Back in black, birthday-style.

In my entry about my birthday purchases, I mentioned that I’d gotten one other special piece that I was going to devote an entire entry to. Well, I finally had some free time today to devote to putting an ensemble together and dressing in that piece. Without further ado, allow me to present my kurotomesode/houmongi hybrid mystery kimono!

At first glance, it looks like a subdued kurotomesode, and that is where it was hanging at the kimono showroom. At first I was going to skip over the whole rack, having no real need for more formal items, but I can never pass up a good ogle. While I was rummaging, I noticed something a bit out of the ordinary about this particular piece – there were designs on the sleeves! Kurotomesode, the most formal kimono for married women, is typefied by several things. They are fully black, they have five white crests (three in the back, two in the front), they often have a white second layer known as a hiyoku, and they have designs on the hem only. This one fit all the criteria, but was thrown off by the decorated sleeves.

For the ensemble, I was inspired by the subdued, chic look of geiko in their formal outfits. I paired it up with a warm gold fukuro obi I received as a birthday gift, a white obiage with red shibori clouds, a green and gold obijime to highlight the green in the kimono. Underneath it all I wore a red juban with a lushly textured white and silver haneri. I also put my pearl necklace on, since it was a birthday gift and I felt it was subtle and classy enough not to look out of place.

Full view of the kimono

Close-up of the hem designs

Inside the hem, and the white hiyoku

Design on the sleeve

Going Bananas!

I’d been trying to abstain from buying anything new, honestly! I was just idly browsing ebay when I found this beauty. I need to learn not to Windows-shop, it just leads to me spending money I don’t have!

Basho, or banana leaf, is a bit of a weird motif. I’d associate it with summer – tropical muggy climates and whatnot, but since it’s not native to Japan I keep getting conflicting information about seasonality. It’s lined, so definitely between fall and spring. I plan to just wear the hell out if it whenever.

The leaves are yuzen-dyed in vivid shades of pink – from a deep raspberry to a pale cotton candy, with some icy blue accents, all highlighted subtly in gold. The sleeves are deliciously long, almost two feet. Taisho length, but it’s definitely a more modern piece. The lining is pale cream, with dark pink around the edges.

I’ve got no idea what I am going to pair it up with yet, but you can bet there will be photos when I figure it out!

Cream Temple and Mountain Houmongi

No bad puns today, nothing remotely good was coming to mind. You can thank me later. 😉

I bought this one on a whim. The listing showed a few serious stains, but they’re all on the inside panel and are hidden when it’s worn. Also, because of the stains, I got it for a steal. It’s a little small on me (story of my life), but it’s so detailed and beautiful that I don’t mind.

It’s got a gorgeous temple and mountain design, with water around the hem, and flowers, glorious flowers! Every time I look, I find something new and interesting. So far I’ve found multitudinous grasses, plum, chrysanthemum, iris, pines, peonies, bamboo, pawlonia, maple.. well, you get the point!

I paired it up with an equally festive and floral orange nagoya obi, and blue and green accessories to bring out the water around the hem. Also, say hi to my kitty, Tribble. She also wears white tabi!

Since I no longer own this kimono, there is no catalogue photo of it, unfortunately.

Items used in this coordination

The one that started it all…

Have you ever bought something on somewhat of an impulse that you both cherish and regret? I sure as hell have! I love this piece to bits and I’m so proud I snagged it before I knew what I was doing, but my wallet still holds it partially responsible for this habit hobby.

Back in 2003, I’d toyed with the idea of buying a kimono for some time, due most likely to my paternal grandmother’s appreciation of Asian antiques and textiles. She’s not been with us for a very long time, but I’m sure she would heartily encourage this silly hobby. But I digress..

As I mentioned, I’d waffled with the idea but did essentially no research. A smart person would have probably started with a yukata or something, but I honestly had no idea of types, formality, eras, motifs, etc. I just saw this beast and fell head over heels. I had to have it.

It’s a gorgeous early-Showa era houmongi. The silk is thick and rich and delicious, and the design is sweeping streams of spider-style kiku in white with faint black and gold accents. The dramatic, graphic contrast is what drew me to it in the first place. The sleeves are long, not quite Taisho-era, but still elegant and draping, and the lining is a vivid red. I love the subtle black to grey yuzen dyeing on the leaves so much.

I’ve paired it up with a black, red, and gold formal obi, but I’d like to try it with a softer, more vintage style at some point. Though, I have to say I love how it looks with the contrast of black, and how the red makes my skin and hair look. Is that conceited? XD

Items used in this coordination