Gofuku no Hi 2020

Gofuku no Hi is a bit of a play on words – May 29 is written as Go-Fu-Ku (5-2-9), and “gofuku” is also a word for traditional clothing. So it’s become an international day to encourage everyone to wear kimono!

As I’ve often mentioned, I’m currently too big to wear almost any of my kimono comfortably. I would have put on one of my modern plus-sized poly komon, but good lord is it too hot to deal with all that today. Thankfully I came across this video by stylist Sala Okabe on Facebook (who you should totally be following if you’re not already!) showing how to easily wear a kimono as a dress without any alteration or damage. It’s actually quite similar to how I styled Lynn in the mod michiyuki at the Otakuthon Fashion Show last summer.

I decided to use my beloved bright-red kiku houmongi, which also happens to be the first kimono I ever purchased. I recently cut all the blue out of my hair, which gives me a lot more leeway colour-wise. To suit the style and era of the kimono I went with a sort of kitschy-retro vibe, pairing some vintage-inspired shoes, my beloved pearls, and this ridiculously adorable purse that looks like a camera.

My intial plan was to go to the park near my house, but I ended up nixing that because it’s just way too hot to be out in the sun, so you guys get to enjoy my living room yet again.

 

Overall I think this was a very successful experiment! I love how the kimono-as-dress looks, and it’s definitely super comfortable. Next time I’ll try it with a slightly bigger one to prevent the slit up the front, but since I am wearing a little tunic underneath it’s not a huge issue.

Did you dress for Gofuku no Hi? If you did, please share photos, I’d love to see!

 

Clear as Black and White

I’ve been rolling the idea of an all black and white coordinate for quite a while now. I find myself with a surfeit of free time now, due to my sudden lack of employment due to the COVID-19 outbreak, so I figured I may as well really buckle down and start doing all the kimono-related things I’ve had loosely percolating in the back of my mind for months now.

Of course, I started with my all-white shiromuku bridal furisode. The black anchor came from the homsue-hem style juban I made last summer for the fashion show. I debated removing the ruffles afterwards but decided I liked it so much I wanted to use it in other ways. I’m very glad I kept it! To balance out the black at the cuffs and hem, I went with a black obi. For the haneri and obiage, I actually used some fabric I had left over from last year’s Halloween costume, where I went as a sort of celestial moon goddess. I really love how it works here and I’m seriously debating cutting and hemming some pieces properly, to use again in the future. The final finishing touch was a beaded silvery-white obijime that echoes the sparkle of the stars on the accessories as well as breaking up the solid black of the obi.

The fun thing about this outfit is that it allows me to use pieces that would traditionally never be used outside of specific circumstances; a wedding kimono and mourning obi and accessories! But since it’s such an out-there ensemble, and the addition of the very non-traditional ruffles on the juban, I think I got away with it just fine  😉

As I mentioned up top, I have indeed (temporarily) lost my job. The store where I work is a small, non-essential business, and we had no choice but to close indefinitely. I’m incredibly lucky to share a house with my folks which means that I’m not at risk for eviction or starvation. However, running this blog and bringing you guys new and exciting content on a regular basis isn’t exactly free. Whether it be new coordinations, book reviews, DIY projects, or even just covering the cost of hosting the blog, things might take a hit if I’m out of work for much longer. I know this crazy pandemic situation is affecting everyone, so I’m certainly not expecting anything, but if you are lucky enough to be working from home and have a steady income, I’m not too proud to add a link here to my donation & support page. Thank you for reading all this!

Items used in this coordination

Roaring Twenties

A while back, a friend sent me this awesome michiyuki with gorgeous long sleeves. It sat in storage for some time while I wondered what to do with it, and it recently struck me that it would make an amazing dress-like outfit.

Michiyuki like these are intended as over-coats for inclement weather, but they are also great to wear and style as mod-era dresses. Their boxy shape is perfect, and since they’re the only common kimono garment that actually snaps up the front, they’re very easy to wear.

The styling for this one was super simple; I wanted to keep the Taisho vibe of the piece in focus so I went for a bit of a sleek twenties feel. A gold necklace worked to bring out the warm tones in the garment, and a big chunky belt gave it a bit of shape and definition at the waist. I have another michiyuki with a much more modern and graphic pattern, and I can’t wait to do a similar outfit with that one as well, but trying to evoke the mod style of the 1960s.

I’m still on vacation, but I’m keeping up with things as much as I can. How do we all feel about the new upcoming era name, Reiwa? I’m not sure how I feel, I think it will really depend on how people choose to interpret it. The intention of “good/auspicious peace” is lovely, but the fact that it can also be read as “commanded peace” feels a bit odd to me. I guess only time will tell!

Items used in this coordination

Queen Serenity

Eons ago, I found this pretty rhinestone moon-and-star pendant at Michaels, and my mind immediately went to Sailormoon. I’d been trying to figure out how to do an outfit inspired by Queen Serenity, and the other day while chatting with a friend I finally got the spark of motivation I needed. I took inspiration from the Mulan kitsuke I did. The under-dress is the same one. The fact that it matches the kimono so well was a happy coincidence.

I love the soft, flowing layers of the ivory kimono over the ivory dress. I played up the metallic accessories both to evoke the gold ornamentation on the inspiration image and to tie in the pendant that inspired the whole project. I tied the soft gold obi in an improvised bow somewhere between a bunko and a cho-cho musubi, to echo Queen Serenity’s wings. In a perfect world, I’d have a shimmering gold darari obi to get more length and volume to it, but they’re not exactly easy or affordable to get hold of. An obiage that leaned more gold would have also been an improvement over this very yellow-toned one, but again, I used what I had on hand.

One thing I was not expecting is how elegant and wearable this actually looks. I could see this sort of a combination being worn to a wedding, bridging the gap between traditional and modern aesthetics. Heck, I could even see myself considering an outfit like this if I were ever to get married. Not that it’s remotely in the plans or anything XD

Items used in this coordination

Valentine Redux

Happy Valentine’s Day! Whether you’re celebrating with a partner, family, friends, a beloved pet, or just loving yourself today, I hope you’re having a great day.

I wanted to do yet another obnoxiously girly coordinate and was inspired by my previous Valentine’s Day colour combo but wanted to add a bit more flair. I’d also been itching to do a more kimono-hime style outfit.

Lately there’s been a lovely trend of slightly exposing juban with really sweet pleated chiffon hems, and while I don’t own one of those (yet), this textured while skirt with lace accents worked a charm. I also used one of the skirt’s tiers to fake extra sleeve layers, and love how they look. Especially now that the mannequin has arms!

I also re-used a lot of the lace I’d initially bought for the Princess Tiana coordination, and I think it pops so well against the black kimono. The pink lace shawl has a very similar texture and ties in to the obi perfectly, as well as echoing the layered pink and white collars I used. A shiny silver and pink brooch used as an obidome completes the look. This outfit is still sweet and romantic, but I think that with the black base it feels a little edgier, and I love that.

Items used in this coordination