Montreal Japanese Language Centre Spring Matsuri

Today I went to the Montreal Japanese Language Centre Spring Matsuri. Of course, I used the opportunity to wear kimono. I decided to pair up my new dusty pink iromuji with a gorgeous burnt-orange obi with irridescent pastel flowers Naomi gave me. The flowers feel like tulips to me, so it seemed appropriately spring-like. I know they’re probably something else, but shush! It was a little too warm for a haori, but too chilly for nothing, so I borrowed a cute shawl from my mother. I think I look like a dope in these, and a little rumpled, but they’re the only full shots of my outfit, so there you go.

I told my friend Nick, who I mentioned in this entry about it, and he came to meet me there along with several other friends. He wore his yukata again, and looked snazzy as always.

While there, I ran into Akane, a lovely young woman I met last summer at the O-Bon Matsuri. She’s always wearing beautiful, feminine outfits and always looks elegant and effortless. She actually remembered meeting me before, and I was quite chuffed about that! Isn’t she photogenic? Also, check out those great red high-top Chucks in the corner!

Here’s the photos of her from last summer – they were taken before I started this blog.

I also met a lovely woman named Serene and we chatted kimono for a bit. She had on a lovely komon and had a great personal style. She made her own obi, and it was adorable applique-work and I wish I’d thought to take a photo of it!

The festival itself was more like a garage sale than anything! Lots of tables with cute little things for sale. Sadly, no kimono or related items, but I did pick up a little fiction book with no relation to anything Japanese and a little handmade bag with a fish on it that I’ll probably wear with a kimono later. I also had a delicious hamburger bento, some umeboshi onigiri, and the most delicious strawberry mochi I’ve ever had, with half a fresh strawberry inside it!

Aside from the vendors, there was a great performance by Arashi Daiko and demonstrations of Aikido and Nunjutsu.

I tried to capture a video of the performance, but my phone is miserable. Watch at your own risk!

And a few photos.

Indigo Girl

I’d been waffling about buying a Taisho-era indigo piece for a while when this came up on Ichiroya, and while it was a bit more than I usually pay for kimono, the colour, size, and condition of it were all worth the investment in my mind. This is a houmongi with era-typical long sleeves and a beautiful, multiseasonal floral design. It’s got branches of ume (plum blossom), iris, botan (peony), and bamboo around the hem, and a bold, graphic stem of tachibana, which is probably my favourite floral motif. I love how squishy and fun they look!

It also has some gorgeous, lush embroidery on some of the geometric designs

However, I think one of my favourite things about this kimono is probably one of the most subtle. Woven directly into the fabric, before the dyeing process was started, is a gorgeous red and gold windowpane plaid. You’d never see detailing like this on a modern houmongi, as nowadays that sort of design is considered strictly informal. Naomi wrote a great piece on the qualities of indigo dye, and the transitional phenomenon of putting stripes (which are very casual by modern standards) on more formal kimono. It’s a trend I think is beautiful and needs to come back into vogue.

I’ve worn this kimono once, but only inside the yard, as I’m a little worried about wearing such an old piece out and about. Maybe one day when the right time and place come up, I will do so. I chose to pair it with a late-Showa era obi, which may seem odd but the clouds, grasses, and colours just seemed perfect with it. The obiage and obijime were a gift from a friend, and bring out the soft blue and olive tones in the kimono perfectly. For a vintage feel, I chose some burnt paulownia geta instead of zori.

Here comes the (mother of the) bride!

This is my second kimono ever! A kuro-tomesode was an odd choice, seeing as how they’re only proper for older, married women going to a very formal event, and I was in my early twenties when I bought this, and never go anywhere fancier than the movies. I was not going out of my way to get one, but when I saw this one, I fell in love. I’m fairly certain it’s a rental, due to the fairly generic kamon, the synthetic lining, and the fact that there is a huge black reference number written on the lining in black marker. XD

The design is also very typically bridal, cranes are a standard motif for wedding items, and the pines are an auspicious design. That all being said, I don’t care! I love it! I tried to tone down the wedding-y feel in this outfit by using a coloured obi and lavender accessories, rather than a gold obi with white accessories.

 

And behold, the huge orange menace in my life officially known as Vinnie

Items used in this coordination

 

Cream Temple and Mountain Houmongi

No bad puns today, nothing remotely good was coming to mind. You can thank me later. 😉

I bought this one on a whim. The listing showed a few serious stains, but they’re all on the inside panel and are hidden when it’s worn. Also, because of the stains, I got it for a steal. It’s a little small on me (story of my life), but it’s so detailed and beautiful that I don’t mind.

It’s got a gorgeous temple and mountain design, with water around the hem, and flowers, glorious flowers! Every time I look, I find something new and interesting. So far I’ve found multitudinous grasses, plum, chrysanthemum, iris, pines, peonies, bamboo, pawlonia, maple.. well, you get the point!

I paired it up with an equally festive and floral orange nagoya obi, and blue and green accessories to bring out the water around the hem. Also, say hi to my kitty, Tribble. She also wears white tabi!

Since I no longer own this kimono, there is no catalogue photo of it, unfortunately.

Items used in this coordination