Kabuki Glamour

For today’s outfit I was inspired by the lush decadence and pure kabuki glamour of the costuming in Kokuho, which I reviewed earlier this week. This astonishingly big and heavy stage hikizuri was the perfect base, and for once I’m actually in season with it. I waffled between my black and white hakata tsuke-obi and this green short han-darari style, but in the end the bling and the drama of the darari won out. I also really like how it picks up the green in the ume branches of the kimono. They feel very theatrical together, don’t they?

Colour-wise, there was already more than enough going on so I figured white accessories with a lot of rich texture would be the best accent, and I’m glad I didn’t add in anything else. I went with my tried-and-true textured kiku haneri, the white and silver maruguke obijime from one  of my bridal sets, and my white obiage with red shibori clouds. I think they make an excellent combo!

This kimono is so big, and the obi so easy to put on, that I am seriously debating wearing this entire outfit myself and going to take photos in the snow before it melts. We’ll see if I end up finding the time and energy. (ed note: Don’t get your hopes up, the writer is tired)

Also one fun note about this kimono, there are still trace of oshiroi smudged onto the red inner layer. I should have taken a close up, now that I think about it.

 

Winter Hikizuri in Late Summer

Recently the naughty voice in my head told me to browse eBay, despite having no job and no storage space. I figured browsing hikizuri would keep me safe as they tend to be out of my price range anyway. Unfortunately, I listened to the naughty voice, found a gorgeous ume piece with multiple extra layers that happened to be a huge size, and now this stunner is now all mine! I’m fairly certain it will fit, but right now it’s just way too hot to wear something with so many layers and so much padding. I am looking forward to putting it on eventually, but in the meantime I couldn’t wait to put it on the mannequin instead.

It was listed as a geisha’s hikizuri on eBay, but the overall boldness and huge padded hems make it feel more like some kind of stage or dance piece. Either way, it’s absolutely stunning and it’s already a treasured part of my collection. I chose metallic, heavily textured accessories to balance out the rich black and smooth yuzen. The green shibori obiage isn’t technically appropriate but I really love how it draws attention to the green accents in the kimono that almost disappear otherwise. I think next time (maybe whenever I actually wear it) I might go with a white-and-silver obi instead of the primarily gold one, since most of the metallic accents on the piece are silver, but I think the gold works just fine. I tied the musubi on a bit of an angle to make it feel a bit more chic and I quite like how that looks.

This also happens to be the 100th kimono I own, if you count men’s items, uchikake, and yukata. A piece worthy of the milestone, in my opinion.

Items used in this coordination

U is for Ume

Ume, 梅, Plum

Another of Japan’s more iconic flowers, ume or plum blossom can be found on nearly as many things as sakura nowadays. While their blooming season is not as celebrated, they’re an icon of the new year (since they bloom in winter), and a common motif for luck and prosperity. They’re one third of the “three friends of winter” or sho-chiku-bai, the other two being pine and bamboo. This combination can quite often be found on formal celebratory kimono such as wedding kakeshita or kuro-tomesode.

Visually they’re quite similar to sakura; five-petalled blossoms directly on wooden branches, with little to no foliage. There’s one obvious difference that allows for easy identification though, where sakura petals have that tell-tale notch in the tip, ume petals are very round. In more stylised representations they may even be depicted as full circles.

Ume is primarily a late winter motif, However, much like sakura, ume has become such a common and popular flower that it shows up on items for all seasons nowadays. It’s often used in the summer on things like yukata to evoke a feeling of coolness.

All the photos in this entry come directly from my collection. You are welcome to use them for personal projects and reference, but not for anything commercial. If you’re uncertain, feel free to contact me.

Let’s Celebrate the New Era of Reiwa!

Yesterday marked the beginning of a new era in Japan. Emperor Akihito abidcated the throne at the end of April, paving the way for his son Naruhito to ascend to the throne. This ushered in the end of the Heisei era and the beginning of the Reiwa era. There will be a week of celebrations of all sorts, but when I saw that they had announced a special colour palette for the event, I knew I had to do a coordination to celebrate. The three celebratory colours are ume (plum), sumire (violet), and sakura (pink).  They  were  chosen  because  they  are  all  traditional  spring  flowers,  and  also because  they  are  mentioned  in  the  Manyoshu,  Japan’s  oldest  recorded  poetry  that  served  as  inspiration  for  the  new era’s  name.

I knew right away that my beloved peony furisode would be absolutely perfect for this outfit, since it features all three colours already. A white-based obi with delicate pink accents gave the outfit a bit of visual rest, since the kimono itself is quite busy and bold. I chose more pink and purple accessories to reinforce the theme and went with a classically feminine but modern styling.

To me, this outfit is the perfect way to usher in what will hopefully be a new era of peace, cooperation, equality, and prosperity for Japan.

Items used in this coordination

Fudangi First Friday – Flirty Florals

I’ve been pretty terrible at keeping up with my Fudangi First Friday project, but since this is the last one of the year I figured I had to make an effort! This gorgeous raspberry red hakata obi is one I got from Kimono Yuki back during the summer and hadn’t gotten around to coordinating yet. I love how rich the colour is, and it’s also super long, I can’t wait to wear it myself!

The obi is one of those strange colours that’s super bold and vivid but still manages to fall into the neutral category, at least when it comes to kimono. So I knew I could pair it up with almost anything. I haven’t done much with this multi-season komon recently but thought it could work and make a sort of sweet, feminine outfit that still felt a little mature due to the black base and richer tone of the obi.

I’d also never gotten the opportunity to use this adorable owl haneri. It matched some of the pinks in the kimono so perfectly, I’m very glad I thought of it. The finishing touch was a peach and white obijime that again ties in to some of the accent colours on the kimono. It was feeling a little drab against the obi, somehow, so I thought tying it in a cute bow would help balance things out a little better.

As much as I’ve loved doing the Fudangi First Friday project (and the MonoKimono challenge), I’m pretty sure that in 2019 I’m not going to commit to any challenge or project where I have to do something at a fixed and repeated time. I’ve just got too much going on. I hate feeling like I’ve failed and I don’t need that sort of stress going forward.

Today’s post was apparently brought to you by the letter F.

Items used in this coordination