Tag: houmongi

Hinamatsuri 2019!

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Today is Hinamatsuri (雛祭, doll festival, girl’s day), a day for girls to celebrate, to set up an ornate display of dolls inspired by Heian emperor and empress, and to wish for love and health in the future. I don’t have a proper set of dolls, but I do like to do a small DIY every year and celebrate by making a sweet, girly coordination on the mannequin.

This year I wanted to feature this green obi with pastel designs, and thought this blush pink houmongi with sagara embroidery of a shifuku (silk pouch to protect tea ceremony tools) with a rabbit on it would be perfect. It’s adorable and feminine and the colours play off the obi so well. Rabbits are also commonly used to represent people in their hina-matsuri doll displays, representing a young girl’s wish for a large family when she grows up. The whole outfit feels sweet, girly, and spring-like, which is exactly what I was going for. The blue beaded obijime was chosen to echo the texture of the embroidery on the kimono, and I tied it in a wisteria knot just because I think it looks pretty.

And of course, I couldn’t let hinamatsuri pass without doing some sort of DIY display. I’ve done origami, perler beads, nanoblocks, and illustration. This year I decided to do some adorable sashiko!

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#MonoKimono Challenge – Bold Red

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Can you believe the year is finally over? I knew I wanted to end the #monokimono challenge with a bang, so I went with a really festive-feeling bold red coordination.

I know I use this kimono a lot, but I do love it to bits. It was my first kimono and it’s still one of the easiest to work with. This whole outfit fell into place very easily and dressing the mannequin took no effort at all. Which is a good thing, because I slipped on the ice getting into the car last night and pulled my entire right side out of alignment. Nothing serious, but it’s uncomfortable and annoying! So I’m very glad this outfit cooperated so well.

Once I had the red kimono sorted, this red and white hakata obi was a no-brainer. The reds are nearly identical, and the white geometric plays off the flowing white kiku of the kimono. I don’t have a red haneri so I went with white, also with kiku motif, and a gold kasane-eri for a little bit of punch. The obijime is one I bought at that big kimono bazaar in the autumn and I’m so happy to have found a way to feature it.

This is such a bright, vibrant outfit. It feels perfect for that liminal time between Christmas and New Year’s day. It also brought me a lot of joy to coordinate it, and that’s something I sorely needed in my life right now.

I don’t know if I’ll do this monthly challenge again in 2019, but I know I will still be making monochrome outfits now and again because it’s a lot of fun and encourages me to step out of the “typical kimono comfort zone”.

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#monoKimono Challenge – Warm Brown

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If I’m being completely honest, when I embarked on the #monokimono challenge I had no real plans to do a brown coordination. Brown felt so blah and boring to me. And then I ended up with this stunning warm brown Taisho-era houmongi and all that changed. I’ve coordinated it three or four times already this year and here I am, doing it again. It’s just so pretty and soft.

My plan was intially to use my brown iromuji as a sort of dounuki, an extra inner layer. But the colours are so identical it didn’t really add anything visually, and the sleeves are so much shorter that it looked odd, so I just scrapped that plan. I’d never used this particular obi before and thought it would be a good time to feature it, since it’s got the same subdued, dusty feeling as the kimono and the brown tones are an excellent match. What I didn’t realise, however, is that it’s a hikinuki obi. Hikinuki obi are meant to be tied in a different way and the pattern on the drum is upside-down. Normally they’re much bolder designs, since they’re often used for quick changes by stage performers. This is by far the most “boring” hikinuki I’ve ever seen. I did manage to get it tied with the design the right way up though! It just took a little more fussing than I’m used to. A few more brown accessories finished things off. I only have one brown-based haneri and it’s much more modern and bold in feeling and looked out of place, so I went with basic white.

Only one month of monochrome kimono to go, and a much bolder outfit inn the works for December.

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Mature Elegance

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Isn’t it funny how the older I get, the more my tastes gravitate to the bright and youthful? I’m turning 37 tomorrow and somehow I keep finding myself accumulating boldly coloured furisode and things. When I was younger, I was drawn to more shibui styles, and now I guess I’m making up for lost time?

This gorgeous bamboo houmongi is a lovely exception, I think. It’s yet another of my purchases from the kimono bazaar last month and I thought it lent itself quite well to a more elegant coordination that would still allow me to express myself through pattern and colour. The bamboo leaves are in a lovely range of blues, reds, oranges, and purples, which gave me a lot of selection to work with.

My navy and gold tiger’s eye tsuke-obi is making yet another appearance here. For a silly impulse purchase I made, it’s turning out to be one of my most weirdly versatile and beloved items. It tied in very well with the kimono, and I decided to pull out the warm maroon for the rest of the accessories. The beautiful obidome from Pinto Pony Productions worked well against the ivory backdrop here too, rotated onto its side for a little more drama.

This definitely feels like a more traditional and elegant sort of outfit, appropriate for a woman my age. But it’s not boring or quiet, it’s still got some lovely impact and personality, which is exactly what I was aiming for!

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Gentle Vintage Mood

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I received this absolutely gorgeous piece yesterday, from a friend who was clearing out some of her collection. I am slowly turning into the kimono equivalent of a crazy cat lady, but I’m fine with that. I love how soft and subdued this piece is, and I wanted to emphasise a very gentle vintage mood with the coordination.

It started with this breathtaking haneri I posted on Instagram recently. I won it back in late October or possibly early November, and I had entirely given it up as lost. I got it at quite a bargain so I didn’t even bother pursuing the issue, since I suspected it was Canada Post’s problem. not the sellers. So imagine how thrilled I was when it showed up unexpectedly earlier this week! I thought the two pieces would complement each other very well, since the haneri has a bit of a vintage feel to it despite being a modern piece. I was really taken by how well the lilac tone matched the brown of the kimono and thought it would be a good opportunity to use my repaired lilac bird obi.

Some days, the actual physical act of dressing the mannequin goes very smoothly. Some days, every step is a struggle, almost as if the mannequin herself is fighting me. This particular outfit was somehow both! Putting on the collar and kimono went off without a hitch. Smooth lines, clean v-shape to the collars, flat and even ohashori. But then came the obi. This obi is gorgeous but my god it’s a nuisance. It’s floppy and slippery, the pattern is laid out very oddly, and it needs to be pressed again as it’s somehow turned almost puffy. No matter how many different ways I tried to tie it, I could not get birds to show up on the front and the back. Eventually I realised it would be an excellent opportunity to feature this stunning brooch I got from Pinto Pony Productions and use it as an obidome. Rather than fret about the lack of interest on the front of the obi, I worked with it to make it a canvas.

I know I say this a lot, but I love how this finally all pulled together. It’s such a soothing combination, and looking at it just makes me content.

Items used in this coordination