Dearest Gentle Readers…

Tonight, the ton gathers to celebrate that most esteemed of events, the second half of season four of Bridgerton. Yes, I fully admit it — I am addicted to that fluffy, frivolous, historically-inaccurate fantasy. Waiting for Benedict to get his head out of his perky little posterior has been driving me batty!

I decided to mark this most auspicious of television evenings by doing a coordination inspired by Lady Violet Bridgerton and her delicate, tasteful pastel colour palette. Ideally I would have had some blue in there but nothing in my extant collection quite fit the bill. I think mint and lavender do quite nicely though. I also think that the very textured, nearly sculptural feel of the kimono and the shimmering silver in the obi are very reminiscent of a lot of the brocades and lush fabrics used by the show’s costume department. All together, this does feel like something she would wear in a different imagining of the series, does it not?

Wisteria is a motif I’ve always wanted but I don’t currently have anything that really features it front and centre. It would have been the perfect choice, due to the huge boughs covering the front of Bridgerton House, alas. I did debate this multi-floral obi, but the colours were too bold and the wisteria isn’t exactly the star of the show, so I decided to stick to my original pastel vision. I did, however, tie the obijime in a fuji musubi to at least call back to it. With the outfit being as simple as it is, I made sure my kitsuke was as impeccable as possible, to let the elegance and subtlety shine, but I feel like that was the one slightly more “fun” touch that finished things off nicely.

How about you, gentle reader? Are you a fan of Bridgerton?

Items used in this coordination

Poppies and Promises

Those of you who’ve been around for a while know I make a point of keeping an eye out for items with a poppy motif, since my mother’s name is Poppy. They’re doubly special to me now since orange poppies are also the state flower of California, my new home. I got this kimono from Sasa and I’ve had it for quite a while and I knew I wanted to coordinate it before I headed back to California in a few weeks. My kitsuke skills are a little rusty, since it’s been over a year but once I got into it muscle memory took over and I think I did alright, all things considered.

In person this houmongi a gorgeous pale minty colour that’s basically impossible to capture digitally. My mobile phone actually did a better job so that’s where these photos are from, but it’s still not quite accurate. It really makes the red, orange, and yellow poppies… well… pop. I used my beloved orange hakata chuya obi since it’s such a perfect match to the flowers, and the green obijime is almost the exact same bright mint as the kimono so that was a no-brainer.

I had to take these photos in a different spot in our living room due to things still being upside-down from the fire I mentioned a while back, but I think it works for now. I’m not sure when I’ll be able to do another mannequin coordination since I head back to California in a few weeks, but I’ve got lots of fun DIY projects, reviews, and little field trips in the works so hopefully those will tide us all over for a bit 🙂

Items used in this coordination

Lovely Winter Landscape

This obi was the first piece I ever got with a Stations of the Tokaido motif, and it’s very special to me. When I was hunting for inspiration for a new coordination I looked out the window and it hit me. Everything is very snowy and wintery and monochrome here in Montreal, and I wanted to capture that feeling of cold, blustery, no-contrast weather. Ideally a pale blue-grey iromuji would probably have worked better but I don’t own one, and this one is close enough in colour. Also the heavy texture looks like windblown snow-drifts, which helped reinforce the feeling I was going for.

I chose an obiage and an obijime in an almost-identical icy mint colour to keep things very monochrome and ensure all the focus was on the obi.

As pretty as winter is, I am very ready for it to GO AWAY. I want grass and flowers and longer days, please! Is winter bad where you are? Are you also fed up with it?

Items used in this coordination

Terrific Texture

As much as it pained me to remove last week’s coordinate, it was time to change the mannequin. I thought for today I would focus on textures, an often-overlooked facet of kimono style and construction. This outfit may have no real variation in colour, and yet it’s anything but boring!

I paired my richly-textured mint iromuji with a tone-on-tone dusty pink hakata obi. Not only do these two pieces play well together texture-wise, the muted colour palettes complement each other perfectly. I emphasised the texture aspect even more with this haneri with a thick woven kiku design, a white shibori obiage (which is a bit too formal for this coord but it worked so well thematically) and a a white beaded obijime to introduce one last texture without adding more colour. I even arranged the obiage so the ruffled hem was visible, just to add one more layer of interest. Typically that edge is tucked away out of sight, but I thought it was a nice little touch.

I really like how this all came together. It’s very simple but also feels very luxurious, due to the nature of all the fabrics together. It’s even more effective in person, but you’ll just have to take my word on that!

Items used in this coordination

MonoKimono Challenge – Misty Mint

Does anyone else love Misty Mint candies? If you’ve never had them, they’re these wonderful, creamy, melty mint candy drops in beautiful pastel colours. They don’t make them anymore, sadly, and even if they did I couldn’t eat them since I’m allergic to dairy now, alas. However, the colour of this iromuji makes me think so fondly of them!

This coordination is basically a revisit of this monochrome outfit, but I wanted to do something softer, and without the hakama. This one feels more wearable, overall. I used the same kimono and haneri, but switched up to this shiny fukuro obi and accessories that blend in with the kimono itself. I had fun doing a sort of bunko variation with the obi, I quite like how it looks and it was very quick to do.

It’s also very interesting to me how this colour family photographs. In the original outfit with the hakama, it looks much more blue, today’s photos look much more green, and the catalogue photos below feel somewhere in between. All due to ambient light, time of day, and other external factors.

We’re halfway through the #monokimono challenge! I’m proud of myself for sticking with it, and already have plans for the second half of the year. Are you doing the challenge? If so, please share links in the comments, I would love to see!

Items used in this coordination