Tag: hikizuri

Fit for a Party

, , , , , , , , 0

Just a little entry today, but I was so inspired by the Oshiroi perfume that I knew I had to make an outfit worthy of it. I knew it had to be something timeless and elegant, so using a kurotomesode was the way to go and this gorgeous hamaya piece fit the bill. It’s quite long and the design comes up very high. Also, when worn in a more standard way a lot of the design gets lost in the ohashori. This leads me to believe it was originally intended to be worn hikizuri-style, so of course I ran with it.

I went with my own twist on typical tachikata geiko-inspired styling, with a gorgeous gold obi and white and gold accessories. I even used a red obiage as a sort of momi beneath the obi, but it got a little lost. The obijime is technically too casual, but it matches the kimono so perfectly with that rich teal and almost pinkish red, I couldn’t not use it. 

Getting the mannequin to show off the beautiful perfume box was a bit of a challenge, and I’ve had to photoshop the hands slightly so if they look mangled I apologise.

Items used in this coordination

Kabuki Glamour

, , , , , , , , , , , , , , 0

For today’s outfit I was inspired by the lush decadence and pure kabuki glamour of the costuming in Kokuho, which I reviewed earlier this week. This astonishingly big and heavy stage hikizuri was the perfect base, and for once I’m actually in season with it. I waffled between my black and white hakata tsuke-obi and this green short han-darari style, but in the end the bling and the drama of the darari won out. I also really like how it picks up the green in the ume branches of the kimono. They feel very theatrical together, don’t they?

Colour-wise, there was already more than enough going on so I figured white accessories with a lot of rich texture would be the best accent, and I’m glad I didn’t add in anything else. I went with my tried-and-true textured kiku haneri, the white and silver maruguke obijime from one  of my bridal sets, and my white obiage with red shibori clouds. I think they make an excellent combo!

This kimono is so big, and the obi so easy to put on, that I am seriously debating wearing this entire outfit myself and going to take photos in the snow before it melts. We’ll see if I end up finding the time and energy. (ed note: Don’t get your hopes up, the writer is tired)

Also one fun note about this kimono, there are still trace of oshiroi smudged onto the red inner layer. I should have taken a close up, now that I think about it.

 

Blushing Valentine Bride

, , , , , , 0

I absolutely intended to do this yesterday, but the universe clearly had other plans. It’s never too late for a little bit of winter romance though, so here we are! For February and Valentine’s Day, I decided to do a bit of a non-traditional wedding coordination. Generally, wedding outfits will be either all white (or white with metallic accents) or boldly coloured, depending on the time, location, and whether it’s for the ceremony or reception. This time though, I decided to go white with one bright accent colour; what could be more romantic than rosy pink?

I used a pink iromuji as the under-layer, since the colour was a perfect match, and I’m glad I went for it. I love the solid colours but play of texture – the kimono has a subtle sayagata rinzu, the iromuji is much more heavily textured, there’s the nubbly shibori of the obiage, the smooth flat surface of the obi, and even the shiny bumpy quality of the beaded obiage. Everything plays against everything else to create an outfit that despite being only two colours still remains visually very interesting.

Typically, a bigger musubi like tateya or something fancy created by a bridal studio would be used with a wedding ensemble. However, this obi has no stiffener and is very floppy, which really reduces the ways it can be tied without looking sad and anaemic, so I went with a very timeless soft bunko musubi. This also seemed like the perfect time to use the heart obijime knot (tutorial here). Since beaded obijime tend to be a bit slippery and often shorter than usual I wasn’t able to do it perfectly, but it’s still quite cute I think!

I’ve also gone ahead and reactivated my Patreon account. I know times are tough and money is tight for just about everyone, so I’m not expecting anything. But if you’ve got a few dollars to spare and enjoy the content I provide, please consider pledging! Every penny earned from there will go directly back into this blog, to cover new pieces, new reference materials, website hosting, and the like.

Items used in this coordination

Winter Hikizuri in Late Summer

, , , , , , , , , 0

Recently the naughty voice in my head told me to browse eBay, despite having no job and no storage space. I figured browsing hikizuri would keep me safe as they tend to be out of my price range anyway. Unfortunately, I listened to the naughty voice, found a gorgeous ume piece with multiple extra layers that happened to be a huge size, and now this stunner is now all mine! I’m fairly certain it will fit, but right now it’s just way too hot to wear something with so many layers and so much padding. I am looking forward to putting it on eventually, but in the meantime I couldn’t wait to put it on the mannequin instead.

It was listed as a geisha’s hikizuri on eBay, but the overall boldness and huge padded hems make it feel more like some kind of stage or dance piece. Either way, it’s absolutely stunning and it’s already a treasured part of my collection. I chose metallic, heavily textured accessories to balance out the rich black and smooth yuzen. The green shibori obiage isn’t technically appropriate but I really love how it draws attention to the green accents in the kimono that almost disappear otherwise. I think next time (maybe whenever I actually wear it) I might go with a white-and-silver obi instead of the primarily gold one, since most of the metallic accents on the piece are silver, but I think the gold works just fine. I tied the musubi on a bit of an angle to make it feel a bit more chic and I quite like how that looks.

This also happens to be the 100th kimono I own, if you count men’s items, uchikake, and yukata. A piece worthy of the milestone, in my opinion.

Items used in this coordination

Iso-Onna – Yokai Halloween 2018

, , , , 0

Nearly every culture has some form of vampire mythos, and Japan is no different. Iso-Onna, the Coast Woman, is described as a beautiful woman who hunts along the shores of Western Japan. She lures fishermen, sailors, and travellers to her and then drags them into the water and uses her hair to suck their blood. Somehow that seems even more horrible than using teeth!

For this coordination, I knew I needed to evoke the coastline, Of course, I had to use my hikizuri with the crashing waves on it, paired with this gorgeous pente ship obi. I brought in some pops of red to represent blood, and couldn’t resist finally featuring the awesome rhinestone octopus a friend sent me.

I love the drama that the trailing hem brings to this particular outfit. It reminds me of seawater spilling across the shoreline which is absolutely perfect for the theme. It also still feels wearable, despite using relatively theatrical pieces. I’ve worked hard making sure all of these coordinations don’t feel overly “costumey” and I’m glad I’ve been able to stick it out.

Only one more to go! Come back on October 31st to see the final yokai!

Items used in this coordination