Category: Kimono

Red Kiku Tsukesage

, , , , , 1

I originally bought this kimono to go with a specific obi, my Stations of the Tokaido Hakata obi. It’s a warm, rich brick red that really screams fall, which goes very well with the delicate kiku motif saraga nui embroidery around the hem.

It’s a much more mature kimono than my tastes usually veer to, but I think sometimes it’s nice to have simple, classic things to fall back on. It’s also great for dressing people who may be older, or may not be comfortable with really crazy vivid vintage kimono designs.

The embroidery is very delicate. I’ve come to notice that between this and my shifuku houmongi, I’m starting to amass a collection of really intricate french knot embroidered kimono. Perhaps I can use this as an excuse to buy more!

I’ve only had the chance to wear it once, when I went out to visit Amelie, but hopefully I’ll have more appropriate and seasonal opportunities to wear it in the future.

Hanamaru Kofurisode; in which I am a moron

, , , , , , , , 12

It’s 32 degrees out (90 F). So what do I do, as soon as I come home and find my brand new lined synthetic kofurisode in the mail? Lovingly admire it and fold it away for cooler weather, like a sane person would? Of course not! I decided to coordinate an outfit and put it on ASAP.

I decided to pair it up with my pink and white hakata obi. This thing is like cardboard! It was a huge pain in the posterior to tie, but once I got it, it totally stayed put, which was awesome. I used my hellow shibori obiage and hakata obijime, to go with the yellow kasane-eri that was already built into the kimono. Some purple tabi tied in well with the flowers. My Aikoku Fujinkai obidome was the perfect finishing touch, it almost looks like it was made for the kimono.

And of course, my big orange lug insisted on making an appearance.

I really love how the whole outfit turned out, and I will definitely wear it out, possibly on my birthday in November when the lining and the motifs all make more sense with the weather!

Shifuku and Usagi Houmongi

, , , , , , , , , , 0

If you’re a regular reader of my blog, you’ve technically already seen this particular kimono, when I wore it out to the park (and then subsequently dinner, but I did not take photos of that) a few weeks back. I finally had some time to take proper catalogue photographs, and it’s a piece that really needs to be appreciated in detail.

The kimono is a subtle pastel gradient. I honestly did not even notice the gentle lavender at the shoulders until I hung it up to take the reference photos. The gold is also really soft and gentle. I don’t typically like large areas of gold leaf on a kimono, but on this one it’s not in-your-face.

However, the real magic is the embroidery on the front panels. I was informed that they are shifuku, or silk pouches used to protect items used during tea ceremony. The embroidery is done entirely in french knots, a technique known as saraga nui. I cannot imagine the time, patience, and skill required to do this.

The most special shifuku in my eyes is by far the one with the adorable white rabbit on it. It’s the sole reason I bought the kimono. He’s just so charming and quirky, on what is otherwise a very subdued and mature kimono.

Book Review – Okimono Kimono

, , , , 1

Okimono Kimono CoverOkimono Kimono
by Mokona CLAMP
ISBN-10: 1-59582-456-1
Language: English
Dark Horse Comics listing
Amazon.com listing

I had been lusting after this book for quite some time. I was initially planning on buying the original Japanese version and looking at the pictures, but then a friend alerted me to the news that they were working on an English translation so I held back, keeping an eye on the release date. For whatever reason, the date got pushed back. And pushed back. And pushed back again. From mid-March straight through to early June. But the wait is over, and a copy is in my grubby little hands! Well worth it, too!

The book is divided into sections, including photoshoots with art kimono painted by Mokona, outfit inspirations and suggestions, an adorable interview with Ami of PuffyAmiYumi where they discuss kimono, photographs of her collections, an interview with Katsumi Yumioka and some lovely outdoor photoshoots.

Mokona’s style is a great blend of vintage and modern, and she always encourages injecting your own personality into outfits, and to relax and have fun. This sort of book is a refreshing change from the austere regulatory style of things like The Book of Kimono or magazines like Utsukushii Kimono.

There are, however, no how-to guides, no tutorials, and no listings of what is necessary to wear kimono. There are selections of accessories and photos of kimono, but this is not a book for people learning how to dress in any manner. It is for people who already know the foundations and are looking to inject new life into their personal look.

I would recommend this book for:


-People looking for cute and unique outfit inspiration.
-Fans of CLAMP.
-People looking to experiment and have fun with their kimono.
-People who appreciate vintage kimono and are unafraid of colour and pattern.

I would not recommend this book for:


-People learning how to dress in kimono.
-People looking for traditional or formal kimono style.
-People who prefer understated looks.

 

This post contains affiliate link(s). If you choose to purchase, I receive a small rebate or commission which goes to the continued maintenance of this site.

Musings on Iromuji

, , , 3

Iromuji are probably the most versatile kimono you can own. They are solid-coloured kimono, either uncrested or single-crested. They can be worn relatively casually with a simple nagoya obi, or dressed up with a formal fukuro obi. They’re appropriate for everything from religious observances to tea ceremonies to weddings (if they’re crested), and their solid colour serves as a great backdrop for showing of really spectacular obi.

They’re a great investment, both for someone with a large collection looking to expand and for someone just starting out.

I have three, but I would definitely like to invest in more in the future.

Mint-green iromuji with watery rinzu


The auction photos when I purchased this gave it a much more ice blue cast, but I can’t say I’m disappointed in the lovely minty green shade of this particular kimono. The textured rinzu weave is so lush that it almost looks like different colours. I’ve paired this up with several obi that are difficult to work with, and it always manages to work out great.

Rose-pink Iromuji


This is an amazingly flattering soft pink. I’ve only worn it out once, but I felt really girly in it, without it being overbearing. It also makes a great foil for several of my obi I had lying around that didn’t match anything I had before.

Leaf-green Iromuji


I love the weave on this one, it’s covered in tiny little houses, bridges, and trees. The silk also has this amazing, nearly-iridescent quality to it. In some lights it leans yellow-green, in other lights it’s got a subtle blue cast. I tried to capture both in the photographs, but did not quite succeed. Unfortunately, this piece is small for me. Not so small that I can’t wear it, but it can get a bit messy after wearing it for a while. Luckily, it fits my friend Amelie really well, and looks great on her!