Hey, hey, wait a minute, Mister Postman!

Sometimes, I suspect the mail carriers in this area really dislike me. I’m constantly getting big packages. Today, I really surpassed myself with three separate deliveries! One, a book called When Art Became Fashion: Kosode in Edo-Period Japan, arrived in the regular post and I will be writing a review of it when I have time to read it properly. First impressions are very positive though.

The other packages were larger, and more unwieldy, and the mail carrier was kind enough to leave them with my neighbours since I was at the cardiologist. Getting home was like having an unexpected birthday, or Christmas come early! So much pretty stuff! Since there are so many things included here, I have used smaller-than-usual photographs. Please click on them to view big versions, they will open in a new window.

Black zori with red chirimen accents

One of the few things I actually truly needed was another pair of casual, comfortable zori. Nearly all the footwear I owned prior to this was very dressy, all in shiny metallic vinyl or silk brocade. These fit nicely and I absolutely love the colour combo and the little chirimen silk insert in the stacked heel. They were a total bargain at $10!

Grey purse with kiku and black trim

This purse, and the one below it, were being sold by one of the sellers I regularly buy kimono from. They’re modern, and made of heavy denim-like cotton, but the designs are definitely kimono-inspired. This one in particular I can definitely see using every day. I love the contrast of the soft, girly fabric and the hard leatherette and metal details.

Red purse with ume and cream trim

This purse was bought at the same time as the previous one. It’s much bigger than I anticipated (I suspect the measurements listed were off), but definitely no complaints there! It’s fun and bright and while I don’t anticipate using it every day, it will definitely be a way to add a splash of colour and personality to a quiet outfit, either kimono or western clothing.

Now comes the find of the month, a bundle of five vintage obi for a total of twelve dollars (plus S&H). They were listed as “scrap fabric,” but as you’ll see four of them are completely wearable as-is, and the fifth one I am going to attempt to salvage and turn into a two-part easy obi.

Vintage cream nagoya obi with fans, thread spindles, and flowers

This is the main reason I bid on the bundle in the first place. I am just head over heels in love with this obi. The colours and style of yuzen make me suspect it’s late Taisho or early Showa, and even if it’s not it still evokes the feel nicely. I plan to wear it with my indigo Taisho houmongi sometime soon.

Mustard obi with flowers

I openly admit I am not very fond of the base colour of this obi, it’s a sort of a strange gold/mustard, but the woven flowers are very pretty and versatile, so I’m sure I will find a good use for it.

Cream obi with orange and silver waves

I’ve wanted something with a smooth wave motif for a while now, and this more than satisfies my urge. It’s vibrant and graphic and I like it very much.

White obi with red and gold flowers

The auction photos really didn’t do this one justice. It looked like a cute but relatively boring obi with some gold weaving and round dots. In person, both the gold and the red have such a rich silky shimmer to them that they look like rubies set in gold filigree.

Blue obi with herons

This was dubbed the Narwhal Bird Obi by my friend Kansai_Gal and I can totally see why XD. Unfortunately, it’s also the obi that is severely damaged – the silk is shredded to ribbons right above the folded area where the main heron is. Hopefully, I will be able to carefully cut it and sew it into a two-part obi. I will record my attempts and write an entry about that sometime in the near future. If worse comes to worst, I will simply turn it into haneri and possibly an obiage. The fabric will get used, one way or another.

Montreal Japanese Language Centre Spring Matsuri

Today I went to the Montreal Japanese Language Centre Spring Matsuri. Of course, I used the opportunity to wear kimono. I decided to pair up my new dusty pink iromuji with a gorgeous burnt-orange obi with irridescent pastel flowers Naomi gave me. The flowers feel like tulips to me, so it seemed appropriately spring-like. I know they’re probably something else, but shush! It was a little too warm for a haori, but too chilly for nothing, so I borrowed a cute shawl from my mother. I think I look like a dope in these, and a little rumpled, but they’re the only full shots of my outfit, so there you go.

I told my friend Nick, who I mentioned in this entry about it, and he came to meet me there along with several other friends. He wore his yukata again, and looked snazzy as always.

While there, I ran into Akane, a lovely young woman I met last summer at the O-Bon Matsuri. She’s always wearing beautiful, feminine outfits and always looks elegant and effortless. She actually remembered meeting me before, and I was quite chuffed about that! Isn’t she photogenic? Also, check out those great red high-top Chucks in the corner!

Here’s the photos of her from last summer – they were taken before I started this blog.

I also met a lovely woman named Serene and we chatted kimono for a bit. She had on a lovely komon and had a great personal style. She made her own obi, and it was adorable applique-work and I wish I’d thought to take a photo of it!

The festival itself was more like a garage sale than anything! Lots of tables with cute little things for sale. Sadly, no kimono or related items, but I did pick up a little fiction book with no relation to anything Japanese and a little handmade bag with a fish on it that I’ll probably wear with a kimono later. I also had a delicious hamburger bento, some umeboshi onigiri, and the most delicious strawberry mochi I’ve ever had, with half a fresh strawberry inside it!

Aside from the vendors, there was a great performance by Arashi Daiko and demonstrations of Aikido and Nunjutsu.

I tried to capture a video of the performance, but my phone is miserable. Watch at your own risk!

And a few photos.

Indigo Girl

I’d been waffling about buying a Taisho-era indigo piece for a while when this came up on Ichiroya, and while it was a bit more than I usually pay for kimono, the colour, size, and condition of it were all worth the investment in my mind. This is a houmongi with era-typical long sleeves and a beautiful, multiseasonal floral design. It’s got branches of ume (plum blossom), iris, botan (peony), and bamboo around the hem, and a bold, graphic stem of tachibana, which is probably my favourite floral motif. I love how squishy and fun they look!

It also has some gorgeous, lush embroidery on some of the geometric designs

However, I think one of my favourite things about this kimono is probably one of the most subtle. Woven directly into the fabric, before the dyeing process was started, is a gorgeous red and gold windowpane plaid. You’d never see detailing like this on a modern houmongi, as nowadays that sort of design is considered strictly informal. Naomi wrote a great piece on the qualities of indigo dye, and the transitional phenomenon of putting stripes (which are very casual by modern standards) on more formal kimono. It’s a trend I think is beautiful and needs to come back into vogue.

I’ve worn this kimono once, but only inside the yard, as I’m a little worried about wearing such an old piece out and about. Maybe one day when the right time and place come up, I will do so. I chose to pair it with a late-Showa era obi, which may seem odd but the clouds, grasses, and colours just seemed perfect with it. The obiage and obijime were a gift from a friend, and bring out the soft blue and olive tones in the kimono perfectly. For a vintage feel, I chose some burnt paulownia geta instead of zori.

Here comes the (mother of the) bride!

This is my second kimono ever! A kuro-tomesode was an odd choice, seeing as how they’re only proper for older, married women going to a very formal event, and I was in my early twenties when I bought this, and never go anywhere fancier than the movies. I was not going out of my way to get one, but when I saw this one, I fell in love. I’m fairly certain it’s a rental, due to the fairly generic kamon, the synthetic lining, and the fact that there is a huge black reference number written on the lining in black marker. XD

The design is also very typically bridal, cranes are a standard motif for wedding items, and the pines are an auspicious design. That all being said, I don’t care! I love it! I tried to tone down the wedding-y feel in this outfit by using a coloured obi and lavender accessories, rather than a gold obi with white accessories.

 

And behold, the huge orange menace in my life officially known as Vinnie

Items used in this coordination

 

Cream Temple and Mountain Houmongi

No bad puns today, nothing remotely good was coming to mind. You can thank me later. 😉

I bought this one on a whim. The listing showed a few serious stains, but they’re all on the inside panel and are hidden when it’s worn. Also, because of the stains, I got it for a steal. It’s a little small on me (story of my life), but it’s so detailed and beautiful that I don’t mind.

It’s got a gorgeous temple and mountain design, with water around the hem, and flowers, glorious flowers! Every time I look, I find something new and interesting. So far I’ve found multitudinous grasses, plum, chrysanthemum, iris, pines, peonies, bamboo, pawlonia, maple.. well, you get the point!

I paired it up with an equally festive and floral orange nagoya obi, and blue and green accessories to bring out the water around the hem. Also, say hi to my kitty, Tribble. She also wears white tabi!

Since I no longer own this kimono, there is no catalogue photo of it, unfortunately.

Items used in this coordination