Art Gallery – Eeeveelution Girls

What’s this nonsense? Pokémon fanart? I was inspired by the Kimono Girls who are present in both the games and the anime and manga. I thought it would be really cool to do a series of them inspired by each of the evolution forms of Eevee, who is one of my favourite pokemon. Hopefully it’s obvious which one is which, but just in case it doesn’t come through clearly (or you’re not familiar with Pokemon), we have, in order:

  • Eevee – Since Eevee is the original/unevolved form, I wanted her outfit to be basic and versatile. Eevee’s distinctive fur ruff and tail formed the starting point for her kimono.
  • Vaporeon – For the water evolution, I knew a seigaiha obi would be perfect, and I’ll never pass up the opportunity to include Kanagawa’s Great Wave when I can!
  • Jolteon – Modern lightning motifs for the electric evolution, of course.
  • Flareon – Hot colours and traditional flames suit the fire evolution perfectly.
  • Espeon – The psychic evolution is hard to convey visually, so I chose to do a base kimono in a subtle gradient of Espeon’s colours, and the sakura motif obi as a nod to the trainer Sakura in the anime, who has an Espeon.
  • Umbreon  – Like psychic, dark is a hard concept to convey, so Umbreon’s style was inspired directly by the visuals of the game.
  • Sylveon – The pastels and bows of the fairy evolution seemed perfectly suited to tabane noshi. This is actually the first one I made, and inspired the rest of the project!
  • Glaceon – Yukiwa motif for the ice-based Glaceon just made sense. The diamond pattern of the obi helps reinforce the crystalline feel.
  • Leafeon – Swirling vines and shades of green and brown were the clear choice for Leafeon’s grass form.

I had a lot of fun finding the right colours and patterns for each of these little ladies, and I love how they look all put together! If you get a kick out of them too, prints are available in my Society6 shop.

Timeless Elegance

Thank you so much for being patient while I was out of town, and settling back in. I apologise for the lack of content, and if you’re curious as to why I’ve been relatively radio silent there’s a bit of info at the bottom of this post. Feel free to skip it though.

I knew I needed to get back into the swing of things, and decided to do something with the gorgeous, timeless elegance of this vintage irotomesode. Like a lot of other pieces from this era, the designs on it are incredibly soft and dusty and subdued, and I wanted to make sure the obi didn’t compete or overwhelm in any way. As you may know, I’m of the mind that hakata obi go with everything and anything, so this very pale pink and white one seemed like the ideal complement to the dusky pastels of the kimono.

I’m trying to branch out and do more interesting things with my kitsuke, so I tried doing kouken musubi and I think it turned out quite well for a first attempt! Olive green accessories and a coordinating haneri helped give the whole outfit a bit of weight and contrast, which I think it definitely needed.

It felt good to get this done. While I was down in California, two separate tragedies struck at times when I felt helpless to do anything. My friend Dan Howard, the incredibly talented and sweet and funny artist who drew this portrait of me, lost a hard-fought battle with pneumonia. The following day our tiny, grumbly, loveable cat Tribble (whom you’ve definitely seen if you’re a long-time reader) succumbed to a very aggressive form of cancer. My folks made the humane choice to end her suffering but I was thousands of miles away and couldn’t say goodbye. So I was already not in a great place mentally or emotionally, and leaving Keith always makes me sad. On top of everything else, the trip home was long, full of incidents and delays. All these things have compounded to put me in a pretty bad state of mind. Distracting myself with something as familiar as kimono really helped today.

If you read all that, I apologise and I thank you. But I’m starting to do better, and we’ll be back to a more regular schedule from here on in. 💖

Items used in this coordination

Roaring Twenties

A while back, a friend sent me this awesome michiyuki with gorgeous long sleeves. It sat in storage for some time while I wondered what to do with it, and it recently struck me that it would make an amazing dress-like outfit.

Michiyuki like these are intended as over-coats for inclement weather, but they are also great to wear and style as mod-era dresses. Their boxy shape is perfect, and since they’re the only common kimono garment that actually snaps up the front, they’re very easy to wear.

The styling for this one was super simple; I wanted to keep the Taisho vibe of the piece in focus so I went for a bit of a sleek twenties feel. A gold necklace worked to bring out the warm tones in the garment, and a big chunky belt gave it a bit of shape and definition at the waist. I have another michiyuki with a much more modern and graphic pattern, and I can’t wait to do a similar outfit with that one as well, but trying to evoke the mod style of the 1960s.

I’m still on vacation, but I’m keeping up with things as much as I can. How do we all feel about the new upcoming era name, Reiwa? I’m not sure how I feel, I think it will really depend on how people choose to interpret it. The intention of “good/auspicious peace” is lovely, but the fact that it can also be read as “commanded peace” feels a bit odd to me. I guess only time will tell!

Items used in this coordination

When is a kimono not a kimono?

One thing I’ve come to learn over the fifteen years I’ve been at this whole collecting thing is that there is such a broad swath of things that online sellers, whether unscrupulous or simply misinformed, will label as kimono. It can be incredibly confusing and overwhelming for new collectors who are trying their best to get something authentic. Today, I’m going to try to help you out and break down “real” versus “fake” kimono, as well as authentic Japanese garments that would simply be a little awkward or inappropriate as outerwear.

Technically, kimono does just mean an item you wear (着 – ki, to wear; 物 – mono, thing), but when you think of traditional Japanese clothing there is usually a pretty distinct line delineates what is and is not a kimono. When starting to collect, it’s not uncommon to come across all manner of strange, hard-to-categorise items. To the novice, they may look and feel like a proper kimono, but they may get you funny looks if worn in inappropriate situations.

Today, I’m going to break down some of these more common misunderstood items in the hopes of clearing up some of these confusion. Of course, you can wear whatever you own and love, but if you’re new to this and feeling overwhelmed while browsing online or at conventions, hopefully this will help you out! Nearly all of these are pieces I own, which I hope goes to reassure you that they’ve all got their place and nearly none (we’ll get to the lone exception later) are inherently bad or wrong things to own. There’s just a time and a place for them.

Kimono-influenced Dressing gown

These may be made in China, North America, or even Japan, but they are meant to be worn like any other dressing gown or bathrobe. They will typically have Japonesque feels and motifs to them, and definitely do evoke a formal kimono-ish vibe, but they are absolutely just for in-house wear.

 

 

 

Defining characteristics:

  • Fabric: shiny satin or polyester
  • Belt: Yes, same fabric
  • No okumi panel
  • Often (but not always) has closed, narrow sleeves

Appropriate wear situations: Lounging, at home, at the spa 


Nemaki

Our first traditional Japanese garment, the nemaki is essentially bed- or house-wear. They’re incredibly comfortable and casual, but not the sort of thing you’re going to want to be wearing outside of the house unless it’s part of a costume or a themed event of some sort where other folks might be wearing pyjamas, novelty onesies, or similar garments.

 

 

 

Defining characteristics:

  • Fabric: woven cotton or hemp
  • Belt: Yes, same fabric. May be attached.
  • White with printed indigo designs
  • Short; mid-calf or knee length
  • Closed, narrow sleeves

Appropriate wear situations: Lounging, at home, in bed


Onsen yukata

A step up from nemaki but still not “outside clothes”. They’re generally a little fancier, since they may be seen by non-family members, but it’s still in the context of sleeping or bathing. Wearing one of these outside of a hotel, inn, or hot-springs situation would definitely get you some funny looks. I have, however, worn one in lieu of a juban in a pinch, so there’s a tip for you!

 

 

 

Defining characteristics:

  • Fabric: woven cotton or hemp
  • Belt: Usually, same fabric
  • White with printed indigo designs
  • Knee or mid-calf length
  • Typical kimono sleeves

Appropriate wear situations: Lounging, at home, at the spa, at the ryokan, at the onsen


Cosplay kimono

No. Just… no. These are mass-produced by factories that only care about making a quick buck, and don’t give a hoot about anything resembling accuracy. They’re often sold as “traditional” or “authentic”  kimono which takes advantage of people who are still learning, and that frustrates me immensely. I couldn’t even bring myself to buy one of these for reference purposes, so you’ll have to deal with this photo from one of the many, many online vendors of these things. Personally, I feel like the biggest travesty on these is the “obi”, which is generally a belt in the same fabric as the kimono itself, with an attached bow backed with a cardboard square. Or, as my friend once put it, a “spinal mortarboard“. I thought these fake obi were funny enough to begin with, but now I can’t see them and not think of that comparison.

Defining characteristics:

  • Fabric: cheap, shiny polyester
  • Belt: Matching “obi”, usually backed with cardboard
  • “Japonisme” vaguely Asian designs
  • Thin, contrasting collar permanently attached
  • Much too short for proper wear, often leaving ankles exposed

Appropriate wear situations: Conventions if you must but ideally nowhere


Tourist kimono

Generally made in Japan for the export market, these are probably the closest to a proper formal kimono, but there are a few key differences. Kimono typically have some construction seams across the upper back and down the spine, and these usually don’t. The fabric also tends to be a little shinier and flashier in most cases. However, they can be a great starting point for a collector or something a little more worry-free to wear to a party or convention. Mine was a gift and I love it, it makes a really lush, opulent-feeling robe for swanning around the house in. Sometimes, you can luck out and find very historically interesting ones made as souvenirs during the post WWII occupation that I think have fantastic historical and reference value as well.

Defining characteristics:

  • Fabric: higher-quality satin, rayon, or occasionally silk
  • Belt: Occasionally, usually matching or contrasting fabric
  • Constructed very similarly to proper kimono
  • May have embroidery across the back
  • More traditional patterns
  • No horizontal back seam

Appropriate wear situations: Lounging, conventions, fashion wear


Yukata

The good old festival yukata. If your introduction to kimono was the ubiquitous summer festival of your favourite anime, you are no doubt familiar with these. They’re a great first purchase for someone dipping their toes into collecting, as they require way less layers, accessories, and fussing to put on than a kimono. You can find them in colours and patterns ranging from incredibly cute and youthful florals to subdued, more mature geometrics to suit any tastes. I firmly believe that every kimono collector should have a couple of these in their arsenal, as they’re cute and comfy, and great for dressing friends who may not be ready for the full kimono experience.

Defining characteristics:

  • Fabric: Crisp, breezy cotton or hemp
  • Belt: None, worn with coordinating hanhaba obi
  • Constructed using same pattern and structure as more formal kimono
  • Traditional motifs ranging from vibrant youthful florals to subdued geometrics

Appropriate wear situations: Summer festivals, picnics, conventions


Polyester komon

Our first “real” kimono! They may be made out of polyester, which some people will see and assume this falls into the same category as tourist kimono. However, nowadays polyester is a very common material for both casual kimono and formal rental pieces. These are great if you’re going somewhere where there’s a risk of mess; be it a restaurant, a convention, or simply an event in inclement weather, a poly komon is a fantastically versatile piece that I encourage all new collectors to invest in. Just be warned, they don’t breathe like natural fibers would, so they can get very hot in the summer or in crowded venues.

 

Defining characteristics:

  • Fabric: High-quality polyester, similar in feel to silk.
  • Belt: No, to be worn with coordinating hanhaba or nagoya obi
  • All-over repeating pattern

Appropriate wear situations: Casual events, conventions, dinners, parties


Silk kimono

There are too many varieties of real kimono to include one of each in this entry. I have already done a breakdown of types, formalities, and how to tell them apart, in this article so now that you know what isn’t a real kimono, feel free to go read about the many varieties that are.


Hopefully this has helped you break down what to look for when dipping your toes into the wonderful world of kimono collecting, and has helped give you a little confidence and the knowledge you need to make sure your first few purchases are things you will love and cherish!

Scarves in Solidarity

Today I am participating in the Scarves in Solidarity project, which aims to show support for the Muslim community in NZ by wearing a head scarf. It’s a small gesture, but one that helps show that we’re all united in the face of terror and white supremacy. Several years ago, Quebec had a much smaller but similarly motivated attack, so the attack in Christchurch, New Zealand, last Friday hit especially close to home here.

Personally, I am an atheist. However, I firmly believe that a place of worship (be it a mosque, church, synagogue, temple, shrine, or any other) should always be a place of hope, faith, and safety. To attack people in during their prayers is the height of cowardice. I wanted to do something to show my support for the survivors of this attack and their families.

Of course, I had to wear my beautiful mosque houmongi for this project; I could think of no more appropriate piece in my collection. I could barely get it around my hips, but I was determined to make it work.

I wore a light blue-green buff underneath to tame my unruly blue hair, and then this beautiful green and gold scarf over top, which ties in to the green and gold tones in the hem of the kimono. I think it looks perfect together. Gold obi and accessories finished off the outfit well.

Whatever your view on religion in general, or religious head-coverings may be, I think we can all agree that nobody deserves to be targeted for their beliefs. People of Christchurch, NZ, and Muslims around the world, we are with you.

Items used in this coordination