Tag: houmongi

Birthstone Ensembles – June – Alexandrite

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Alexandrite is my favourite of the birthstones, and it holds a special place in my heart. Not because I’m a June baby — far from it, my birthday is in November — but because I love the unexpected intersection of physics, chemistry, and aesthetics that cause it to change colour so much that my engagement ring and wedding band feature it heavily. Many stones have a sort of iridescent shimmer or glow to them, but few legitimately change colour the way alexandrite does. The main stone in my ring is typically a rich indigo, looks teal under fluorescent lights, bright purple in the sun, deep plum in candlelight, and on the rare occasion I’m under direct UV light (gel manicures, the occasional round of day-glo mini-golf) it beams an impossibly eerie neon red.

Of course, I knew I had to reflect as many of these colours in today’s coordinate as I could, and this houmongi has them all aside from the neon red. The shapes of the… windows? around the hem also remind me of cut gemstones, which made it even more perfect. While the actual gemstone does not have a propensity to shine yellow, there’s already yellow accents in the kimono and they reminded me of gold so I ran with that for the accessories. The obi also looks faceted and shimmers between blue, green, and teal, so that was a no-brainer as well.

I tried something funky with the obi musubi but to be honest I’m not sure it worked. At least the pieces all work well together otherwise!

Items used in this coordination

 

Wisteria Chocolate

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I’ve generally been pretty good about not buying kimono lately, but when I saw this absolutely lush warm-brown houmongi with wisteria – a motif I’ve been wanting more of – on Etsy for a fantastic price I had to have it. I also got another piece I’ll be featuring soon, more on that later.

I love how elegant and subtle this piece is, it feels very “quiet luxury” to me. The silk is rich and thick and heavy, the gold decoration is not overdone, and it has an almost monochrome quality to it that I feel ads to the understated feel of the whole thing. If I ever manage to lose all the weight the medical debacles of the past decade have put on me, this will be one of the first things I wear I think.

I specifically chose this gold obi because of the seafoam accents it has. That may seem like an odd choice, but there are flecks of nearly the exact same minty colour in the hem of the kimono. I couldn’t believe what a fortuitous match it was!

Once I had these pieces next to each other, I ran with similarly coloured accessories and realised the whole combination reminded me of a box of expensive chocolates, reinforcing the whole luxury vibe I had in mind. It was an accident, but a happy one!

Overall I’m very happy with the coordination, even if I am slightly less happy with the actual kitsuke. The collars were giving me grief but I knew if I kept fighting them I would get frustrated and give up. Perfection is the enemy of done, after all.

Items used in this coordination

Soft blushing pink

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By now you’ve likely heard the viral, catchy, colour-mixing song from Dokodemo Jamboree and either you love it or you hate it. But either way, it’s probably stuck in your head! It was certainly stuck in mine while I was trying to come up with a cute coordination, so I decided to go in a monochrome direction and have a bit of fun making a video to go with this post. I am trying to be a bit more active on short-form reel platforms, but I am old and tired and prefer being behind the camera nowadays. Interacting with my TikTok or Youtube accounts will help me find the motivation to keep up with them.

I have plenty of items in multiple colours I could have “combined” to do this, but soft pink is always a really safe and comforting fallback, and I suspected these two pieces, with their warm blush backgrounds and bright pops of colour, would work really well together. While it’s not really “proper” to have a kimono and obi be the exact same like this, you know I love bending the rules. I just made sure the rest of my kitsuke was as perfect as I was capable of assembling considering how out of practice I am.

Toss in a few more accessories in a deeper shade of the same salmon pink and voila! It might not be vibrant or “PINKU!”, but it makes me happy and nowadays isn’t that the important part? I have to find joy wherever I can. You should too! Whether that be unconventional combinations, making meme videos, putting a kimono on the fake Labubu you found in a parking lot, or anything else people might deem frivolous or silly. If it brings a smile to your face in these dark times and doesn’t hurt others, do it unapologetically.

Also, I’m trying out a new setup for photos that allows me to work in my bedroom instead of taking over my parents’ living room. I might even be able to bring it with me to California because it all collapses down, but I definitely can’t bring the mannequin. Let me know what you think!

 

Poppies and Promises

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Those of you who’ve been around for a while know I make a point of keeping an eye out for items with a poppy motif, since my mother’s name is Poppy. They’re doubly special to me now since orange poppies are also the state flower of California, my new home. I got this kimono from Sasa and I’ve had it for quite a while and I knew I wanted to coordinate it before I headed back to California in a few weeks. My kitsuke skills are a little rusty, since it’s been over a year but once I got into it muscle memory took over and I think I did alright, all things considered.

In person this houmongi a gorgeous pale minty colour that’s basically impossible to capture digitally. My mobile phone actually did a better job so that’s where these photos are from, but it’s still not quite accurate. It really makes the red, orange, and yellow poppies… well… pop. I used my beloved orange hakata chuya obi since it’s such a perfect match to the flowers, and the green obijime is almost the exact same bright mint as the kimono so that was a no-brainer.

I had to take these photos in a different spot in our living room due to things still being upside-down from the fire I mentioned a while back, but I think it works for now. I’m not sure when I’ll be able to do another mannequin coordination since I head back to California in a few weeks, but I’ve got lots of fun DIY projects, reviews, and little field trips in the works so hopefully those will tide us all over for a bit 🙂

Items used in this coordination

The Seventies called; they want their outfit back

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I haven’t used this gorgeous showa-fabulous houmongi Sophie got me for my birthday a while back anywhere near frequently enough. I decided to have some fun with it today, and realised this obi (which I nearly sold! what was I thinking?) is the absolute perfect seventies-style match for it.

As timeless as the shape of a kimono may be, the patterns and colours are just as susceptible to trends as western clothing is. This particular shade of orange, especially paired with gold, and the big warm-toned and almost pop-art flowers, are very emblematic of the middle of the second half of the Showa era, from the late 60s to the early 80s. I could just as easily see this general colour and pattern scheme on a polyester pantsuit as I could on this particular coordination.

I decided to keep things relatively quiet with the accessories, since the kimono and obi are so flashy already. This soft leafy green picks up the green accents in the design so it seemed like the best choice, but the obijime did get a bit lost against the obi. Then I remembered this padded, decorative little cord I picked up at the Daiso last time I was in California. It’s a bit too thin and delicate to be a functional obijime by itself but it’s absolutely perfect wrapped around as an accent. The black and bold colours just call back to the kimono so well and I’m so happy I remembered I had it!

Items used in this coordination