Bridal Redux

Bridal kitsuke is probably the most complex and exhausting of all standard forms of kitsuke. I’ve done it on the mannequin a few times before, but always having to improvise a little. I’ve done  fully coloured ensemble and an all-white ensemble, but when I found this red and gold accessory set for a fantastic price, I knew I wanted to do the transitional style often done for a reception. I paired the bold accessories with my flamboyant and loud uchikake but kept the demure subtle white kimono and obi. I think this is actually my favourite type of bridal ensemble.

I think I’m finally getting the hang of wrapping hikizuri-style kimono to get that lovely x-shaped drape of the hem. It’s not perfect, but I can see definite improvement every time I attempt it. The collar’s pretty mangled, but let’s not speak of that… Because this is my first real, full set of accessories, including a proper-sized bira and an actual kakae-obi, I couldn’t resist taking a bunch of detail shots. I hope you enjoy them!

It’s very satisfying to see the whole thing put together like this. Maybe one day someone will let me dress them up in the whole ensemble.

Showa Fabulous Christmas in July

It’s still hotter than the surface of the sun here in Montreal, but I was determined to see if I could turn my han-darari tsuke obi into a passable fukura suzume bow in preparation for the Otakuthon fashion show. I figured while I had the mannequin and obi out, I may as well go all-in and change her outfit. This isn’t going to be a full outfit in the show but it’s good practice and visualisation for something that’s in the works.

The obi has such a gorgeously shiny showa fabulous feel to it that it felt like the perfect time to bust out my precious post-war kiku houmongi. I went with gold, red, and green accessories, and while I worried initially that the outfit would feel Christmassy, it actually worked out really well. Besides, Christmas in July might help me feel a little bit cooler!

As for the obi experiment, it definitely worked in theory. I just need a few more himo to make things a little tidier, but I’ll definitely be able to pull it off properly for the show on a real model, and I’m thrilled.

Items used in this coordination

Perfectly Harmonious Pairing

I’m back! Sort of! Still not feeling 100% better, but definitely improving. I’ve got a few low-stress things in the works for the next week or two.

For today, a coordination I’ve been itching to put together since I bought this obi. About a month ago I went to a rummage sale at the Montreal JCCC and while I had no real intention of buying anything, I found this amazing cream-coloured obi with Arabic script on it and knew it had to come live with my mosque kimono. I honestly can’t tell if the writing on the obi actually says anything or is just sort of an artistic interpretation, so if anyone can tell me what it says, I’d very much appreciate it!

I cannot get over how perfectly these pieces pair together. The background colour of the obi echoes the yellow-gold clouds on the kimono and the green script and design elements bring out the palm trees around the hem of the kimono. I also used that colour as inspiration for the accessories, a gorgeous olive-green obiage and obijime that also weren’t a set but happen to match almost perfectly. I chose a very simple haneri with just some white and gold sakura. I wanted all the focus to be on the beautiful pairing of the kimono and obi.

Items used in this coordination

The Finnish-Ing Touch

Recently, a friend posted that she was going to be de-cluttering her collection and generously giving some of her pieces away. I fell in love with the rich green colour and charming, almost naive design of this houmongi, and somehow managed to claim it before anyone else did. After nearly a month in transit (what is it with me and mail delays lately?!) it finally arrived safe and sound, and I couldn’t wait until I was able to do something with it.

I don’t know if it’s just my imagination, because of where I got it, but there’s something that genuinely feels very Finnish to me about it. It reminds me of some Marimekko designs, or possibly the background of something drawn by Tove Jansson, Can you not picture a Moomin hiding behind one of the trees?

While it will definitely look wonderful with a more classical, elegant coordination (I’m looking forward to pairing it with my gold Tokaido fukuro obi in the future), I knew that initially I really wanted to play up the fun and quirky quality of it. This tachibana obi seemed like a good choice, since it’s got an almost naive, storybook style to it. Pink accessories made the light pink trees in the hem pop, and a gold kasane-eri was the perfect finishing touch to break up all the heavy green up top. I really love how this all came together, and I hope Jenni thinks I did it justice!

Items used in this coordination

Say Hi to Sophie!

Yesterday, my dear friend Sophie came over and I had the pleasure of dressing her in kimono! She’s worn yukata before, when we went to the Yatai! street food fest, but never anything dressier. She chose this plum tsukesage with stylised peacocks because she loves purple, and we coordinated an outfit around it. I went for a big punch of contrast with the gold obi, then chose an obijime with the same plum tones and an obiage that pulls out the icy blue of the obijime for a good sense of cohesion.

I did dress her over western clothing and undergarments, so the collar isn’t as smooth as it could be, but for someone who’s never worn this many heavy layers before, she looks great! Some people are just kimono naturals.

She was a little nervous posing at first, but once she got a little more relaxed everything just clicked. I think she looks absolutely lovey, and I do like how the gold obi and kasane-eri pop against the rich aubergine of the kimono. Sometime in the future, I’m very much looking forward to both of us dressing up and going out together.

This last photo is a bit of a conceit on my part. I really loved how thoughtful she looked, but unfortunately my flash didn’t fire and the photo ended up being incredibly noisy and under-exposed. I decided to make it look like a vintage daguerreotype, and I think it worked out quite well.

Items used in this coordination