Soft blushing pink

By now you’ve likely heard the viral, catchy, colour-mixing song from Dokodemo Jamboree and either you love it or you hate it. But either way, it’s probably stuck in your head! It was certainly stuck in mine while I was trying to come up with a cute coordination, so I decided to go in a monochrome direction and have a bit of fun making a video to go with this post. I am trying to be a bit more active on short-form reel platforms, but I am old and tired and prefer being behind the camera nowadays. Interacting with my TikTok or Youtube accounts will help me find the motivation to keep up with them.

I have plenty of items in multiple colours I could have “combined” to do this, but soft pink is always a really safe and comforting fallback, and I suspected these two pieces, with their warm blush backgrounds and bright pops of colour, would work really well together. While it’s not really “proper” to have a kimono and obi be the exact same like this, you know I love bending the rules. I just made sure the rest of my kitsuke was as perfect as I was capable of assembling considering how out of practice I am.

Toss in a few more accessories in a deeper shade of the same salmon pink and voila! It might not be vibrant or “PINKU!”, but it makes me happy and nowadays isn’t that the important part? I have to find joy wherever I can. You should too! Whether that be unconventional combinations, making meme videos, putting a kimono on the fake Labubu you found in a parking lot, or anything else people might deem frivolous or silly. If it brings a smile to your face in these dark times and doesn’t hurt others, do it unapologetically.

Also, I’m trying out a new setup for photos that allows me to work in my bedroom instead of taking over my parents’ living room. I might even be able to bring it with me to California because it all collapses down, but I definitely can’t bring the mannequin. Let me know what you think!

 

Poppies and Promises

Those of you who’ve been around for a while know I make a point of keeping an eye out for items with a poppy motif, since my mother’s name is Poppy. They’re doubly special to me now since orange poppies are also the state flower of California, my new home. I got this kimono from Sasa and I’ve had it for quite a while and I knew I wanted to coordinate it before I headed back to California in a few weeks. My kitsuke skills are a little rusty, since it’s been over a year but once I got into it muscle memory took over and I think I did alright, all things considered.

In person this houmongi a gorgeous pale minty colour that’s basically impossible to capture digitally. My mobile phone actually did a better job so that’s where these photos are from, but it’s still not quite accurate. It really makes the red, orange, and yellow poppies… well… pop. I used my beloved orange hakata chuya obi since it’s such a perfect match to the flowers, and the green obijime is almost the exact same bright mint as the kimono so that was a no-brainer.

I had to take these photos in a different spot in our living room due to things still being upside-down from the fire I mentioned a while back, but I think it works for now. I’m not sure when I’ll be able to do another mannequin coordination since I head back to California in a few weeks, but I’ve got lots of fun DIY projects, reviews, and little field trips in the works so hopefully those will tide us all over for a bit 🙂

Items used in this coordination

The Seventies called; they want their outfit back

I haven’t used this gorgeous showa-fabulous houmongi Sophie got me for my birthday a while back anywhere near frequently enough. I decided to have some fun with it today, and realised this obi (which I nearly sold! what was I thinking?) is the absolute perfect seventies-style match for it.

As timeless as the shape of a kimono may be, the patterns and colours are just as susceptible to trends as western clothing is. This particular shade of orange, especially paired with gold, and the big warm-toned and almost pop-art flowers, are very emblematic of the middle of the second half of the Showa era, from the late 60s to the early 80s. I could just as easily see this general colour and pattern scheme on a polyester pantsuit as I could on this particular coordination.

I decided to keep things relatively quiet with the accessories, since the kimono and obi are so flashy already. This soft leafy green picks up the green accents in the design so it seemed like the best choice, but the obijime did get a bit lost against the obi. Then I remembered this padded, decorative little cord I picked up at the Daiso last time I was in California. It’s a bit too thin and delicate to be a functional obijime by itself but it’s absolutely perfect wrapped around as an accent. The black and bold colours just call back to the kimono so well and I’m so happy I remembered I had it!

Items used in this coordination

Autumn Fairy Tale

Both this kimono and this obi are nearly impossible to coordinate. I’ve used the kimono before, but despite having had this obi in my possession for nearly a year now, I’d never found a good way to use it. Last night it came to me while I was soaking in the bath, as many great ideas do.

They both have a sort of fantastical, storybook, decidedly un-Japanese vibe to them. The kimono has always reminded me of The Moomins and other Scandinavian childrens’ books, and the obi has a vaguely Middle-Eastern fantasy feel to it that wouldn’t be out of place in One Thousand and One Nights. I also thought the green and brown would complement each other very well, and the gold accents would echo each other nicely too.

Was I right, or was I right? I’m over the moon with how these pieces look together. I decided go with pink accessories to make the pink trees in the kimono stand out a bit more, since they can get a bit lost against the white hill. They also help to add a touch of light and contrast between the kimono and obi, which are both quite dark. It worked very well, I think. From a distance they almost read as white, just like the trees do, but when you get close you get this lovely surprise. There are also tiny pink and gold botan on the haneri, which are decidedly out of season but the colours worked so well I had to run with it. Next time I might add a gold date-eri to break things up a little further, but I think it works fine without it too. It also just occurred to me that my pink lace haori would look amazing with this too, so I will have to try that sometime.

Another neat thing about this outfit is that all the items aside from the obijime are significantly larger than average, which means I might be able to wear it if I ever have the energy to dress myself again. Something to look forward to, maybe?

Items used in this coordination

Happy Halloween 2022!

Tomorrow is Halloween! The day we celebrate errant bloggers rising from the grave, apparently. I am actually working on an entry discussing my increasing absences, and a slight shift in the purpose and focus of this blog, so keep an eye out for that. Don’t worry, it’s not bad news!

In the meantime though, I actually have a coordination for you! I bought this piece last time I was in California. I realise it’s supposed to be a sunset over the landscape, but to me it absolutely looks like a spooky forest fire scene. The spindly black trees and bright orange background just felt very Halloween to me and I decided it would be the perfect piece to get back into the swing of things.

I wanted to keep the Halloween vibe relatively subtle, but I did try to amp up the spooky factor with a black and silver spiderweb haneri and brass bat obidome made out of a vintage menuki. The obi is a solid black mofuku nagoya, paired with white and orange accessories.

I don’t have a catalogue photo of this piece yet, but that’s a problem for another day. It is coming, I promise!

Items used in this coordination