Category: Mannequin Coordinations

Go With the Flow

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Last week, I espoused the virtues of not always sticking to your initial plan. This week reminded me once again why that’s so important! I received this lovely purple-and-pink hakata and asanoha obi during the week and had an entirely different kimono in mind for it. I’m working from home today, so during some down-time I went into the kimono room to collect the pieces I needed and just couldn’t find the kimono anywhere! While rummaging, I pulled this vintage turquoise beauty out and decided to re-think my entire plan. Pink and purple of the obi are both very prominent accent colours in the kimono so I just ran from there.

Once I’d committed to this kimono the rest all slotted neatly into place. The haneri matches the plum purple of the obi and echoes the tachibana motif in the kimono, and my ridiculously versatile yellow accessories literally tied the rest together. The “obidome” is actually a brooch that belonged to my late grandmother and just happens to be a spot-on match for the kimono, as well as having a lovely vintage feel to it that suits the age of the kimono very well. I tied the obi in a sort of tsunodashi variation because it’s a knot that always feels vintage to me too, and I love the way it shows off the two-colour design of the obi so nicely.

I’m very glad I didn’t fight and get frustrated and give up when I couldn’t find the kimono for my initial plan, because I love this one so much more!

Items used in this coordination

 

What’s Old is New Again

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This kimono has always been one of my favourites, but for some reason I’ve never paired it with anything other than an orange obi. Don’t get me wrong, it looks great with orange, but I wanted to diversify a bit. I realised it had the same kikkou pattern on the shoulder as my green darari-style tsuke-obi and I knew exactly where this coordination was heading.

Red accessories because there’s a bit of red in the obi and it helps make the lining pop, and red accents always make an outfit feel a bit more vintage to me! I debated using a dark red haneri shigoki obi as well but it ended up feeling more balanced without it. Even if you’ve planned an outfit entirely in your head, it’s always good to be flexible when you finally get things laid out together. Never feel like you have to stick entirely to your original plans, and that doesn’t only go for kimono coordinating.

Items used in this coordination

Proof of Life

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Rumours of my demise have been slightly exaggerated. Further information below the cut if you’re curious.

Ideally, for my return to regular kimono blogging I would have loved to showcase some gorgeous new piece, some rare curiosity… but I honestly have not purchased anything since the men’s set I wrote about back in May. Instead, I resorted to my old standby of blindly pulling something out of storage and forcing myself to work with it. It’s a great exercise if you’re feeling uninspired or unmotivated! I grabbed this vintage-inspired modern poly piece that I love and used to wear quite frequently, but somehow never think of when it comes time for a mannequin coord.

I thought it would look lovely and even more vintage-inspired with this dusty peacock obi, which I unfortunately forgot was hikinuki-style so it’s tied upside down. Oh well. Not too shabby for being so out of practice! A few similarly desaturated accessories in dusky pinks and beigey browns completed the look and this outfit feels like a great way to transition from summer into autumn.

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It’s a Man’s World

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Today, I finally got my grubby little paws on something I’ve wanted for a very long time. A full men’s formal kuromontsuki set! It seemed like every time I found one it was way beyond my budget. I’m glad I waited because this set showed up for an unbelievably low price and here in Canada to boot so I jumped on it. Originally it was just the kimono, haori, and hakama but the seller was kind enough to throw in an absolutely awesome juban too. All I had to do was find a suitable kaku-obi and I now have a full formal men’s set. I’d love to dress a bride and groom up for photos some day when the world is back to normal!

I cheated and used the same mannequin as usual, I just padded “her” with towels until her tummy protruded a bit more than her chest, and voila! Men’s kitsuke feels odd to me; it’s both very similar and very different from what I’m used to, and I’ll definitely need more practice but I think I did quite well for a first attempt. I do need to learn how to tie men’s haori-himo properly though. I watched a few tutorials and just could not get the hang of it! I’ll try again tomorrow.

Items used in this coordination

Terrific Texture

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As much as it pained me to remove last week’s coordinate, it was time to change the mannequin. I thought for today I would focus on textures, an often-overlooked facet of kimono style and construction. This outfit may have no real variation in colour, and yet it’s anything but boring!

I paired my richly-textured mint iromuji with a tone-on-tone dusty pink hakata obi. Not only do these two pieces play well together texture-wise, the muted colour palettes complement each other perfectly. I emphasised the texture aspect even more with this haneri with a thick woven kiku design, a white shibori obiage (which is a bit too formal for this coord but it worked so well thematically) and a a white beaded obijime to introduce one last texture without adding more colour. I even arranged the obiage so the ruffled hem was visible, just to add one more layer of interest. Typically that edge is tucked away out of sight, but I thought it was a nice little touch.

I really like how this all came together. It’s very simple but also feels very luxurious, due to the nature of all the fabrics together. It’s even more effective in person, but you’ll just have to take my word on that!

Items used in this coordination