Kurotome & Jacket Experiment

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Last October, amazing and modern kimono stylist Akira put out Akira Times – Wafuku Anarchist, a book of his work. On the cover is a gorgeous woman in a fantastic, punk-feeling kitsuke with a leather jacket over top. Needless to say, I fell in love immediately. I knew I wanted to try something similar, but somehow never got around to it.

Fast forward to a few weeks ago when I was reminded by Nichole Fiorentino, who also does some utterly gorgeous and aspirational kimono styling, when she posted older photos of her doing a similar kitsuke with holographic accessories and a holographic leather jacket. I knew the time had come for me to do a kurotme & jacket experiment of my own!

Amusingly enough, the jacket itself came from another dear friend named Nicole, and it’s one of my favourite things in my wardrobe. I knew I wanted to use it, instead of a plain black one, so I chose this vintage kurotome because of the similarities in colour accents, and the flower motifs. I figured since I was already doing something “wrong” I could just throw caution to the wind and have a little fun. I pulled out some really bold accessories, and went with the narrow band of my hakata tsuke-obi since the back would be hidden anyway, and it helped to reduce bulk under the jacket.

While I can’t say whether or not I’d ever be confident enough to wear something like this out in public, I do think the experiment was ultimately very successful and I’m glad I did it!

Items used in this coordination

(and one epic jacket!)

Art Gallery – Six Modern Bijin Artists You Should Follow

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Bijin-ga (美人画) literally means “picture of beautiful person”. They originate in the woodblock prints of the Edo era, and typically depicted beautiful women from various walks of life – from everyday women doing everyday things to famous courtesans reclining in luxurious surroundings. Many famous artists produced bijin-ga prints; some of the most well-known being Utagawa Kunisada, Kitagawa Utamaro, and Tsukioka Yoshitoshi.

Around the transitional period from late Meiji through Taisho into early Showa era, artists such as Jun’ichi Nakahara, Yumeji Takehisa, and Katsuji Matsumoto‘s modern styles made an enormous impact on traditional bijin-ga and produced works that helped form the flowery, large-eyed shoujo manga aesthetic as we know it.

With the advent of more modern printing technologies and digital painting, art has become more accessible than ever before. There are incredible modern artists out there today producing breathtaking works that continue to challenge the way we think of traditional Japanese art of gorgeous women. These are the sorts of artists I’m going to focus on. I urge you to check out their galleries, follow them on social media, and buy their prints to support them if you can.

While these featured artists are all incredibly versatile and do portraits of women in kimono and modern clothes as well as floral studies and still-lifes, I chose to focus on kimono-clad beauties to keep with the spirit of bijin-ga.

This entry will be long and image-heavy, so please click through to keep reading! Continue reading

Fudangi First Friday – Kodomo no Hi

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Tomorrow (May 05th) is Kodomo no Hi, こどもの日, or Children’s Day. So of course, as in previous years, I had to get out my beloved koinobori obi. This year, I thought I’d coordinate it with this vintage shishi komon that is eventually going to live with Naomi. Until then, though, I figured I may as well have a little more fun with it!

Koinobori, or carp-shaped streamer flags, are a traditional decoration for the holiday, which is why I always use this obi somehow during this time of year. The other pieces were chosen primarily for their look, not any real symbolism. The haneri is a new one I got in a package from Ichiroya recently and I really liked how the pattern meshed with the kimono. I used other pale purple accessories to pull it all together. As much as I love this obi, I tend to forget what a nuisance it is to work with. It’s got seams in odd places, it’s very slippery, and it’s short even by vintage standards. I’m pretty sure it was a kimono or a juban at some point in its life, before it was remade into an obi. I also can’t believe I was ever able to wear it!

Thankfully I’m already starting to feel much better since my fall last Friday. I should be back at work by next week, and I have a bunch of content lined up for this month!

Items used in this coordination

Kannon Ikebana

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This ceramic figure of Kannon (観音,  Guanyin, Kwan Yin, more) belonged to my grandmother, who I’ve mentioned on this blog many times before. She was always an inspiration to me. I’ve never been a spiritual person of any ilk, but I can’t help admire and respect the bodhisattva of mercy and compassion. My grandmother and father always referred to her as Guanyin, which is her Chinese name. The Japanese refer to her as Kannon, so for the purposes of a Japanese-inspired arrangement that’s what I stuck with today.

A while back, Naomi sent me some great little vintage floral books, including one published by Coca-Cola, of all things. In it was a very pretty arrangement using a nearly-identical figure of her, so I knew I was determined to create one of my own at some point. My first thought was peonies, but I found these plush chrysanthemums and felt that I had to use them. The small pink ranunculus add a little touch of colour and the small rounded shape of them combined with the large ruffled kiku are reminiscent of peonies in the end, I think! To balance the soft organic qualities of both the flowers and the statuette I arranged them in repeating triangles, and then I anchored the whole piece in a shallow white vessel that also belonged to my grandmother to bring it all full circle.

Something I’ve had floating around in my head for months always has the possibility of going very awry and not turning out how I’d envisioned it. That would have been frustrating on a normal day, but while still dealing with a concussion it would likely have pushed me over the edge and resulted in a rather epic sulk.Thankfully, that was not the case this time. I’m really happy with how it pulled together.

#MonoKimono Challenge – Cool Blue

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It’s the last weekend of the month, and you know what that means! It’s #monokimono weekend, and for this one I decided to go blue to suit the rainy mood outside. I also knew I had to go with something easy, so a poly komon and hanhaba obi fit the bill. If you’re not a fan of Kimono Tsuki on Facebook you won’t have seen my post, but Friday afternoon I lost an argument with the staircase at work and came out of it a little worse for wear. I’ve got a mild concussion, a sprained knee, and two cuts across my forehead that required surgical glue and a tetanus shot. That’s not counting all the varied aches, pains, and bruises scattered all over the rest of my body. Because of this, I knew I had no energy to wrestle with a bigger obi or a more fussy or fragile kimono. I didn’t want to skip this month completely, so I found the solution with these easy, modern blue pieces.

Initially, the outfit looked a bit too dark and heavy, and the obi wasn’t really jiving. Thankfully, using my blue cotton striped haneri in place of a kasane-eri helped lighten things up around the top. The kimono is also very big; I’d forgotten how big, so getting it onto the mannequin was a bit more fuss than I’d hoped for. But I think I made it work. This certainly isn’t the tidiest or best kitsuke I’ve done recently, but I’m proud of myself for managing to get something out despite my battered state!

I’ve also just noticed this outfit bears more than a passing resemblance to my little kimmidoll mascot over there on the sidebar. That was entirely accidental but it pleases me greatly.

Items used in this coordination