Tag: houmongi

Poppies and Promises

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Those of you who’ve been around for a while know I make a point of keeping an eye out for items with a poppy motif, since my mother’s name is Poppy. They’re doubly special to me now since orange poppies are also the state flower of California, my new home. I got this kimono from Sasa and I’ve had it for quite a while and I knew I wanted to coordinate it before I headed back to California in a few weeks. My kitsuke skills are a little rusty, since it’s been over a year but once I got into it muscle memory took over and I think I did alright, all things considered.

In person this houmongi a gorgeous pale minty colour that’s basically impossible to capture digitally. My mobile phone actually did a better job so that’s where these photos are from, but it’s still not quite accurate. It really makes the red, orange, and yellow poppies… well… pop. I used my beloved orange hakata chuya obi since it’s such a perfect match to the flowers, and the green obijime is almost the exact same bright mint as the kimono so that was a no-brainer.

I had to take these photos in a different spot in our living room due to things still being upside-down from the fire I mentioned a while back, but I think it works for now. I’m not sure when I’ll be able to do another mannequin coordination since I head back to California in a few weeks, but I’ve got lots of fun DIY projects, reviews, and little field trips in the works so hopefully those will tide us all over for a bit 🙂

Items used in this coordination

The Seventies called; they want their outfit back

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I haven’t used this gorgeous showa-fabulous houmongi Sophie got me for my birthday a while back anywhere near frequently enough. I decided to have some fun with it today, and realised this obi (which I nearly sold! what was I thinking?) is the absolute perfect seventies-style match for it.

As timeless as the shape of a kimono may be, the patterns and colours are just as susceptible to trends as western clothing is. This particular shade of orange, especially paired with gold, and the big warm-toned and almost pop-art flowers, are very emblematic of the middle of the second half of the Showa era, from the late 60s to the early 80s. I could just as easily see this general colour and pattern scheme on a polyester pantsuit as I could on this particular coordination.

I decided to keep things relatively quiet with the accessories, since the kimono and obi are so flashy already. This soft leafy green picks up the green accents in the design so it seemed like the best choice, but the obijime did get a bit lost against the obi. Then I remembered this padded, decorative little cord I picked up at the Daiso last time I was in California. It’s a bit too thin and delicate to be a functional obijime by itself but it’s absolutely perfect wrapped around as an accent. The black and bold colours just call back to the kimono so well and I’m so happy I remembered I had it!

Items used in this coordination

Autumn Fairy Tale

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Both this kimono and this obi are nearly impossible to coordinate. I’ve used the kimono before, but despite having had this obi in my possession for nearly a year now, I’d never found a good way to use it. Last night it came to me while I was soaking in the bath, as many great ideas do.

They both have a sort of fantastical, storybook, decidedly un-Japanese vibe to them. The kimono has always reminded me of The Moomins and other Scandinavian childrens’ books, and the obi has a vaguely Middle-Eastern fantasy feel to it that wouldn’t be out of place in One Thousand and One Nights. I also thought the green and brown would complement each other very well, and the gold accents would echo each other nicely too.

Was I right, or was I right? I’m over the moon with how these pieces look together. I decided go with pink accessories to make the pink trees in the kimono stand out a bit more, since they can get a bit lost against the white hill. They also help to add a touch of light and contrast between the kimono and obi, which are both quite dark. It worked very well, I think. From a distance they almost read as white, just like the trees do, but when you get close you get this lovely surprise. There are also tiny pink and gold botan on the haneri, which are decidedly out of season but the colours worked so well I had to run with it. Next time I might add a gold date-eri to break things up a little further, but I think it works fine without it too. It also just occurred to me that my pink lace haori would look amazing with this too, so I will have to try that sometime.

Another neat thing about this outfit is that all the items aside from the obijime are significantly larger than average, which means I might be able to wear it if I ever have the energy to dress myself again. Something to look forward to, maybe?

Items used in this coordination

Happy Halloween 2022!

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Tomorrow is Halloween! The day we celebrate errant bloggers rising from the grave, apparently. I am actually working on an entry discussing my increasing absences, and a slight shift in the purpose and focus of this blog, so keep an eye out for that. Don’t worry, it’s not bad news!

In the meantime though, I actually have a coordination for you! I bought this piece last time I was in California. I realise it’s supposed to be a sunset over the landscape, but to me it absolutely looks like a spooky forest fire scene. The spindly black trees and bright orange background just felt very Halloween to me and I decided it would be the perfect piece to get back into the swing of things.

I wanted to keep the Halloween vibe relatively subtle, but I did try to amp up the spooky factor with a black and silver spiderweb haneri and brass bat obidome made out of a vintage menuki. The obi is a solid black mofuku nagoya, paired with white and orange accessories.

I don’t have a catalogue photo of this piece yet, but that’s a problem for another day. It is coming, I promise!

Items used in this coordination

Spring Fling

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I have a confession to make; I used to hate shibori. I suspect it was due to my aversion to certain textures and patterns. But as I’ve gotten older I’ve learnt to appreciate the beauty and incredible craftsmanship that goes into it, but it still wasn’t something I had much of in my collection (aside from some obiage). I also named my pet uromastyx lizard Shibori, due to the spots on his back.

This fully shibori beauty with pink botan and fans showed up on ebay, ending the same night as the rangiku piece in my previous entry. I found it with only minutes to go and only one bid. I threw out a ridiculously low bid and to my shock I won it!

It’s absolutely lush and gorgeous and I am completely in love with. What I was not expecting was how difficult it would be to coordinate!

The olive accessories were a given, they coordinate perfectly with the leaves on the kimono. However, this shade of warm salmon pink clashed with… basically every obi I could find. I settled on this silver one with tiny pink accents and it’s… fine? I guess? I don’t hate it, but it’s not as punchy as I would have liked. I’ll definitely have to hunt down the perfect obi for this piece and coordinate it again soon!

Have you ever changed your mind drastically on a colour, technique, or motif? Something you hated at first but have grown to love?

Items used in this coordination

(I haven’t had the chance to catalogue this piece either yet, but it will be added eventually!)