Tag: modern

Day lily Ikebana

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The Japanese concept of mono no aware (物の哀れ), or the sense of beauty that comes from the awareness of the transience of all things, is most often exemplified by the beautiful but short-lived cherry blossom season. However, while I was going through our garden looking for inspiration recently, it struck me that these gorgeous fire-like day lily blooms are another flower that is perfectly suited the concept, having as short and vivid a lifespan as they do.

I wanted to balance the modern, sharp, nearly abstract shapes of the lilies with something much softer and more delicate, and the gentle sweeping lines of our grapevine seemed like the perfect contrast. I then chose a very organic and vintage-feeling container and paired it in turn with a clean-lined and almost harsh pedestal. I aimed to create an arrangement that seemed as timeless as it was fleeting, things with a sense of age framed against things that have existed only for a moment. I love how they come together to form both visual and emotional balance, something I am working on as I continue my journey into ikebana.

Pretty Pastels

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It’s hot out there, you guys. It’s so hot! I really needed to make an outfit that felt summery and breezy to counteract the oppressive weather. If you follow me on Instagram, you may have seen this adorable card-suit obi that followed me home from California. It seemed like a good place to start. Even before I’d brought it home, I was thinking it would work well with this hydrangea hitoe komon I’ve had for years that never gets enough love. It’s way too tiny for me to ever wear, and I admittedly only bought it because it was bundled with an obi I wanted, but the light colour palette and seasonality of motif fit perfectly with the breezy summer concept I was aiming for.

This adorable shell haneri from Kansai_Gal seemed like the ideal finishing touch for the outfit. Rather than default to my usual standbys for a hanhaba obi (chocho musubi or karuta musubi) I thought I might try to be inspired by Choko and her amazing ability to improvise soft and relaxed-looking obi musubi that would also fit with the airy and relaxed style I was aiming for. I would like to think I’ve succeeded.

A few of us here in Montreal are having a kimono meet-up  this coming weekend and I do wish there was some way I could get this kimono to fit me, but even if I were to lose a huge amount of weight it would still be too narrow across the back and too short, sadly. It would look so cute with pink lace tabi and my card-suit geta, but that’s a coordination for another person on another day. I will likely end up wearing my bunny komon and teal hakama, and you can be sure I will take tons of photos so check back early next week for that.

Items used in this coordination

Architectural Ikebana

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Most of the arrangements I’ve done so far have been fairly loose and natural in feeling, working with the shape of the flowers instead of forcing them. I really wanted to try something more sculptural and geometric and work with straight lines and the very linear quality of lucky bamboo (which isn’t really bamboo) seemed like an excellent starting point. While I was at the florist’s I saw these gorgeous miniature purple calla lilies and I knew I’d found the perfect counterpart for the bamboo.

I focused on the diagonal lines to draw the eye from the top of the arrangement to the bottom. Initially I’d just wrapped the vase in the faux banana leaf but the colour balance felt off. I found this ribbon while packing for vacation; it’s actually the belt from a dress I have. The mauve was a perfect match for the calla lilies, and it really helps to anchor the whole arrangement and make it feel much more balanced. Overall, this one turned out very close to what I’d initially had in mind, and I’m very happy with it!

Odori Otoko-Poi

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I bought this dance kimono on a whim a while back, because I loved the graphic quality of it. The seller had listed it as a woman’s kimono but I was fairly certain it was actually a men’s dance piece. My suspicions were confirmed when it arrived. I don’t hold it against the seller, they list tons of items every single day and I’m sure it was an honest mistake. I was still very happy because it’s so fun and bold. I knew I wanted to do an otoko-poi or tomboyish look with it, and I wanted to keep the colour scheme really simple, so I pulled out my tenga obi with a gold side and stuck to black accessories. I would have preferred an all-black or monochrome haneri but since I don’t own one I thought the pink flowers on this one were neutral enough for the time being.

This is my first men’s kimono and I was actually quite surprised by how different putting it on was. I’m so used to slack in the collar, the extra length and ohashori, and the open sleeves that this was much more of a challenge than I’d initially anticipated. Despite that, eventually I’d like to try to wear this outfit, but I’d like a paler gold obi and a solid black collar first. I am curious to see if wearing a men’s kimono feels as different as using it on the mannequin did.

By the way, I am still on vacation, I just took these photos before I left so there wouldn’t be too huge a content gap while I was out of town 🙂 I’ve got a few more things in the works, but this will be the last mannequin coordination until I get home. Thanks for understanding! ❤

Items used in this coordination

Menswear-Inspired Coordination

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Several years ago, I came across a photo of a very handsome man in an excellent combination of western-style modern clothing and kimono. He was wearing a crisp white button-down and a tie in lieu of traditional undergarments. Recently, I was reminded of this photo and set out to track it down. Some savvy friends of mine recognised what I was talking about and pointed me in the direction of Kidera-san, the owner and stylist of men’s kimono shop Fujikiya. Lo and behold, there he was in all his dapper glory.

I was spurred on to do my own interpretation of this style, using women’s pieces but still keeping a decidedly masculine vibe. I’ve always loved this tartan kimono and thought it would be an excellent place to start. The colours in it have always reminded me of the tartan of the Black Watch Royal Highland Regiment of Canada, so I asked my father if I could borrow his regimental tie. The plain side of my red grosgrain hanhaba obi and a thin green ribbon pulled it all together. Initially I’d planned to fold the obi in half and use it more like a men’s narrow kaku obi, but it’s quite thick and doubling it up made it impossible to tie. Instead, I went with a flat, fairly neutral karuta musubi.

I think the whole outfit ended up being really effective, and if I ever get back to the point where I can comfortably wear kimono I’m definitely going to do something like this at some point.

Items used in this coordination