Tag: modern

Seijin Shiki 2022 – Ice Princess

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Seijin Shiki (Coming of Age Day) 2022 was this past Monday, January 10. I should probably have done this outfit back then, but work kicked my butt. Better late than never, right?

It’s traditional for young adults who are turning 20 in the coming year to dress up. For young women, this means a beautiful furisode and accessories, and because it takes place in the winter, a fur stole is often used as well. These outfits can vary from subdued to very, very bold, depending on both the location and the personal style of the wearer.

My tastes tend to lead more towards the “mature”, which makes sense because I am literally as old as two people celebrating seijin shiki combined would be. So this outfit is more quiet than a lot of options, but I love it nonetheless. I decided to for a wintery, icy pastel coordinate.

I went for my well-loved blue and pink kiku furisode. Since pastel blue and pastel pink together make pastel purple, this lilac and silver obi seemed like the perfect complement, along with a purple haneri and obiage. A pink and silver obijime was the finishing touch the outfit needed, a bit of contrast against the obi while still flowing with the subtle pastel vibe of the whole thing.

I did try to make a more dramatic and showy obi musubi, but this particular obi is so soft and floppy it just would not hold a more structural shape. I eventually caved in and just went with a sort of poofy bunko musubi. It’s not quite what I originally had in mind but I think it worked out alright.

This Outfit has a Secret

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And that secret is efficiency! At first glance there’s nothing “unusual” about this, it just looks like an everyday casual coordinate, right? What you can’t tell immediately is that both the kimono and the obi are two-piece “easy-wearable” items. The two-piece, or nibushiki, kimono, can be worn with an obi over it like this to resemble a regular kimono, or it can be worn more like a dochugi and wrap skirt. It’s common to see pieces like this worn by restaurant workers and other people who need to be comfortable and able to change easily. It’s also synthetic and went through the wash once already with literally  no ill effects.

It also has the benefit of being much easier to adjust if you’re a non-standard size, as you can wrap the bottom half however you’re most comfortable and then adjust the top half separately. It makes dressing so much easier, more convenient, and more accessible.

The tsuke-obi is more common. I’ve had this one in my collection for literal decades and it used to be in very heavy rotation. Ones like this, with an otaiko-style musubi, are much easier to camouflage than the butterfly-style polyester ones that come with beginner’s yukata, and I think with the right accessories they’re perfectly acceptable for a more casual occasion.

The salmon pink accessories were a bit of a surprise, I will be honest. I liked how the navy obijime tied in to the kimono and figured I’d run with it. It’s unexpected but it works! My gut instinct was to go with the same yellow set I use for basically… everything. I’m glad I refrained.

Items used in this coordination

“Group of Seven” Landscape Houmongi

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When I saw this gorgeous landscape houmongi up for auction recently, the Canadian in me just had to have it. It reminded me immediately of something by the Group of Seven and while I realise it’s a Japanese landscape it could just as easily be any of the wild, untamed nature of this beautiful country.

I actually have a handful of obi that will all look incredible with this piece but for my first time showing it off this metallic hawks-over-water nagoya obi felt like the right direction. I love the idea of the birds flying high over the landscape, and the heavy gold of the obi helps up the very subtle gold decoration in the hem pop. It also increases the formality of the whole outfit, and since the kimono has one crest it can be dressed up a bit. I went subtle with the rest of the accessories to let the kimono and obi speak for themselves, and I think it worked well.

 

I can’t wait to do other things with this stunning piece. I’m so happy I was able to add it to my collection.

Items used in this coordination

Proof of Life

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Rumours of my demise have been slightly exaggerated. Further information below the cut if you’re curious.

Ideally, for my return to regular kimono blogging I would have loved to showcase some gorgeous new piece, some rare curiosity… but I honestly have not purchased anything since the men’s set I wrote about back in May. Instead, I resorted to my old standby of blindly pulling something out of storage and forcing myself to work with it. It’s a great exercise if you’re feeling uninspired or unmotivated! I grabbed this vintage-inspired modern poly piece that I love and used to wear quite frequently, but somehow never think of when it comes time for a mannequin coord.

I thought it would look lovely and even more vintage-inspired with this dusty peacock obi, which I unfortunately forgot was hikinuki-style so it’s tied upside down. Oh well. Not too shabby for being so out of practice! A few similarly desaturated accessories in dusky pinks and beigey browns completed the look and this outfit feels like a great way to transition from summer into autumn.

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Terrific Texture

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As much as it pained me to remove last week’s coordinate, it was time to change the mannequin. I thought for today I would focus on textures, an often-overlooked facet of kimono style and construction. This outfit may have no real variation in colour, and yet it’s anything but boring!

I paired my richly-textured mint iromuji with a tone-on-tone dusty pink hakata obi. Not only do these two pieces play well together texture-wise, the muted colour palettes complement each other perfectly. I emphasised the texture aspect even more with this haneri with a thick woven kiku design, a white shibori obiage (which is a bit too formal for this coord but it worked so well thematically) and a a white beaded obijime to introduce one last texture without adding more colour. I even arranged the obiage so the ruffled hem was visible, just to add one more layer of interest. Typically that edge is tucked away out of sight, but I thought it was a nice little touch.

I really like how this all came together. It’s very simple but also feels very luxurious, due to the nature of all the fabrics together. It’s even more effective in person, but you’ll just have to take my word on that!

Items used in this coordination