Category: Mannequin Coordinations

A Prayer for Notre Dame

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Monday, I watched with the world as the Cathédrale Notre Dame de Paris burned. I may be, as I’ve mentioned before, an atheist, but the thought of the world losing such an important monument filled me with despair. There is no denying that aside from spiritually, it’s an incredibly vital structure historically, artistically, architecturally, and culturally. It has witnessed revolutions, wars, births, deaths, been central to great works of fiction, and great works of art.

Now, several days later, we know the extent of the damage, and mercifully it’s not as dire as it felt watching it live. However, it’s going to need a massive amount of restoration in the years – and likely decades – to come. Thankfully the structure is still mostly stable, and the bulk of the art and religious relics contained within were saved, but she is still going to need a ton of work.

If you’re a regular around here, you’ve likely seen my use of kitsuke as a coping mechanism for distant but impactful deaths. This time, I’m using it as a coping mechanism for loss and despondency. I wanted to honour Notre Dame in the best and most personal way I know how.

The wrought-iron metalwork designs on the haori call to the famous spire that was lost about halfway through the blaze. As an unintended but not unappreciated bonus, the haori over the obi makes a distinctive hump, hearkening back to Quasimodo, the cathedral’s most famous fictional resident. I chose an obi with the circular floral motif to echo the Rose Window, central to the front facade. The roses on the kimono are also a bit of an indirect nod there. The red accessories add a vital, aggressive pop of contrast, exactly what Notre Dame needs right now. A reminder to fight, that she’s been through worse and come out the other side, and will remain standing for centuries to come.

Items used in this coordination

Timeless Elegance

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Thank you so much for being patient while I was out of town, and settling back in. I apologise for the lack of content, and if you’re curious as to why I’ve been relatively radio silent there’s a bit of info at the bottom of this post. Feel free to skip it though.

I knew I needed to get back into the swing of things, and decided to do something with the gorgeous, timeless elegance of this vintage irotomesode. Like a lot of other pieces from this era, the designs on it are incredibly soft and dusty and subdued, and I wanted to make sure the obi didn’t compete or overwhelm in any way. As you may know, I’m of the mind that hakata obi go with everything and anything, so this very pale pink and white one seemed like the ideal complement to the dusky pastels of the kimono.

I’m trying to branch out and do more interesting things with my kitsuke, so I tried doing kouken musubi and I think it turned out quite well for a first attempt! Olive green accessories and a coordinating haneri helped give the whole outfit a bit of weight and contrast, which I think it definitely needed.

It felt good to get this done. While I was down in California, two separate tragedies struck at times when I felt helpless to do anything. My friend Dan Howard, the incredibly talented and sweet and funny artist who drew this portrait of me, lost a hard-fought battle with pneumonia. The following day our tiny, grumbly, loveable cat Tribble (whom you’ve definitely seen if you’re a long-time reader) succumbed to a very aggressive form of cancer. My folks made the humane choice to end her suffering but I was thousands of miles away and couldn’t say goodbye. So I was already not in a great place mentally or emotionally, and leaving Keith always makes me sad. On top of everything else, the trip home was long, full of incidents and delays. All these things have compounded to put me in a pretty bad state of mind. Distracting myself with something as familiar as kimono really helped today.

If you read all that, I apologise and I thank you. But I’m starting to do better, and we’ll be back to a more regular schedule from here on in. 💖

Items used in this coordination

Roaring Twenties

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A while back, a friend sent me this awesome michiyuki with gorgeous long sleeves. It sat in storage for some time while I wondered what to do with it, and it recently struck me that it would make an amazing dress-like outfit.

Michiyuki like these are intended as over-coats for inclement weather, but they are also great to wear and style as mod-era dresses. Their boxy shape is perfect, and since they’re the only common kimono garment that actually snaps up the front, they’re very easy to wear.

The styling for this one was super simple; I wanted to keep the Taisho vibe of the piece in focus so I went for a bit of a sleek twenties feel. A gold necklace worked to bring out the warm tones in the garment, and a big chunky belt gave it a bit of shape and definition at the waist. I have another michiyuki with a much more modern and graphic pattern, and I can’t wait to do a similar outfit with that one as well, but trying to evoke the mod style of the 1960s.

I’m still on vacation, but I’m keeping up with things as much as I can. How do we all feel about the new upcoming era name, Reiwa? I’m not sure how I feel, I think it will really depend on how people choose to interpret it. The intention of “good/auspicious peace” is lovely, but the fact that it can also be read as “commanded peace” feels a bit odd to me. I guess only time will tell!

Items used in this coordination

Scarves in Solidarity

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Today I am participating in the Scarves in Solidarity project, which aims to show support for the Muslim community in NZ by wearing a head scarf. It’s a small gesture, but one that helps show that we’re all united in the face of terror and white supremacy. Several years ago, Quebec had a much smaller but similarly motivated attack, so the attack in Christchurch, New Zealand, last Friday hit especially close to home here.

Personally, I am an atheist. However, I firmly believe that a place of worship (be it a mosque, church, synagogue, temple, shrine, or any other) should always be a place of hope, faith, and safety. To attack people in during their prayers is the height of cowardice. I wanted to do something to show my support for the survivors of this attack and their families.

Of course, I had to wear my beautiful mosque houmongi for this project; I could think of no more appropriate piece in my collection. I could barely get it around my hips, but I was determined to make it work.

I wore a light blue-green buff underneath to tame my unruly blue hair, and then this beautiful green and gold scarf over top, which ties in to the green and gold tones in the hem of the kimono. I think it looks perfect together. Gold obi and accessories finished off the outfit well.

Whatever your view on religion in general, or religious head-coverings may be, I think we can all agree that nobody deserves to be targeted for their beliefs. People of Christchurch, NZ, and Muslims around the world, we are with you.

Items used in this coordination

The Finnish-Ing Touch

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Recently, a friend posted that she was going to be de-cluttering her collection and generously giving some of her pieces away. I fell in love with the rich green colour and charming, almost naive design of this houmongi, and somehow managed to claim it before anyone else did. After nearly a month in transit (what is it with me and mail delays lately?!) it finally arrived safe and sound, and I couldn’t wait until I was able to do something with it.

I don’t know if it’s just my imagination, because of where I got it, but there’s something that genuinely feels very Finnish to me about it. It reminds me of some Marimekko designs, or possibly the background of something drawn by Tove Jansson, Can you not picture a Moomin hiding behind one of the trees?

While it will definitely look wonderful with a more classical, elegant coordination (I’m looking forward to pairing it with my gold Tokaido fukuro obi in the future), I knew that initially I really wanted to play up the fun and quirky quality of it. This tachibana obi seemed like a good choice, since it’s got an almost naive, storybook style to it. Pink accessories made the light pink trees in the hem pop, and a gold kasane-eri was the perfect finishing touch to break up all the heavy green up top. I really love how this all came together, and I hope Jenni thinks I did it justice!

Items used in this coordination