By Any Other Name

I found this charming rose furisode at the same time as I got the absolutely unctuous brown houmongi recently. As a married woman in her mid-forties, did I need yet another furisode? Heck no. Was I going to let that stop me? Also no. I love how subtle and demure it is, especially for a furisode. And the price was fantastic.

My beloved emerald and gold hakata packs a nice punch against the muted creme tone of the kimono, and pink accessories were a no-brainer. I’d love to get an actual rose obidome or obi-kazari to go with it, but this gold and sakura piece works in the meantime. I feel like this is a good “mature” furisode outfit, especially if I were to tie the obi in something a bit less large and fluffy next time.

The kimono is quite new so I don’t have a catalogue photo for it, but weirdly I don’t seem to have one for this sanbuhimo either? Which is odd, because I’ve had it for eons. One day I’ll get my collection catalogue up to date. One day…

Items used in this coordination

Wisteria Chocolate

I’ve generally been pretty good about not buying kimono lately, but when I saw this absolutely lush warm-brown houmongi with wisteria – a motif I’ve been wanting more of – on Etsy for a fantastic price I had to have it. I also got another piece I’ll be featuring soon, more on that later.

I love how elegant and subtle this piece is, it feels very “quiet luxury” to me. The silk is rich and thick and heavy, the gold decoration is not overdone, and it has an almost monochrome quality to it that I feel ads to the understated feel of the whole thing. If I ever manage to lose all the weight the medical debacles of the past decade have put on me, this will be one of the first things I wear I think.

I specifically chose this gold obi because of the seafoam accents it has. That may seem like an odd choice, but there are flecks of nearly the exact same minty colour in the hem of the kimono. I couldn’t believe what a fortuitous match it was!

Once I had these pieces next to each other, I ran with similarly coloured accessories and realised the whole combination reminded me of a box of expensive chocolates, reinforcing the whole luxury vibe I had in mind. It was an accident, but a happy one!

Overall I’m very happy with the coordination, even if I am slightly less happy with the actual kitsuke. The collars were giving me grief but I knew if I kept fighting them I would get frustrated and give up. Perfection is the enemy of done, after all.

Items used in this coordination

Lavender Formal

Today’s entry is something a little more straightforward, formal, and traditional than I’ve done lately. I got this beautiful two-sided obi from Sasa. It’s white with gorgeous silver floral round designs with tiny lavender accents. The other side is a very pale lilac with an asanoha texture. I’m honestly not sure what to quantify it as, but since this side feels like a formal fukuro obi I thought it would work well with my kurotomesode with lavender and peach tones.

I tried to keep the kitsuke “correct” and traditional here; white-based formal obi, white haneri, gold and white obijime. However, being me, I did deviate a tiny bit by going with a peach obiage which is a spot-on perfect match for the ume flowers on the kimono. The obi is also incredibly easy to tie, which is always a good thing. I made one of the neatest and tidiest nijuudaiko musubi I’ve ever done, I think! I’m very much looking forward to coordinating this obi with other kimono, and maybe featuring the opposite, more casual side sometime soon.

Thankfully my life has calmed down a bit and some personal behind-the-scenes stuff that was causing me anxiety has been sorted out, so I can finally live up to the promise I keep making to be more active here. I’ve also got Patreon back up and running. While the blog will always be totally free, there are little perks you can get for helping support this passion of mine and enable me to keep sharing pictures, references, and information with you all. This hobby is not a cheap one!

Items used in this coordination

(The detail photo of the obi above is terrible, and will be replaced with a decent one as soon as I can set up my backdrop and stuff properly again!)

Back to Basics

I’ve been doing a lot of fancy and non-traditional kitsuke lately, and was itching to get back to kimono basics, if you will. Just an elegant, simple coordination. No fuss, no muss. I also realised I’ve been sticking to more Western colour coordinations, doing things that look “right” in my head and not necessarily keeping kimono colour rules in mind.

With that at the forefront of my mind, I decided it was high time I coordinate this beautiful pale pink nagoya obi I got earlier this summer. My original instinct was to stick with pastels, but I pushed through and paired it with this rich blue houmongi instead. I love the contrast, and the soft genteel obi pairs so well with the very delicate shading on the botan of the kimono. Red and blue accessories helped pull it all together cohesively.

My next thought for this obi is a black-based kimono. I really love how it pops against darker, richer colours. It’s technically not formal enough for kurotomesode, but because it’s got a metallic pearly-silver sheen to it, I think I can make it work! Maybe I should do that next week. Less folding to do if I use the same obi two outfits in a row 😉

Items used in this coordination

Perfectly Harmonious Pairing

I’m back! Sort of! Still not feeling 100% better, but definitely improving. I’ve got a few low-stress things in the works for the next week or two.

For today, a coordination I’ve been itching to put together since I bought this obi. About a month ago I went to a rummage sale at the Montreal JCCC and while I had no real intention of buying anything, I found this amazing cream-coloured obi with Arabic script on it and knew it had to come live with my mosque kimono. I honestly can’t tell if the writing on the obi actually says anything or is just sort of an artistic interpretation, so if anyone can tell me what it says, I’d very much appreciate it!

I cannot get over how perfectly these pieces pair together. The background colour of the obi echoes the yellow-gold clouds on the kimono and the green script and design elements bring out the palm trees around the hem of the kimono. I also used that colour as inspiration for the accessories, a gorgeous olive-green obiage and obijime that also weren’t a set but happen to match almost perfectly. I chose a very simple haneri with just some white and gold sakura. I wanted all the focus to be on the beautiful pairing of the kimono and obi.

Items used in this coordination