Tag: black

Kabuki Glamour

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For today’s outfit I was inspired by the lush decadence and pure kabuki glamour of the costuming in Kokuho, which I reviewed earlier this week. This astonishingly big and heavy stage hikizuri was the perfect base, and for once I’m actually in season with it. I waffled between my black and white hakata tsuke-obi and this green short han-darari style, but in the end the bling and the drama of the darari won out. I also really like how it picks up the green in the ume branches of the kimono. They feel very theatrical together, don’t they?

Colour-wise, there was already more than enough going on so I figured white accessories with a lot of rich texture would be the best accent, and I’m glad I didn’t add in anything else. I went with my tried-and-true textured kiku haneri, the white and silver maruguke obijime from one  of my bridal sets, and my white obiage with red shibori clouds. I think they make an excellent combo!

This kimono is so big, and the obi so easy to put on, that I am seriously debating wearing this entire outfit myself and going to take photos in the snow before it melts. We’ll see if I end up finding the time and energy. (ed note: Don’t get your hopes up, the writer is tired)

Also one fun note about this kimono, there are still trace of oshiroi smudged onto the red inner layer. I should have taken a close up, now that I think about it.

 

Modern Valentine

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Pink, orange, and black may not be the most expected Valentine’s Day combination, but this is what happens when I’m thousands of miles away from my husband on a day to celebrate love, I guess. No, I kid! I was actually inspired by the incredible modern styling of aedam_furisode on Instagram to pull out a ruffled juban and a big loud furisode. Since the only ruffled juban I own is black, the rest of the outfit had to be built around that. I brought out this bright salmon-pink gosho-guruma (royal cart) furisode, since I knew it had some stark black outlines on it, and then grabbed my trusty orange hakata chuuya obi because it matches the peonies on this kimono so well. If I’m being honest, any excuse to use this obi is a good one.

To break up the tonal similarities of the salmon kimono and orange obi, as well as reinforce the non-traditional vibe and aedam style, I used black cotton lace as a sort of obiage and shigoki-obi, as well as running it through the obi-musubi. It also makes the black ruffles feel more cohesive I think, and brings more attention to the stark black outline of the gosho-guruma motif on the kimono. Without the lace I think this would have just felt confusing and the exposed juban more like an afterthought or an accident, but with the punches of black accessories it pulls everything together. A black obijime tied in a modified kokoro-musubi was the final touch. It’s too short to do a normal one, but if you’re looking for instructions I made a tutorial years ago which you can find here.

Are you doing anything special for valentine’s day? Since I’m so far from Keith, I’m going out for bbq chicken with my folks later tonight. Ahhh, middle age. So romantic. But hey, at least I don’t have to buy him honmei-choco this year!

 

Life, the Universe and Everything

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This is one of those coordinations I’ve wanted to do from the very moment I got this kimono, and have just been putting off for one reason or another for years. It was high time I fixed that! This past Thursday was my 42nd birthday, and this coordinate has auspicious motifs of hayama and kagami (arrows and mirrors) and my favourite colour (teal) so I decided it was finally time to do it.

This kimono is definitely interesting – it’s brighter and more bold than most kurotomesode of the era, and it’s definitely very long for its age. The hem has a slight roll to it, so it’s a bit heavier than the rest of the fabric. This, along with the length, lead me to suspect it was a hikizuri, meant to be worn trailing. I’d like to think it may have been a geisha’s piece, worn at the new year, but this is just a suspicion of mine and I have no way to verify it. Whatever it is, I absolutely love it and should coordinate it more often.

The cool afternoon lighting in my living room makes the teal look bluer in these photos, but it definitely sits right between green and blue in person. I decided to use reds and blues in the accessories to emphasize how bold and punchy this piece is, and to sort of reinforce the geisha-adjacent feel of it. I also decided to let it drape, hikizuri style, to show off the beautiful flow of it, and tied the obi wider than normal to match. The collars are a bit wonky, but sometimes I just cannot get them to cooperate due to the shape of the mannequin. Alas.

This birthday has been a good one and I have very upbeat feelings about this coming loop around the sun. I hope I can share lots of new content and great news with you all soon!

Items used in this coordination

Classy and Creepy

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Happy Halloween! An appropriate day to raise myself from the dead, I think. I’ve just been incredibly busy, travelling and working and whatnot, but I do have some stuff in the works for the next little while.

I knew I had to get this one up today, though. The “obi” is too perfect for a classy and creepy outfit. Funny thing is, it’s not an obi at all. It’s two table runners from Target! One wrapped twice around the body, and one for the musubi. I wanted to keep the rest of the outfit subtle but still halloween-y so my bat menuki obidome and spiderweb haneri, and then remembered I had this lovely piece of soft spiderweb mesh I found in a remnant bin at the fabric store. It makes the perfect shawl, doesn’t it?

I love how this outfit feels seasonal and creepy but totally wearable, and I also love how the two star pieces are both found items that have nothing to do with kimono. The orange accessories were the finishing touch, and they add just the right amount of pop.

Items used in this coordination

Gothic Elegance

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Monochrome outfits that focus on texture and light have always caught my attention, but pieces like that don’t tend to show up on the secondary market very often. I decided I would just go ahead and work with what I’ve got, and I’m very glad I did! It was a bear to take photos of, and they don’t show the depth and richness of all these blacks and textures combined, but hopefully the close-ups help a bit.

I started with my juban with the black ruffle trim, which pretty much determined the colour of my outfit. I have to admit, it made my inner goth very happy. The mofuku kimono is smooth and solid, but it’s such a rich silk that it has an almost reflective quality which brings in another layer of tones and textures. I also added a black lace collar underneath everything, which adds to that gothic Victorian vibe and works so well. I really love the look of a lace collar under kimono and I’m glad I’ve invested in a black one now.

I bought a roll of eyelet lace and temporarily affixed it to a mofuku obi for another layer of lacy texture, and I could not love how it turned out more. I want to do it to a bunch of other obi now where it’s more visible. Black obiage and obijime finish off the outfit.

I’m not thrilled with how poofy the ohashori is here, because there’s so much excess fabric from the hiked-up hem of the kimono, but aside from that everything turned out exactly how I’d pictured it in my mind!

Items used in this coordination