Category: Mannequin Coordinations

A Wild Diane Appears!

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You guys! Look at this! Recently a friend drew my attention to the fact that Kimonomachi shop on Rakuten now carries a selection of modern poly komon in size 4TL. Even when I was thinner, it was nigh-impossible for me to find kimono that were actually long enough for me. Now that I’m also significantly overweight, I’d pretty much given up wearing a kimono comfortably as a lost cause, but this one borders on being too big for me. Isn’t that wild?

Sadly, I only noticed my obiage had slipped off my makura after I took the photos. Oops!

It feels so good to be able to dress myself again, and so easily and comfortably too. It’s amazing how much of a difference the proper fit makes. I’d love to buy myself another one, but these kimono are not inexpensive at ¥ 14,000. I managed to get this one for significantly less because I had Rakuten points a PayPal gift card that needed to be used. I may cave in and buy myself a different pattern if I get a large tax return this year. We’ll see.

For reference, I am 179cm (5’10”) tall with a 121cm (48″) bust and a 36K bra, a 91cm (36″) natural waist, and 120cm (47″) hips. I typically wear a size 18 or 1X in North American clothing sizes. This kimono wraps easily from hip to hip, a full one and a half times my widest measurement. So if you’re a similar size and looking for something that will actually fit you properly, I cannot suggest these enough!

I paired the kimono with this moorish arch nagoya obi that couldn’t match better if I’d bought them together. The rusty orange-red of the obi makes the red accents in the kimono pop, and the turquoise base colour of the obi is the exact same as the arches. Looking at the photos, it’s quite clear that a standard otaiko musubi done with an average-sized nagoya obi just looks disproportionately small and odd on my frame, so whenever I actually wear this kimono out to an event I will likely go with a hanhaba or chuuya obi tied in something I can control the size of better. Vibrant lemon yellow accessories made everything pop, and I couldn’t resist using my obidome with snails on it. It’s too cute for words, and ties in with the warm creme colour on the flowers of the kimono.

As a final note, a little reminder that the best laid plans of mice and men often go awry. I dressed myself in this outfit last Thursday and took photos, with the intention of posting it on Fudangi Friday. I transferred, edited, and uploaded the photos. And then on Friday morning I settled in at work, and during a quiet moment started drafting the entry. It was at that point I realised I had the kimono on backwards. Somehow I’d managed to dress myself and then take and edit photos without ever noticing! And as much as I encourage playing with rules when it comes to kimono, wrapping it backwards (right side over top of the left) is only ever done for a body being prepared for a funeral, and it is not a rule I would ever consider breaking unless it was for a very explicit purpose like a costume. So I scrapped my initial plan and re-dressed myself today. Honestly, I’m glad I did, because I managed to tie the obi much more neatly and the lighting was a lot better as well.

Items used in this coordination

#Monokimono Challenge – Rose Pink

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This certainly seems to be the month of pink! First there was the pink ikebana, then there was the pink sakura artwork, and now for this month’s #monokimono challenge, an experiment in pink and texture.

For the first one, I focused on pieces that had a lot of pattern going on, but had the colour in the background. This one, I decided to use pieces that were essentially solid, but all in the same soft dusty rose pink tones and lots of varied texture. I started with my iromuji with the really thick watery rinzu, and then the reverse side of the pink-and-grey sakura chuuya obi. It’s solid and smooth and contrasts perfectly with the rich texture of the kimono. Then this amazing new lace haori, which is slightly less saturated in colour but adds yet another layer of really thick, tactile interest. Throw in a few more shades of pink and interesting textures in the accessories, and I think this is a very successful monochrome outfit. It feels both timeless and modern somehow, and could be worn to so many different events.

Items used in this coordination

Since I’ve nearly completed cataloguing my entire collection, I thought I would add this little mini-feature to coordination entries. I still have obijime left to add, but once that’s done I will be going back and adding these detail images to entries over time. What do you think?

Adjusting obi width to your proportions

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Recently, a discussion on the Immortal Geisha facebook page got me thinking about folded obi width and size. Typically, a fukuro obi is folded in half before wrapping it around your torso, and for the average Japanese frame this looks balanced and proportional. However. many of us are not lucky enough to have a typically petite, slight build, and sometimes a narrower obi can make us look oddly cut-off or silly.

So what I thought I would do was take multiple pictures of the mannequin at differing heights, in the same outfit but with the obi tied at different widths. Obviously, this can only be done most easily with a full-width or unsewn obi, but the principle can be applied to tying a hanhaba or nagoya obi as well; just overlap the wraps to give the impression of a wider or narrower band.

The following two sets of photos have the mannequin set at approximately 167 cm (5’6″) and 180 cm (6′). The first obi on each is folded to roughly 12 cm (5″), the second is folded in half at roughly 16 cm (6″), and the third is folded to 20 cm (8″). As you can see, the obi width changes the overall balance of the outfit without being obviously “incorrect”. It’s a subtle difference, but if you’re very tall like I am, or very short, adjusting your obi can make a significant difference.

Love your height, be it “too tall” or “too short”! We’ve all got our challenges, and there are always tricks to making things work. 🙂

Items used in this coordination

Gentle Vintage Mood

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I received this absolutely gorgeous piece yesterday, from a friend who was clearing out some of her collection. I am slowly turning into the kimono equivalent of a crazy cat lady, but I’m fine with that. I love how soft and subdued this piece is, and I wanted to emphasise a very gentle vintage mood with the coordination.

It started with this breathtaking haneri I posted on Instagram recently. I won it back in late October or possibly early November, and I had entirely given it up as lost. I got it at quite a bargain so I didn’t even bother pursuing the issue, since I suspected it was Canada Post’s problem. not the sellers. So imagine how thrilled I was when it showed up unexpectedly earlier this week! I thought the two pieces would complement each other very well, since the haneri has a bit of a vintage feel to it despite being a modern piece. I was really taken by how well the lilac tone matched the brown of the kimono and thought it would be a good opportunity to use my repaired lilac bird obi.

Some days, the actual physical act of dressing the mannequin goes very smoothly. Some days, every step is a struggle, almost as if the mannequin herself is fighting me. This particular outfit was somehow both! Putting on the collar and kimono went off without a hitch. Smooth lines, clean v-shape to the collars, flat and even ohashori. But then came the obi. This obi is gorgeous but my god it’s a nuisance. It’s floppy and slippery, the pattern is laid out very oddly, and it needs to be pressed again as it’s somehow turned almost puffy. No matter how many different ways I tried to tie it, I could not get birds to show up on the front and the back. Eventually I realised it would be an excellent opportunity to feature this stunning brooch I got from Pinto Pony Productions and use it as an obidome. Rather than fret about the lack of interest on the front of the obi, I worked with it to make it a canvas.

I know I say this a lot, but I love how this finally all pulled together. It’s such a soothing combination, and looking at it just makes me content.

Items used in this coordination

Fudangi First Fr… Saturday?

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Well, that didn’t last long. Only a few months in and I missed a Fudangi First Friday. I was at work until late yesterday and then ran errands afterwards and picked up dinner on the way home. By the time I’d settled in, eaten, and decompressed it was too late to do anything. But I’m doing it today, which is better than not doing it at all, right?

I may not have made any resolutions for 2018, but I have decided that I want to try to re-use more of my collection, especially things I bought for one particular coordination. It seems incredibly wasteful of me to leave things languishing in a cabinet instead of enjoying them and sharing them here. So for today’s outfit, I decided it was time to bust out the Starfleet kimono and try to do something different with it.

Seeing the two outfits together, it’s very clear that I basically did the same outfit with a slightly different obi, so I’m not sure how successful I was doing something “different”, but I still quite like the way it turned out. Heck, I even used the same yellow haneri! I had fun making a wider, otaiko-style bow with a hanhaba obi and played with the objime knot a little though. One of the great things about Fudangi Friday is that since it’s more relaxed and casual, it encourages people to experiment a little. I just need to work on breaking out of my comfort zone and playing with more unexpected colour/pattern combinations.

Items used in this coordination