Wisteria Chocolate

I’ve generally been pretty good about not buying kimono lately, but when I saw this absolutely lush warm-brown houmongi with wisteria – a motif I’ve been wanting more of – on Etsy for a fantastic price I had to have it. I also got another piece I’ll be featuring soon, more on that later.

I love how elegant and subtle this piece is, it feels very “quiet luxury” to me. The silk is rich and thick and heavy, the gold decoration is not overdone, and it has an almost monochrome quality to it that I feel ads to the understated feel of the whole thing. If I ever manage to lose all the weight the medical debacles of the past decade have put on me, this will be one of the first things I wear I think.

I specifically chose this gold obi because of the seafoam accents it has. That may seem like an odd choice, but there are flecks of nearly the exact same minty colour in the hem of the kimono. I couldn’t believe what a fortuitous match it was!

Once I had these pieces next to each other, I ran with similarly coloured accessories and realised the whole combination reminded me of a box of expensive chocolates, reinforcing the whole luxury vibe I had in mind. It was an accident, but a happy one!

Overall I’m very happy with the coordination, even if I am slightly less happy with the actual kitsuke. The collars were giving me grief but I knew if I kept fighting them I would get frustrated and give up. Perfection is the enemy of done, after all.

Items used in this coordination

Lavender Formal

Today’s entry is something a little more straightforward, formal, and traditional than I’ve done lately. I got this beautiful two-sided obi from Sasa. It’s white with gorgeous silver floral round designs with tiny lavender accents. The other side is a very pale lilac with an asanoha texture. I’m honestly not sure what to quantify it as, but since this side feels like a formal fukuro obi I thought it would work well with my kurotomesode with lavender and peach tones.

I tried to keep the kitsuke “correct” and traditional here; white-based formal obi, white haneri, gold and white obijime. However, being me, I did deviate a tiny bit by going with a peach obiage which is a spot-on perfect match for the ume flowers on the kimono. The obi is also incredibly easy to tie, which is always a good thing. I made one of the neatest and tidiest nijuudaiko musubi I’ve ever done, I think! I’m very much looking forward to coordinating this obi with other kimono, and maybe featuring the opposite, more casual side sometime soon.

Thankfully my life has calmed down a bit and some personal behind-the-scenes stuff that was causing me anxiety has been sorted out, so I can finally live up to the promise I keep making to be more active here. I’ve also got Patreon back up and running. While the blog will always be totally free, there are little perks you can get for helping support this passion of mine and enable me to keep sharing pictures, references, and information with you all. This hobby is not a cheap one!

Items used in this coordination

(The detail photo of the obi above is terrible, and will be replaced with a decent one as soon as I can set up my backdrop and stuff properly again!)

Back to Basics

I’ve been doing a lot of fancy and non-traditional kitsuke lately, and was itching to get back to kimono basics, if you will. Just an elegant, simple coordination. No fuss, no muss. I also realised I’ve been sticking to more Western colour coordinations, doing things that look “right” in my head and not necessarily keeping kimono colour rules in mind.

With that at the forefront of my mind, I decided it was high time I coordinate this beautiful pale pink nagoya obi I got earlier this summer. My original instinct was to stick with pastels, but I pushed through and paired it with this rich blue houmongi instead. I love the contrast, and the soft genteel obi pairs so well with the very delicate shading on the botan of the kimono. Red and blue accessories helped pull it all together cohesively.

My next thought for this obi is a black-based kimono. I really love how it pops against darker, richer colours. It’s technically not formal enough for kurotomesode, but because it’s got a metallic pearly-silver sheen to it, I think I can make it work! Maybe I should do that next week. Less folding to do if I use the same obi two outfits in a row 😉

Items used in this coordination

Perfectly Harmonious Pairing

I’m back! Sort of! Still not feeling 100% better, but definitely improving. I’ve got a few low-stress things in the works for the next week or two.

For today, a coordination I’ve been itching to put together since I bought this obi. About a month ago I went to a rummage sale at the Montreal JCCC and while I had no real intention of buying anything, I found this amazing cream-coloured obi with Arabic script on it and knew it had to come live with my mosque kimono. I honestly can’t tell if the writing on the obi actually says anything or is just sort of an artistic interpretation, so if anyone can tell me what it says, I’d very much appreciate it!

I cannot get over how perfectly these pieces pair together. The background colour of the obi echoes the yellow-gold clouds on the kimono and the green script and design elements bring out the palm trees around the hem of the kimono. I also used that colour as inspiration for the accessories, a gorgeous olive-green obiage and obijime that also weren’t a set but happen to match almost perfectly. I chose a very simple haneri with just some white and gold sakura. I wanted all the focus to be on the beautiful pairing of the kimono and obi.

Items used in this coordination

Outfit Generator Experiment

A few months back, I coded up a little script to generate some kimono coordination ideas. If you click that link you can play with it as well! I thought it would be fun to use it myself, since I was feeling motivated to play with kimono but wasn’t getting that strike of inspiration I usually start with.

This is the combination I got, so I got to work. Purple iromuji was straightforward enough, since I only have the one. It’s not quite Taisho but it is lined with red and has elegantly long sleeves, so it felt sufficiently vintage to me. All I had to do after that was work on creating an outfit around it.

My original plan was to use this bright turquoise nagoya obi, but against the purple it definitely felt more bold and youthful than “Elegant”. But then I remembered a conversation I had with a friend about how gingko are one of my favourite ornamental trees ever and yet I only have one item with them as a motif, and even then it’s a very small, subtle part.

It seemed like the universe was telling me to use that particular obi. It’s fairly modern, but something about the designs and colour palette feel timeless, and the hints of purple in it play very well with the purple kimono. I pulled accessories out of the obi’s colour selection and finally found an opportunity to use this new haneri.

Everything really came together well, I think. I managed to stick quite close to the suggestions the generator threw at me, and the outfit still feels totally wearable, not costumey or ridiculous. I think whenever I’m feeling uninspired, I’ll use the generator again and see what happens. If you use it, I’d love to see what you come up with!

Items used in this coordination