Bingata-style blue komon

This was a gift from the ever-lovely Naomi. I’d been meaning to wear it for a while, and had planned this outfit for a work event last weekend, but unfortunately I was sick as a dog, and ended up not leaving the house. Today the weather was nice and I had some time, so I figured I’d give the outfit some air, even if I wasn’t going anywhere.

The kimono is beautiful – deep rich indigo-type blue with patterns of woven fences and flowers. It’s new, but has a very vintage feel with the long sleeves. It’s also deliciously large, it gives me nearly a full wingspan, wraps well around my hips, and is long enough to get a great ohashori.

I paired it up with my red hakata hanhaba obi and a green sayagata (key/swastika motif) haneri, plain white tabi, and my black ukon geta with green hanao. Wearing them made me realize how urgently I need to adjust the straps, after a few minutes they were digging into my feet and causing hideous pain. I’d put the red headband on to keep my overly-long bangs out of my face while doing my makeup, but realized the red lips and red satin hairband gave the whole outfit a really cute retro feel.

A huge thank you to my lovely neighbour Tom taking the pictures in his yard. 🙂

Items used in this coordination

The one that started it all…

Have you ever bought something on somewhat of an impulse that you both cherish and regret? I sure as hell have! I love this piece to bits and I’m so proud I snagged it before I knew what I was doing, but my wallet still holds it partially responsible for this habit hobby.

Back in 2003, I’d toyed with the idea of buying a kimono for some time, due most likely to my paternal grandmother’s appreciation of Asian antiques and textiles. She’s not been with us for a very long time, but I’m sure she would heartily encourage this silly hobby. But I digress..

As I mentioned, I’d waffled with the idea but did essentially no research. A smart person would have probably started with a yukata or something, but I honestly had no idea of types, formality, eras, motifs, etc. I just saw this beast and fell head over heels. I had to have it.

It’s a gorgeous early-Showa era houmongi. The silk is thick and rich and delicious, and the design is sweeping streams of spider-style kiku in white with faint black and gold accents. The dramatic, graphic contrast is what drew me to it in the first place. The sleeves are long, not quite Taisho-era, but still elegant and draping, and the lining is a vivid red. I love the subtle black to grey yuzen dyeing on the leaves so much.

I’ve paired it up with a black, red, and gold formal obi, but I’d like to try it with a softer, more vintage style at some point. Though, I have to say I love how it looks with the contrast of black, and how the red makes my skin and hair look. Is that conceited? XD

Items used in this coordination

Black Taisho bridal furisode

This is probably one of the jewels of my collection; a black-based, five crested bridal hikizuri. The hem is padded but it is too short for me to wear trailing, so I wear it as a normal furisode. I came across it on eBay and couldn’t bear to risk getting involved in a bidding war. Thankfully there was a reasonable Buy It Now option so I just went for it.

It’s not in the best condition, some of the gold couching is coming off and one of the sleeves was a bit detached when it arrived, but it doesn’t detract from the overall beauty of the piece. I have fixed the sleeve, and am looking for someone who can fix the couching. The embroidery and details on it are breathtaking. I have never seen such lush, textured needlework before.

I chose to pair it up with a green and gold hakata obi and orange and green accessories. I love this outfit. It’s a shame I do not feel comfortable wearing such an old and delicate piece out, nor do I have anywhere formal enough for it to be appropriate.

Items used in this coordination