Queen Serenity

Eons ago, I found this pretty rhinestone moon-and-star pendant at Michaels, and my mind immediately went to Sailormoon. I’d been trying to figure out how to do an outfit inspired by Queen Serenity, and the other day while chatting with a friend I finally got the spark of motivation I needed. I took inspiration from the Mulan kitsuke I did. The under-dress is the same one. The fact that it matches the kimono so well was a happy coincidence.

I love the soft, flowing layers of the ivory kimono over the ivory dress. I played up the metallic accessories both to evoke the gold ornamentation on the inspiration image and to tie in the pendant that inspired the whole project. I tied the soft gold obi in an improvised bow somewhere between a bunko and a cho-cho musubi, to echo Queen Serenity’s wings. In a perfect world, I’d have a shimmering gold darari obi to get more length and volume to it, but they’re not exactly easy or affordable to get hold of. An obiage that leaned more gold would have also been an improvement over this very yellow-toned one, but again, I used what I had on hand.

One thing I was not expecting is how elegant and wearable this actually looks. I could see this sort of a combination being worn to a wedding, bridging the gap between traditional and modern aesthetics. Heck, I could even see myself considering an outfit like this if I were ever to get married. Not that it’s remotely in the plans or anything XD

Items used in this coordination

Valentine Redux

Happy Valentine’s Day! Whether you’re celebrating with a partner, family, friends, a beloved pet, or just loving yourself today, I hope you’re having a great day.

I wanted to do yet another obnoxiously girly coordinate and was inspired by my previous Valentine’s Day colour combo but wanted to add a bit more flair. I’d also been itching to do a more kimono-hime style outfit.

Lately there’s been a lovely trend of slightly exposing juban with really sweet pleated chiffon hems, and while I don’t own one of those (yet), this textured while skirt with lace accents worked a charm. I also used one of the skirt’s tiers to fake extra sleeve layers, and love how they look. Especially now that the mannequin has arms!

I also re-used a lot of the lace I’d initially bought for the Princess Tiana coordination, and I think it pops so well against the black kimono. The pink lace shawl has a very similar texture and ties in to the obi perfectly, as well as echoing the layered pink and white collars I used. A shiny silver and pink brooch used as an obidome completes the look. This outfit is still sweet and romantic, but I think that with the black base it feels a little edgier, and I love that.

Items used in this coordination

Harley Quinn

I hate clowns, but I love Harley Quinn. Go figure! This was the outfit I was most looking forward to. It was the most fun, but somehow also the most awful to put together! Even though the other three outfits in this project have been relatively standard and traditional kitsuke, my plan for Harley had been a bit off-the-wall from the very beginning.

For a character who was only created in the 1990s and was never meant to be a permanent addition, Harley’s had an enormous impact on the DC universe and really pop culture as a whole. She’s had some incredible character development, and a long with that a bevy of unique costumes and looks. None are more iconic than her original red and black harlequin jumpsuit though, so I knew that one had to be my starting point.

My red ume komon was the grounding point for the whole outfit, along with a black petticoat to give off a cute feminine vibe. Over top of that, I used a ro mofuku kimono I have that’s basically rotted apart at the seams. I’ve been planning to sew it back together, but I realised that it would be perfect to use as a sort of overlay. Since the seams were already separated, I sort of bustled it in four segments over top of the komon. A red, black, and white obi and accessories with card suit motifs were the perfect next step. I added some white ruffled ribbon to the collar and sleeves, and tucked a white shibori obiage in above the obi to look like more ruffles.

Despite it being an enormous pain in the posterior to put together, I could not be happier with how this outfit turned out. I could absolutely see Harley wearing it.

This is going to be the last Batman-themed outfit for a while. It’s been great fun, but I want to focus on a few different things for the month of October. I do have loose ideas for a few more characters so I’ll likely revisit those in the future though.

Items used in this coordination

Gothic Wa-Lolita Inspiration

I’ve done some wa-lolita coordinations before, to varying levels of success, but somehow it wasn’t until I got a solid black mofuku kimono that it occurred to me to do something using this skirt! I found this incredible Alexander Henry Midnight Pastoral skeleton toile fabric a few years back, and Naomi was kind enough to make it into a skirt for me. 💖

I decided to stick to the sort of gothic/Victorian vibe the fabric brought in and paired the solid black kimono with a high-collared white blouse and a black lace choker with a skull cameo on it. In lieu of an obi, I used a wide studded leather belt which worked alright out but I think next time I’d prefer something with a little more volume in the back. As it is, the front of this outfit has much more interest, and feels a little unbalanced because of it.

This didn’t start out as a memorial outfit, but as I was working on it I realised I had Rick Genest/Zombie Boy on my mind. He was certainly not as much of a household name as David Bowie or Anthony Bourdain, but he was a true original and a Montreal native, as well as being an artistic muse to so many misfits and creatives. The repeated skeleton motifs in this particular outfit, as well as the use of the mofuku kimono, seem like a fitting tribute for yet another flame snuffed out too soon.

To the memory of Opaline Rose

Yesterday, the Immortal Geisha facebook group was informed of the untimely loss of one of our own. While I was not exceptionally close to her, Opaline Rose was a bright light in the online kimono community. She was also incredibly well-loved in the lolita fashion community, and had a wonderful knack for mixing the two styles and creating something vibrant and original. She always had an encouraging word for anyone trying something new, for anyone uncertain of themselves. I’m shocked and saddened by her passing, as are many other people.

In an attempt to deal with my feelings, I tried to honour her memory with an attempt at wa-lolita, which is the name for a style that melds traditional kimono and modern lolita fashion. Opaline often combined kofurisode with feminine skirts and petticoats to great success. While I’m not sure I accomplished the look, I’d like to think if she’d seen this she would have appreciated it.

À la famille de Marie (Opaline), je vous offre mes sincères condoléances. Elle menait de la joie et la lumière a tous ceux et celles qu’elle touchait.