Category: Mannequin Coordinations

Wisteria Chocolate

, , , , , , , 0

I’ve generally been pretty good about not buying kimono lately, but when I saw this absolutely lush warm-brown houmongi with wisteria – a motif I’ve been wanting more of – on Etsy for a fantastic price I had to have it. I also got another piece I’ll be featuring soon, more on that later.

I love how elegant and subtle this piece is, it feels very “quiet luxury” to me. The silk is rich and thick and heavy, the gold decoration is not overdone, and it has an almost monochrome quality to it that I feel ads to the understated feel of the whole thing. If I ever manage to lose all the weight the medical debacles of the past decade have put on me, this will be one of the first things I wear I think.

I specifically chose this gold obi because of the seafoam accents it has. That may seem like an odd choice, but there are flecks of nearly the exact same minty colour in the hem of the kimono. I couldn’t believe what a fortuitous match it was!

Once I had these pieces next to each other, I ran with similarly coloured accessories and realised the whole combination reminded me of a box of expensive chocolates, reinforcing the whole luxury vibe I had in mind. It was an accident, but a happy one!

Overall I’m very happy with the coordination, even if I am slightly less happy with the actual kitsuke. The collars were giving me grief but I knew if I kept fighting them I would get frustrated and give up. Perfection is the enemy of done, after all.

Items used in this coordination

Birthstone Ensembles – April – Diamond

, , , , , , , 0

There really was only one choice for April’s birthstone – this shiromuku with sayagata pattern that looks like facets, and a white obi with silver hishi (diamond) designs. Add in a textured white and silver haneri and a white beaded obijime, and I honestly don’t know how I could have evoked diamond better without gluing crystals onto the ensemble. Which is not something I was keen to do on a wedding piece, frankly.

My only real wish was that the kimono and obi were both in the same undertone family. It’s not entirely evident here due to the blue background, but the kimono is more of a warm ivory white and the obi is a cool greyish white. But eh, lets pretend that’s to evoke light refraction or the colour variation you can find in natural diamonds.

I honestly don’t have a lot more to say about this particular coord. It came together like a dream, the kitsuke didn’t give me grief, and overall I’m beyond happy with this interplay of textures and now I’m even more motivated to stick with this project!

Also, does anyone else remember this Old Spice commercial? The “the tickets are now DIAMONDS” line has been looping in my head since I started.

I’m on a horse!

 

 

 

 

 

Items used in this coordination

Stepping out of my comfort zone

, , , , , , , , , , 0

In the more than two decades I’ve been studying, collecting, and coordinating kimono and Japanese arts and aesthetics, one thing I still find myself struggling with is Japanese colour palettes. I studied graphic design before I fell into this little rabbit hole, and my colour sensibilities are innately Western.

 

It’s possible you’ve seen this adorable little A Dictionary Of Color Combinations book on some fashion and personal style social media accounts lately, it’s gone somewhat viral, and for good reason. It’s less a book and more a collection of colour palettes that appeal to the Japanese aesthetic. If you’re ever stuck for inspiration, it’s a fantastic place to start. You can either open a random page and go from there, or if you have a piece in your collection you’re unsure of what to do with, there’s a handy index at the back. Find the swatch closest to your piece and then view all the options! That’s what I ended up doing here, with this gorgeous early-Showa komon I picked up at the Palm Springs vintage market a few months back.

 

 

I found this palette with the colour “Eugenia red”, which was about as close as I could find to the kimono. The complementary options were “Sulphine yellow”, “Green Blue”, and “Raw Sienna.” The obi is nearly spot-on for the sulphine yellow, and the other two colours show up in the obi motifs quite nicely. Would I normally have paired a red kimono with mustard and green accessories? Not in a million years! Was it successful? That’s for you to decide. I think it works, but it’s definitely not my favourite thing I’ve ever put together. I will definitely keep trying combos from this book though

Also if you’re curious about my manicure in the book pics, it’s Zoya Midori stamped with this Maniology sashiko plate. I was going for “matcha latte” vibes.

 

Items used in this coordination

 

 This post contains affiliate link(s). If you choose to purchase, I receive a small rebate or commission which goes to the continued maintenance of this site. 

Birthstone Ensembles – March – Aquamarine

, , , , , , 0

Welcome to the first/third installment of a year-long project. I’m determined to make a coordination every month that features the primary colour of one of that month’s commonly accepted birthstones. I say one of because many months have more than one accepted stone.

Should I have started this in January? Probably, yes. But I only got the idea a week or so ago, and here we are. I will be doing January and February’s shortly and backdating them. I will also have to do a few in advance, when I know I’ll be in California, but at least this way I’m guaranteed to get back to my roots and post at least one kimono ensemble per month, barring some unforeseen disaster like the Great Legsplosion of ’23 or some other such nonsense.

For March, we have the beautiful aquamarine. Not quite blue, not quite turquoise, but that ephemeral middle-ground. I knew I had to use this Taisho-era irotome, and the vintage mirror motif obi was a spot-on pairing. I love how it adds some sparkle and shimmer, very appropriate for a gemstone theme! I decided for a few hints of pink in the accessories because they’re already present in the kimono and read almost as neutral here. It also gave me an opportunity to use the amazing rainbow obiage I got from Chayatsuji Kimono recently. I am happy with how this all came together, and it gives me hope and encouragement for the rest of the project.

What’s your birthstone? Or, if you have several, which one do you prefer?

Items used in this coordination

Art Gallery – Mystery “Geisha” Doll

, , , , , , , , 0

I have mentioned it before (and I’ll likely mention it again), but I am a sucker for any sort of gacha/mystery/blind-box situation, so you know darn well when I found this listing on Etsy for a 3D-printed “mystery geisha doll” from NoirVibe Studio I had to snatch one up. I figured it was high time to share some beautiful original art that wasn’t my own silly fanart, so here she is!

Let’s get the obvious out of the way first – this lovely lady is more of a kitsune miko than a geisha. However, I don’t blame them for the name, this one is much more likely to attract attention and for the average Etsy shopper.

How these work is you purchase the listing, and you can request specific parts for the shop to mix-and-match, or you can be surprised. I told Nikolett I liked the black okobo and red hakama, but wanted a surprise for the face and hair. I’m very happy with the one I got! There only seems to be one option for the kitsune, but I absolutely love how it’s detachable and functions as a fun little fidget toy!

The quality is lovely, she’s very solid and well-assembled, and the 3D-printed parts all fit perfectly together. There are, of course, some print lines — but this is to be expected and doesn’t detract from the figure at all. The quality is good enough that they’re only visible if you’re very close, and I actually find it adds an interesting texture to things like her hair and the large red mon-like dot on the back of the kimono.

Overall I am very happy with this purchase, and am considering buying another though, in a black and white outfit and the skull face.