Tag: gold

Birthstone Ensembles – June – Alexandrite

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Alexandrite is my favourite of the birthstones, and it holds a special place in my heart. Not because I’m a June baby — far from it, my birthday is in November — but because I love the unexpected intersection of physics, chemistry, and aesthetics that cause it to change colour so much that my engagement ring and wedding band feature it heavily. Many stones have a sort of iridescent shimmer or glow to them, but few legitimately change colour the way alexandrite does. The main stone in my ring is typically a rich indigo, looks teal under fluorescent lights, bright purple in the sun, deep plum in candlelight, and on the rare occasion I’m under direct UV light (gel manicures, the occasional round of day-glo mini-golf) it beams an impossibly eerie neon red.

Of course, I knew I had to reflect as many of these colours in today’s coordinate as I could, and this houmongi has them all aside from the neon red. The shapes of the… windows? around the hem also remind me of cut gemstones, which made it even more perfect. While the actual gemstone does not have a propensity to shine yellow, there’s already yellow accents in the kimono and they reminded me of gold so I ran with that for the accessories. The obi also looks faceted and shimmers between blue, green, and teal, so that was a no-brainer as well.

I tried something funky with the obi musubi but to be honest I’m not sure it worked. At least the pieces all work well together otherwise!

Items used in this coordination

 

Wisteria Chocolate

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I’ve generally been pretty good about not buying kimono lately, but when I saw this absolutely lush warm-brown houmongi with wisteria – a motif I’ve been wanting more of – on Etsy for a fantastic price I had to have it. I also got another piece I’ll be featuring soon, more on that later.

I love how elegant and subtle this piece is, it feels very “quiet luxury” to me. The silk is rich and thick and heavy, the gold decoration is not overdone, and it has an almost monochrome quality to it that I feel ads to the understated feel of the whole thing. If I ever manage to lose all the weight the medical debacles of the past decade have put on me, this will be one of the first things I wear I think.

I specifically chose this gold obi because of the seafoam accents it has. That may seem like an odd choice, but there are flecks of nearly the exact same minty colour in the hem of the kimono. I couldn’t believe what a fortuitous match it was!

Once I had these pieces next to each other, I ran with similarly coloured accessories and realised the whole combination reminded me of a box of expensive chocolates, reinforcing the whole luxury vibe I had in mind. It was an accident, but a happy one!

Overall I’m very happy with the coordination, even if I am slightly less happy with the actual kitsuke. The collars were giving me grief but I knew if I kept fighting them I would get frustrated and give up. Perfection is the enemy of done, after all.

Items used in this coordination

The Seventies called; they want their outfit back

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I haven’t used this gorgeous showa-fabulous houmongi Sophie got me for my birthday a while back anywhere near frequently enough. I decided to have some fun with it today, and realised this obi (which I nearly sold! what was I thinking?) is the absolute perfect seventies-style match for it.

As timeless as the shape of a kimono may be, the patterns and colours are just as susceptible to trends as western clothing is. This particular shade of orange, especially paired with gold, and the big warm-toned and almost pop-art flowers, are very emblematic of the middle of the second half of the Showa era, from the late 60s to the early 80s. I could just as easily see this general colour and pattern scheme on a polyester pantsuit as I could on this particular coordination.

I decided to keep things relatively quiet with the accessories, since the kimono and obi are so flashy already. This soft leafy green picks up the green accents in the design so it seemed like the best choice, but the obijime did get a bit lost against the obi. Then I remembered this padded, decorative little cord I picked up at the Daiso last time I was in California. It’s a bit too thin and delicate to be a functional obijime by itself but it’s absolutely perfect wrapped around as an accent. The black and bold colours just call back to the kimono so well and I’m so happy I remembered I had it!

Items used in this coordination

2023, New Year’s Revelations

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Happy new year! This year I’m not going to make any resolutions, because I’ve learned that life always gets in the way. Instead, within the next few weeks I will be sharing a road map for the future of this blog. Don’t worry, it’s not going anywhere and it’s not going to stop being about kimono. It’s all good news, I promise. I just need some time to formulate my thoughts.

In the meantime, starting the year off with a new coordination seemed like a good way to open things up. My initial plan was going to use my usagi shifuku tsukesage but I couldn’t find it. This relates back to my aforementioned plan and roadmap. My collection is that much of a mess.

I decided instead to use this kurotomesode with the tagasode motif, which seemed like a good kimono-related omen to start the year off with. I paired it with a gold obi with a celebratory tabane-noshi motif and white accessories, for a more traditional coordination than I usually do. I feel like these combine for an outfit that invites good luck and celebration of kimono for 2023, which I need right now!

I apologise for the lighting in these photos, up here in the wilds of Montreal it gets dark very early in the winter, so I don’t have much light to work with. I still think they convey the essence of the coordination so I’m happy enough.

This will be my only coordination for a few months, as I’m flying out to California again on the 7th. I’ll still be updating though! See you soon!

Items used in this coordination

Autumn Fairy Tale

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Both this kimono and this obi are nearly impossible to coordinate. I’ve used the kimono before, but despite having had this obi in my possession for nearly a year now, I’d never found a good way to use it. Last night it came to me while I was soaking in the bath, as many great ideas do.

They both have a sort of fantastical, storybook, decidedly un-Japanese vibe to them. The kimono has always reminded me of The Moomins and other Scandinavian childrens’ books, and the obi has a vaguely Middle-Eastern fantasy feel to it that wouldn’t be out of place in One Thousand and One Nights. I also thought the green and brown would complement each other very well, and the gold accents would echo each other nicely too.

Was I right, or was I right? I’m over the moon with how these pieces look together. I decided go with pink accessories to make the pink trees in the kimono stand out a bit more, since they can get a bit lost against the white hill. They also help to add a touch of light and contrast between the kimono and obi, which are both quite dark. It worked very well, I think. From a distance they almost read as white, just like the trees do, but when you get close you get this lovely surprise. There are also tiny pink and gold botan on the haneri, which are decidedly out of season but the colours worked so well I had to run with it. Next time I might add a gold date-eri to break things up a little further, but I think it works fine without it too. It also just occurred to me that my pink lace haori would look amazing with this too, so I will have to try that sometime.

Another neat thing about this outfit is that all the items aside from the obijime are significantly larger than average, which means I might be able to wear it if I ever have the energy to dress myself again. Something to look forward to, maybe?

Items used in this coordination