What’s Old is New Again

This kimono has always been one of my favourites, but for some reason I’ve never paired it with anything other than an orange obi. Don’t get me wrong, it looks great with orange, but I wanted to diversify a bit. I realised it had the same kikkou pattern on the shoulder as my green darari-style tsuke-obi and I knew exactly where this coordination was heading.

Red accessories because there’s a bit of red in the obi and it helps make the lining pop, and red accents always make an outfit feel a bit more vintage to me! I debated using a dark red haneri shigoki obi as well but it ended up feeling more balanced without it. Even if you’ve planned an outfit entirely in your head, it’s always good to be flexible when you finally get things laid out together. Never feel like you have to stick entirely to your original plans, and that doesn’t only go for kimono coordinating.

Items used in this coordination

Touches of Gold

(There’s some personal emotional garbage as well as an attempt at explaining the lack of content lately at the bottom of this entry. Feel free to skip it if you’re just here for the pretties.)

My lovely friend Maral was helping someone destash some kimono and I fell in love with this green odori piece as well as a gorgeous purple and white obi that will make an appearance sooner or later. Everything about this piece makes me happy; the colour, the bridge, the willow branches, and the size. It’s deceptively large!

I decided I really wanted to play up the warm orange and touches of gold in the kimono. I used my black shishi obi to help anchor the coordination and bring in even more metallic accents, and the red obiage to tie in the red date-eri that was already sewn into the kimono. My initial instinct was a white and gold haneri but I defaulted to this yellow chirimen one that I use way too often, because somehow despite being the colour of stale mustard it seems to go with almost everything.

This outfit is quite straightforward compared to a lot of what I’ve been doing lately, but there’s a lot to be said for the classics. The whole coordination feels balanced, and just flashy enough. It’s also sort of accidentally Christmas colours, which works well because it’ll be on the mannequin over the holidays. It wasn’t intentional, but let’s pretend it was.

Items used in this coordination

If you’re reading this far, thank you. The past month or so has been rough, you guys. I was supposed to spend my birthday (Nov 16) and American Thanksgiving with my dude but then my household got exposed to the virus that shall not be named and we all had to quarantine for two weeks. As we were dealing with the aftermath of that, we lost my grandmother. She’d been ill for quite a long time and it’s a relief to know she’s not suffering anymore, but considering I was going through some emotionally messy garbage before all this happened, you can imagine how I was feeling afterwards. However, we’ve buried my grandmother’s ashes and she’s at peace, and barring another exposure incident I will be spending Christmas with Keith so I’m starting to feel better finally. I should have much more new content and a more regular update schedule in the new year. 💕

Furisode Glam

Ahhhh! I can’t get over the pairing of this kimono and obi! It’s just.. *chefs kiss*. The obi was part of my final Ichiroya purchase and I fully admit I didn’t have any particular pairings in mind when I bought it, I just thought it was pretty. But it occurred me last night that it might look good with this kimono and man, was I ever glad to be right. The pinks tie in perfectly and the dusty navy accents on the obi call back to the hem of the furisode in the best possible way.

I decided to go full modern furisode glam today; a big bold haneri, gold and green kasane-eri, shibori obiage, and bright tasselled obijime. The obijime looks more orange than it actually is in the photo. In reality it’s a more warm salmon-pink shade that works really well with the obiage and the shadowed parts of the lilies on the kimono.

Like last week’s outfit, this coord is very “proper”, but definitely has a much more vibrant and youthful feel. Just goes to show that correct kitsuke doesn’t have to be stoic or subdued!

I followed this tutorial for a big poofy obi musubi and I am thrilled with how it turned out. That homemade sanjuhimo I made a while back works really well. I normally don’t include a close-up of the back of the outfit but I was proud of my work and felt the need to show off.

Items used in this coordination

Palate Cleanser

Lately, all the outfits I’ve put together have been high-concept in one way or another, be it stage hiki styling, non-traditional accents, or bugging other people for ideas. I was really in the mood for a simple, classic, and familiar palate cleanser of an outfit. I’ve also been watching the j-drama Watashitachi wa Dōka Shiteiru rather obsessively (review coming soon!) and was feeling inspired by the classic, traditional, and subtly elegant komon kitsuke often displayed in that show.

A while back I’d noticed that the dusty pink of this hakata weave nagoya obi perfectly  matched the flowers on this komon; I had been meaning to work with them for a while but kept putting it off in favour of “more interesting” pairings. But with my urge to do something clean and elegant, this was the perfect time.

A handful of matchy-matchy accessories, and this was exactly the mood I was going for. There’s enough contrast between the obi and kimono to be interesting, but nothing really screams out for attention. It just feels very balanced and effortlessly chic to me.

Items used in this coordination

Winter Hikizuri in Late Summer

Recently the naughty voice in my head told me to browse eBay, despite having no job and no storage space. I figured browsing hikizuri would keep me safe as they tend to be out of my price range anyway. Unfortunately, I listened to the naughty voice, found a gorgeous ume piece with multiple extra layers that happened to be a huge size, and now this stunner is now all mine! I’m fairly certain it will fit, but right now it’s just way too hot to wear something with so many layers and so much padding. I am looking forward to putting it on eventually, but in the meantime I couldn’t wait to put it on the mannequin instead.

It was listed as a geisha’s hikizuri on eBay, but the overall boldness and huge padded hems make it feel more like some kind of stage or dance piece. Either way, it’s absolutely stunning and it’s already a treasured part of my collection. I chose metallic, heavily textured accessories to balance out the rich black and smooth yuzen. The green shibori obiage isn’t technically appropriate but I really love how it draws attention to the green accents in the kimono that almost disappear otherwise. I think next time (maybe whenever I actually wear it) I might go with a white-and-silver obi instead of the primarily gold one, since most of the metallic accents on the piece are silver, but I think the gold works just fine. I tied the musubi on a bit of an angle to make it feel a bit more chic and I quite like how that looks.

This also happens to be the 100th kimono I own, if you count men’s items, uchikake, and yukata. A piece worthy of the milestone, in my opinion.

Items used in this coordination