Gothic Elegance

Monochrome outfits that focus on texture and light have always caught my attention, but pieces like that don’t tend to show up on the secondary market very often. I decided I would just go ahead and work with what I’ve got, and I’m very glad I did! It was a bear to take photos of, and they don’t show the depth and richness of all these blacks and textures combined, but hopefully the close-ups help a bit.

I started with my juban with the black ruffle trim, which pretty much determined the colour of my outfit. I have to admit, it made my inner goth very happy. The mofuku kimono is smooth and solid, but it’s such a rich silk that it has an almost reflective quality which brings in another layer of tones and textures. I also added a black lace collar underneath everything, which adds to that gothic Victorian vibe and works so well. I really love the look of a lace collar under kimono and I’m glad I’ve invested in a black one now.

I bought a roll of eyelet lace and temporarily affixed it to a mofuku obi for another layer of lacy texture, and I could not love how it turned out more. I want to do it to a bunch of other obi now where it’s more visible. Black obiage and obijime finish off the outfit.

I’m not thrilled with how poofy the ohashori is here, because there’s so much excess fabric from the hiked-up hem of the kimono, but aside from that everything turned out exactly how I’d pictured it in my mind!

Items used in this coordination

Tiana – Disney Princess Kitsuke Project

🎵 Dreams Do Come True in New Orleans🎵

Tiana is one of the princesses I have had the most fun with so far. I knew right away I wanted to use this green irotomesode. Not only its it the perfect shade of froggy green, but it’s also from the same era as Tiana is. While most of the Princess movies exist in a bit of an amorphous time and space, The Princess and The Frog has such a distinct and concrete setting. I wanted something that brought together Taisho-era Japan and Jazz Age New Orleans, and felt like a kimono-hime outfit would strike exactly the mood I was aiming for.

I built the outfit around the kimono, using golden yellow accents as a callback to her beautiful flowery gown. Some ivory lace appliqué on the collar and hem is reminiscent of flapper fringe, and when I found this gorgeous flower belt in the bridal section of the craft store, I knew I’d found my parallel for the lily on her gown. Of course, what is the princess without her frog? An enamel and gold brooch looks perfectly at home nestled in one of the flowers.

My original plan was to tie the obi in a more vintage-feeling musubi, especially since I used a standard niijudaiko on Aurora last week, but this obi is incredibly short and fragile, and I wasn’t comfortable putting too much strain on it. I then realised that the yellow colour tied in a puffy little square otaiko is reminiscent of Tiana’s famous beignets, so it worked out better than I’d planned. Aside from the obi, this one turned out almost identical to what I had in my head, and I couldn’t be happier that it came together so well!

Items used in this coordination