Tag: Taisho

Okiku – Yokai Halloween 2018

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Okiku‘s story is one of the most tragic and, despite being hundreds of years old, still incredibly relevant today. She was a beautiful young woman who was a servant and dishwasher at Himeji castle. A retainer named Aoyama wanted her for his lover but she refused. Eventually he framed her for losing a prized plate and said he would not report it to their master if she agreed to be with him. Still, she refused. He resorted to beating her and repeatedly dunking her in the will and yet she still refused. Eventually his rage and fury took over and he stabbed her with his sword and dropped her body into the well.

Her vengeful ghost haunted the castle, looking for the missing dish, and tormented Aoyama until the lord called a priest to the palace to deal with the situation. He pretended to have found the missing dish and Okiku’s ghost was finally able to rest.

Okiku is a woman’s name derived from Kiku, or Chrysanthemum, so I chose this kimono both for its subtle vintage feel and the kiku motif repeated on it. Same for the haneri. I wanted a sort of dusty, ethereal feel for the coordination. Initially I had another obi in mind, but I found this one at the bazaar over the weekend and fell head-over-heels for it and was determined to feature it sometime soon. The motif on it is technically mirrors, but you have to admit that they look very much like fancy plates, which tied in perfectly with Okiku’s story. At first I was worried it would be too bold against the muted kimono but I think it adds just the right amount of drama. It also helps to bring out the teal-green foliage accents among the flowers.

Here’s a little behind-the-scenes bonus of Vinnie, since he hasn’t made a guest appearance here in a while.

Items used in this coordination

#MonoKimono Challenge – Plummy & Crabby

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Well, it’s been a hot minute since I’ve done an outfit on the mannequin, hasn’t it? Between events, injuries, heat waves… it just got sort of pushed to the wayside. But I was determined to keep going with the monoKimono challenge this weekend!

A dear friend sent me this kimono a few weeks back, and since it’s a beautiful solid colour I knew it would be great for a monochrome outfit. Problem is, it’s that very difficult shade of royal purple that kimono fans all know intimately; it’s hard to coordinate, it’s hard to photograph. Even the catalogue photo of it looks a bit off, since I had to process it to make the kimono colour accurate.

The only obi I had that was in the same cool-toned range was my beloved crustacean chuuya obi, so that was a done deal. Rather than try to hide the orange accents in the obi, I figured I’d use them as a pop of contrast and emphasize it with the accessories. The outfit still feels primarily monochrome, but the brighter salmon tones help break it up and keep it visually interesting. The haneri is a lighter shade of purple, but I think it still works well and echoes the white in the obi. Overall, the outfit is even more successful than I thought it would be, which pleases me immensely.

Items used in this coordination

 

Vintage Temari

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Spring is still in the air, and I’m finally feeling up to dressing the mannequin! I’ve been trying to make coordinations using pieces I’ve never worked with before, and decided it was high time I use this vintage temari chuuya obi. It’s actually the reverse side of the amazing crustacean obi Naomi sent me a while back, this side is just a lovely bonus.

As gorgeous as this side is, it’s a bit difficult to work with. There are two sets of designs on an otherwise solid black base, but no matter how I tried tying it I could not get one on the front and one on the otaiko at the same time. I decided to keep the front plain and use a fun obijime so I could focus on getting the design centred on the back and make it the focal point. Maybe next time I’ll use an obidome to add a bit more interest.

My beloved purple cotton yabane kimono made a wonderful base for the obi, and I pulled the accent colours of salmon red and aqua out of the obi motif in the accessories so everything feels cohesive. I do wish I’d been able to get some sort of design on the front, but I still think that overall this was a successful outfit.

And yes, that is yesterday’s ikebana peeping out from behind the mannequin! I was going to move it for the photos but I thought it added a cute touch and I love how the yellow flowers match the yellow accents in the kimono.

Items used in this coordination

#Monokimono Challenge – Leaf Green

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We interrupt your regularly-scheduled Hogwarts House kitsuke to bring you this month’s #monoKimono challenge. March brings us St. Patrick’s Day as well as the start of Spring so I thought green would be the perfect colour to work with this month.

My vintage green irotomesode anchored the colour scheme, and since it’s so gentle and subtle I wanted to keep the whole outfit feeling very subdued. The back side of my green chuuya obi worked well, keeping things very simple and tying in with the slightly less saturated greens of the kimono’s hem design. My initial plan was to use a green cotton haneri with sayagata but it was slightly too warm and clashed with the kimono. Instead I chose a simple embroidered haneri that had enough green to tie into the monochrome theme but a few dusty pink accents to reflect the hem design. I ended up using the original cotton haneri as a kasane-eri, with so little of it visible it didn’t clash as much as it would have on the collar.

I tied the obi in a sort of bunko variation; no real concrete reason, I’m just getting tired of doing otaiko or niijudaiko musubi all the time lately. The obiage wasn’t necessary but I did want to inject one last shade of green to pull everything together. I skipped the obijime, since it wasn’t necessary either and none of the ones I had on hand fit nicely. I don’t think the outfit needs it, honestly, especially not with the pinstriping on the obi already.

We’ll be back to the Hogwarts project early next week. Until then, I hope you’re having a great weekend and a wonderful Easter or Pesach if you observe either of them.

Items used in this coordination

Gentle Vintage Mood

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I received this absolutely gorgeous piece yesterday, from a friend who was clearing out some of her collection. I am slowly turning into the kimono equivalent of a crazy cat lady, but I’m fine with that. I love how soft and subdued this piece is, and I wanted to emphasise a very gentle vintage mood with the coordination.

It started with this breathtaking haneri I posted on Instagram recently. I won it back in late October or possibly early November, and I had entirely given it up as lost. I got it at quite a bargain so I didn’t even bother pursuing the issue, since I suspected it was Canada Post’s problem. not the sellers. So imagine how thrilled I was when it showed up unexpectedly earlier this week! I thought the two pieces would complement each other very well, since the haneri has a bit of a vintage feel to it despite being a modern piece. I was really taken by how well the lilac tone matched the brown of the kimono and thought it would be a good opportunity to use my repaired lilac bird obi.

Some days, the actual physical act of dressing the mannequin goes very smoothly. Some days, every step is a struggle, almost as if the mannequin herself is fighting me. This particular outfit was somehow both! Putting on the collar and kimono went off without a hitch. Smooth lines, clean v-shape to the collars, flat and even ohashori. But then came the obi. This obi is gorgeous but my god it’s a nuisance. It’s floppy and slippery, the pattern is laid out very oddly, and it needs to be pressed again as it’s somehow turned almost puffy. No matter how many different ways I tried to tie it, I could not get birds to show up on the front and the back. Eventually I realised it would be an excellent opportunity to feature this stunning brooch I got from Pinto Pony Productions and use it as an obidome. Rather than fret about the lack of interest on the front of the obi, I worked with it to make it a canvas.

I know I say this a lot, but I love how this finally all pulled together. It’s such a soothing combination, and looking at it just makes me content.

Items used in this coordination