idea for today.

While the first outfit I did focused on bright contrast, this one is much more soft and harmonious. The white and silver obi echoes the white parts on the hem of the kimono, and I got to use the pink and turquoise obijime that matches so perfectly. Isn’t it interesting how changing up the obi and accessories can give such a drastically different mood to the same kimono?

Items used in this coordination

Valentine Redux

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Happy Valentine’s Day! Whether you’re celebrating with a partner, family, friends, a beloved pet, or just loving yourself today, I hope you’re having a great day.

I wanted to do yet another obnoxiously girly coordinate and was inspired by my previous Valentine’s Day colour combo but wanted to add a bit more flair. I’d also been itching to do a more kimono-hime style outfit.

Lately there’s been a lovely trend of slightly exposing juban with really sweet pleated chiffon hems, and while I don’t own one of those (yet), this textured while skirt with lace accents worked a charm. I also used one of the skirt’s tiers to fake extra sleeve layers, and love how they look. Especially now that the mannequin has arms!

I also re-used a lot of the lace I’d initially bought for the Princess Tiana coordination, and I think it pops so well against the black kimono. The pink lace shawl has a very similar texture and ties in to the obi perfectly, as well as echoing the layered pink and white collars I used. A shiny silver and pink brooch used as an obidome completes the look. This outfit is still sweet and romantic, but I think that with the black base it feels a little edgier, and I love that.

Items used in this coordination