Something old, Something new…

Kimono, like any other garment out there, is subject to trends and changes in fashion. Usually, this just impacts the colours and patterns used, since the shape of a kimono is so fixed. Every so often, however, someone comes up with something really different and unique. Traditionally, brides in Japan will wear a special type of furisode called a kakeshita on their wedding day. The colours and styles and motifs of these can vary greatly, but they’ve always been the same basic garment. However, modern women are looking for ways to wear more modern dresses but still retaining a bit of that traditional feel. For a while now, there have been designers such as Aliansa who will convert a kimono into a western-style dress, but this requires irreversible changes to the kimono. This isn’t ideal for family heirlooms or treasured gifts. So what’s a bride to do?

Enter The Oriental Wasou, a bridal studio that’s figured out a fantastic way to temporarily convert a furisode simply by folding it carefully and draping it over a western-style ballgown! They claim it takes only ten minutes, and after the event all you’d need to do is give your furisode a good steaming, fold it carefully, and store it away. When I first saw these adaptations, I knew I wanted to give one a try. However, I am not the sort of person who has ballgowns or wedding gowns just lying around, so the idea went onto the back-burner until I was at the thrift store a few weeks ago and found this utterly beautiful mauvey pink gown with a sheer black overlay. I knew right away it would be the perfect complement to my favourite furisode.

This furisode and I have had a colourful history. I bought it years ago while visiting my best friend at the time, even though I knew I’d never have a valid or justifiable reason to wear it. It didn’t matter, I was in love with it. I dressed myself in it a few times for photos, I had a lot of fun with it, and then a few years ago my friend and I parted ways. There was a lot of silly emotional baggage whenever I looked at the kimono, and I stopped doing pretty much anything with it. Fast-forward to middle of last year, and not only have we reconciled, it feels like we’re closer than ever. I knew I had to pair this outfit with the pearl necklace he’d given me for my birthday one year. The other accessories were chosen to help emphasise some of the colours in the kimono. The obiage and obijime perfectly mirror the shading in the peonies, and the obi helps draw out the gold flecks in the background. Since this is such a non-standard outfit, I had fun making up a big flashy obi musubi. It also helped to hide the draping and folding in the back of the kimono.

Overall, I think this experiment was quite successful. It’s definitely a departure from what I’m used to, but everyone needs to step out of their comfortable rut now and again, right?

Items used in this coordination

One Kimono, Four Ways – Week 3: Punchy and Popping

One of the great things about iromuji is how they can allow you to really focus attention on something other than the kimono itself. They make a great neutral canvas for a really bright or busy obi. I decided for this week’s entry that I’d do a really high-contrast coordination with a lot of “punch” to it, and this obi was the perfect place to start. It’s a very special obi; I received it anonymously from some lovely person online. I suspect their intent was to have me coordinate it with my Shah Mosque houmongi, but in the end the styles and colours were too different and I could never get them to work together. This kimono, however, is ideal. It’s a similar background colour to the houmongi and the orange-red of the obi really pops against it, but it doesn’t compete with the pattern on the obi itself. It’s a wonderfully neutral foil for the gorgeous obi, and the colours couldn’t work better together if they’d been made to go together. I’d initially thought of using a third bright colour (yellow or pink) for the obiage and obijime but then I remembered these pieces, and everything just clicked.

We’ve also got a special guest photobomber today! Those of you who are longtime readers have probably seen Vinnie before. He usually avoids the mannequin but today he decided he wanted to be the star of the show.

I hope you’re enjoying seeing these posts as much as I’m enjoying doing them! We’ve got one left, and then it’s time to focus on newer things.

One Kimono Four Ways

Items used in this coordination

One Kimono, Four Ways – Week 2: Modern and Monochrome

For this week’s outfit featuring my mint iromuji, I wanted a big departure from the very standard coordination from last week. This adorable kitty haneri is a very deep rich teal, and it struck me that I had a bunch of similar items in various shades of the same colour. I think pairing the iromuji up with them and using cooler lighting than last week’s photo really drives home the point that I was trying to make, that one kimono can look incredibly different with different accessories, and in different situations. Surrounded by the cool tones of the haneri, obi, and hakama the kimono itself leans much more towards the blue side of things than it did against the gold and lavender of last week.

So far, I think this experiment is going swimmingly! I look forward to seeing what else I can do with this piece.

One Kimono Four Ways

Items used in this coordination

This One’s For the Birds

Thank you all for sticking with me during my unanticipated little hiatus! Life is finally calming down, and I wanted to celebrate the new year with a new outfit on the mannequin.

I got this hawk obi on eBay a few months ago for a whopping $9. I certainly didn’t need a new obi, but I loved how flashy it was and it was too much of a bargain to pass up. I love how it looks with my blue embroidered irotomesode and red accessories. I feel like this is a wonderfully bright and auspicious outfit to ring in the year. The obi is also brand new and very stiff, which makes it a pleasure to tie. It keeps its shape beautifully. I can’t wait to see what else I can pair it up with in the future.

I hope this year brings you all plenty of joy, health, luck, and fortune. Last year was a bit of a wreck for a lot of folks, so let’s all keep our fingers crossed for great things to come.

I will be going out of town this week and next but when I get back I am going to do my best to stick to a regular schedule. I have more coordinations planned as well as some reviews and a giveaway in the works! Please check back regularly and if you want a quick and efficient way to be notified of updates, follow me on Facebook or Twitter!

Items used in this coordination

Tokai-Dos and Tokai-Don’ts

I’ve had this 53 Stations of the Tokaido tsukesage for a long time now. I’ve never worn it myself, but I did put it on my friend Frances one day. The obi, by comparison, was an absolute impulse purchase a few weeks ago – I was buying another item from the seller and this was only $10 so I couldn’t say no! Especially since it’s a lovely stylisation of Station 49 – Saka-no-shita, which is a station I don’t have on any items in my collection yet. For the price, its absolutely gorgeous. The bulk of the design is woven in, and then touches are pulled out with beautifully lush embroidery to add depth and texture. It’s a bit slippery to tie, but definitely not the most challenging obi I’ve had to work with.

Generally the rules of kitsuke say not to match the motif on your kimono to the motif on your obi, and to contrast the colour of one against the other. However, when I saw these two pieces next to each other, my mind drifted back to my first experiment in very monochrome and matchy outfits, and I wanted to give it another shot. Rules are an excellent starting point, but sometimes breaking them with forethought and intention can produce some amazing results.

I’ve always loved the peachy pink sunset accents on the kimono and decided to make them pop with the accessories. I feel like this resulted in an overall very calm and serene outfit with a bit of punch, and I love it!

I do apologise for the quality of the photos today; my camera was being difficult so I used my mobile phone camera. It worked, but it’s not ideal. However, I make no apologies for the utterly terrible word-play in the title.

Items used in this coordination