Category: Mannequin Coordinations

Gentle Vintage Mood

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I received this absolutely gorgeous piece yesterday, from a friend who was clearing out some of her collection. I am slowly turning into the kimono equivalent of a crazy cat lady, but I’m fine with that. I love how soft and subdued this piece is, and I wanted to emphasise a very gentle vintage mood with the coordination.

It started with this breathtaking haneri I posted on Instagram recently. I won it back in late October or possibly early November, and I had entirely given it up as lost. I got it at quite a bargain so I didn’t even bother pursuing the issue, since I suspected it was Canada Post’s problem. not the sellers. So imagine how thrilled I was when it showed up unexpectedly earlier this week! I thought the two pieces would complement each other very well, since the haneri has a bit of a vintage feel to it despite being a modern piece. I was really taken by how well the lilac tone matched the brown of the kimono and thought it would be a good opportunity to use my repaired lilac bird obi.

Some days, the actual physical act of dressing the mannequin goes very smoothly. Some days, every step is a struggle, almost as if the mannequin herself is fighting me. This particular outfit was somehow both! Putting on the collar and kimono went off without a hitch. Smooth lines, clean v-shape to the collars, flat and even ohashori. But then came the obi. This obi is gorgeous but my god it’s a nuisance. It’s floppy and slippery, the pattern is laid out very oddly, and it needs to be pressed again as it’s somehow turned almost puffy. No matter how many different ways I tried to tie it, I could not get birds to show up on the front and the back. Eventually I realised it would be an excellent opportunity to feature this stunning brooch I got from Pinto Pony Productions and use it as an obidome. Rather than fret about the lack of interest on the front of the obi, I worked with it to make it a canvas.

I know I say this a lot, but I love how this finally all pulled together. It’s such a soothing combination, and looking at it just makes me content.

Items used in this coordination

Fudangi First Fr… Saturday?

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Well, that didn’t last long. Only a few months in and I missed a Fudangi First Friday. I was at work until late yesterday and then ran errands afterwards and picked up dinner on the way home. By the time I’d settled in, eaten, and decompressed it was too late to do anything. But I’m doing it today, which is better than not doing it at all, right?

I may not have made any resolutions for 2018, but I have decided that I want to try to re-use more of my collection, especially things I bought for one particular coordination. It seems incredibly wasteful of me to leave things languishing in a cabinet instead of enjoying them and sharing them here. So for today’s outfit, I decided it was time to bust out the Starfleet kimono and try to do something different with it.

Seeing the two outfits together, it’s very clear that I basically did the same outfit with a slightly different obi, so I’m not sure how successful I was doing something “different”, but I still quite like the way it turned out. Heck, I even used the same yellow haneri! I had fun making a wider, otaiko-style bow with a hanhaba obi and played with the objime knot a little though. One of the great things about Fudangi Friday is that since it’s more relaxed and casual, it encourages people to experiment a little. I just need to work on breaking out of my comfort zone and playing with more unexpected colour/pattern combinations.

Items used in this coordination

#Monokimono Challenge – Mustard Yellow

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Anna of KimonoTEKA recently came up with the #monoKIMONO challenge; the last weekend of every month in 2018, challenge yourself to make a monochromatic outfit! I am always up for new kitsuke ideas, and I know I can handle one-a-month type challenges, so you know I’m going to go for it!

My first thought was red or pink, but as I was flipping through my collection for ideas, this odd mustard yellow colour jumped out at me. You might remember this kimono as my emergency backup piece for Belle that I ended up falling in love with. It’s not a piece I’ll ever be able to wear, even if I were to lose an unhealthy amount of weight it would still be too narrow for my broad back and too short for my giant self. Also, this particular colour looks lovely on a lot of folks, but utterly terrible on me. However, I’m always excited to find ways to coordinate it, and I realised I have a vintage obi that’s nearly the exact same colour. A few similarly ochre-toned accessories and voila, a beautiful, wearable, vintage monochrome outfit.

This whole outfit pulled together so smoothly and easily, I hope it’s a sign of things to come for both the challenge and the year as a whole. Are you participating in the #monoKIMONO challenge? If so, I’d love to see your coordinations!

Items used in this coordination

Kiltmono for Robbie Burns

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Yesterday, January 25th, was Robbie Burns Day, a celebration of the life and work of Scottish poet Robert Burns. Traditionally, a Burns Supper is held, an evening filled with bagpipes, haggis, poetry, whisky, and laughter. A few weeks back, a family friend came over while this outfit was on the mannequin, and he jokingly asked if it was for Robbie Burns. It got me to thinking, how could I combine the two, and this “kiltmono” is what I came up with! I’d intended to do it yesterday but this flu season has been kicking my butt over and over again, and I could barely get out of bed. Thankfully today was better.

I hiked the kimono up quite high, to what would be roughly the length of a kilt. The white obi is to echo a crisp white dress shirt, and the black haori calls back to the formal black jacket typically worn with a dress kilt outfit. I chose the red accessories to tie together the red accents in the haori and in the tartan of the kimono. The sporran is my father’s, as is the sgian-dubh (dagger). Traditionally, the sgian-dubh is worn tucked into the sock with a formal kilt outfit, but it reminded me of the traditional kaiken dagger worn by Japanese brides, so I tucked it into the obi. The shoulder fur is reminiscent of both traditional fox fur kimono shawls and a pelt that would have been worn for warmth in the Scottish highlands.

Honestly, I’m kind of shocked at how well this whole experiment came together. As much as I love traditional kitsuke and “proper” kimono coordinations, I also really love demonstrating how modern and versatile these garments can really be. When we stop viewing kimono as rigid, regimented garments with strict prescriptive rules, and start remembering that they are first and foremost clothing and were once worn every single day, we’ll all be able to have a lot more fun with them while still remaining respectful.

Pieces in this coordination

A Promissory Note for Spring

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I am utterly, completely fed up of winter! I am tired of the cold and the snow, and I am tired of this awful ear infection/sinus/flu situation I’ve been fighting off since the beginning of December. I really needed to remind myself that this will come to an end eventually, and spring is on its way.

This kimono always feels good for this time of year, since it’s got multi-seasonal flowers and the colour scheme is pretty subdued, but with the right accessories it can really pop. I got the obi from Lyuba of Strawberry Kimono and I suspect it’s going to be come a fast favourite. I love the bold pattern, and it’s really nice and soft, but textured enough to hold well against itself. I tend to dislike overly soft formal obi because they can also be slippery and don’t hold a nice shape, but the slightly rougher fabric of this and the fact that it feels more casual means it’s great for relaxed, natural-looking obi musubi.

Soft leaf-green accessories helped reinforce the spring vibe of the outfit, and a pink haneri helped to emphasise the pink bits of the outfit. Of course, since I got the obi from Lyuba I had to tie the obiage in a bow shape that always reminds me of her kitsuke.

After the winter-heavy efforts of the 12 Days of Kits-Mas, it felt good to do something more transitional and bright. It was tiring working through being sick to do this, but I’m glad I did!