Tag: white

New kimono and obi

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It’s difficult to get everything I own catalogued when I keep buying new things! Nothing terribly exciting to see here, just posting reference photos of some of the new komon and hakata obi I’ve acquired recently. I also got a new iromuji not long ago, but since I haven’t catalogued my other iromuji yet, I plan to just do them all together.

Taisho Pink Ume Komon


This is a gorgeous vintage piece. It’s covered in thick ume branches and sweet flowers, a few of which are outlined in gold and silver. I snagged this for an amazing price, due to a few unfortunate water spots on the front. They’re not terribly visible, and I’m going to look into removing them eventually.

Purple Lamé Komon


This is the kimono I wore here, so yes, if you’re a regular reader (thank you!) you’ve seen it before. It’s a bit of a weird thing, being heavy lined synthetic, but covered in high-summer motifs. If you can’t be warm, at least you can think warm!

Striped Mauve Komon


This is the kimono I wore here. It’s a nice, big, synthetic piece that has an old feel to it. Cute multi-season designs of kiku (chrysanthemum), sakura (cherry blossom), and yukiwa (snow crystal design).

Pink and White Hakata Obi


A sweet pale pink and white hakata fukuro obi that I got for a steal, due to a few spots of rust discolouration on the ends. I figure so long as it’s tied in something other than otaiko musubi, it won’t ever be visible. Haven’t worn it yet, but I’m looking forward to it!

Reversible Red and White Hakata



Two, two, two obi in one! One side is a gorgeous, dramatic white-on-red hakata, and the other is a great versatile bright red with gold, silver, and white diamonds and various designs. I’m shocked this didn’t sell for more, and thrilled that I won it.

Purple Net Tsukesage/Komon – a.k.a The Town Bicycle.

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Courtesy of UrbanDictionary (link potentially not safe for work, do not click if in public, or easily offended)

A girl that is like a bike that belongs to the town – everybody gets a ride

You’re probably wondering what that quote could possibly have to do with kimono. I promise, I have not gone off the deep end. I use the term to refer to a kimono or obi that goes with nearly everything. Sort of a surefire go-to piece when you’ve got a particularly busy or awkward item you want to wear. It gets a lot of use, but never complains, never gets worn out, and is always up to the task. When it comes to kimono, my “town bicycle” has to be my purple tsukesage-komon with the woven fishnet pattern.

When I found it online, the photos were not the best. It looked like a solid, dove-grey kimono with an interesting design on the front okumi panel and the sleeves. I still thought it was lovely and versatile, so I bought it. Imagine my shock when I opened the package to find a beautiful ivory kimono with woven deep plum patterns, flecked with silver.

It’s much prettier in person than I ever would have guessed, but from a distance it still reads as a neutral, and a solid colour. This makes it amazingly versatile. It’s non-seasonal (though it’s lined, so not something I could pull off in the summer), has just enough sparkle and drama to be able to dress it up, but is simple enough to be dressed down too. It also makes a great “frame” for particularly special obi that I want to highlight.

Paired with my koinobori obi and mint-green accessories, at a toy convention organized by my work.

Paired with my spider obi and dark purple accessories.

Gothic Landscape Houmongi

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Every so often, you come across a piece that you know you’re just meant to have. Sometimes it’s immediate, and you splurge and buy it. Sometimes you’re not that lucky, and you miss the opportunity. Take solace in the knowledge that eventually, it will find its way back to you.

This curious piece came up for sale, and at the time I didn’t have the money for it. It was purchased by a member of the Immortal Geisha forums, and I happily admired it from a distance, when she posted photos of herself wearing it. Time passed, and she got engaged, and sadly had to sell parts of her collection to fund the wedding. This time, I was ready. I swooped in like a bat in the night (can you tell the mood of the kimono is rubbing off on me? Either that, or the fact that I am currently watching Batman: The Brave and the Bold while writing this) and snapped it up when she put it up for sale.

Damn, was it ever worth the wait. I am fascinated by this kimono. It’s got swirly wrought iron gas lamps, Victorian-style buildings, and what appear to be a series of small grave markers. It reminds me of London in the late nineteenth century.

I wonder if the artist who designed and painted this piece had the same scenes in mind – and if so, what possessed them to make such an odd and unexpected kimono? If not, what were they trying to evoke with this piece, and what would I see if my Western-minded bias were not getting in the way?

Sadly, I’ve not had the opportunity to wear this yet. The woman I bought it from bundled it with a funky shimmery blue-green obi that has a pattern reminiscent of paving stones, and they coordinate very well, but I can’t help think this kimono would look particularly amazing with my equally weird blackbird obi. Crows flying over London, surveying their territory. Hopefully I’ll be able to get the obi re-lined soon, and be able to put together an outfit that does both pieces justice.

Why being my friend is dangerous

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My dear friend Anlina was in town and came to visit me at work yesterday. We then went to dinner, and they came to crash at my place afterwards. We talked and got giggly and silly, and at some point the idea of dressing them in kimono came up. I’ve honestly never dressed anyone but myself before and thought this would be a great chance to practice. Anlina is lucky, they have a great body for kimono. They’re not wearing any structural undergarments here, merely a snug tank top.

My only stipulation was that they choose an outfit involving a tsuke-obi (pre-tied obi) as I’d been working all day and was tiiiiiired and not up to tying anything. I think we pulled together something cute, even if the formality is all over the place.

And of course, Tribble had to get involved.

So, what do you think, good first try for dressing someone else? Outfit cute, even if it makes no sense? Isn’t Anlina adorable?

Items used in this coordination

Uchikake-cuchi-coo.

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Have you ever come across something that you knew you were never going to use or wear, but for one reason or another had to have anyways? Yeah, that’s how I ended up with Japanese wedding attire.

Uchikake are technically any sort of ceremonial decorated over-kimono (not to be confused with things like haori or michiyuki, which are everyday outerwear). They were commonplace with the upperclass as well as high-class courtesans up until the Edo era, and started losing popularity from then on. At this point, they are pretty much exclusively worn by a bride on her wedding day, over top of a full trailing furisode and obi ensemble. They can be white, as mine is, or brightly coloured with celebratory motifs. Their primary characteristics are the heavy, padded hem and long length (as they are meant to be worn trailing) and often a front decorated with knots or other ornamentation. They are worn over the kimono and obi, and so are not overlapped or folded at the waist. This allows for much more elaborate decorations.

I have no plans to get married any time in the remotely near future, and even if I did I would not wear this piece. I may consider wearing a dressy kimono for the reception, or part of it, but this is too ornate for my tastes, and too “thematic” for any sort of ceremony I’d feel comfortable with.

However, when I was working in the computer lab at a college several years back, one of the professors overheard me discussing my collection, and told me his wife had purchased a kimono as a decoration while they were vacationing there in the 80s, and had tired of it. It was currently living in a garbage bag in their closet, and would I be interested in seeing/buying it?

I said yes, expecting it to be some sort of tourist trappery with hideous embroidery. Imagine my shock when he pulled this poor baby out of the bag!

I offered him a price that to this day I still feel guilty for. If I’d purchased this online, the money I gave him would just about have covered the shipping costs, and nothing else.

This is a modern piece, I’d guess 1970s or later, but it’s still lovely.

The base is a pattern of peacocks and art-nouveau style flourishes, which is a refreshing departure from the typical crane motif.

The peacocks themselves are rather smug-looking, which always makes me chuckle.

It also has some beautiful knotwork at the wrists, and a lovely false-layered effect that evokes the twelve-layered Juunihitoe of Heian court outfits.

Maybe one day I’ll do a courtesan-inspired photoshoot or something and get a chance to drag this beast onto my shoulders again, but for now I am content to simply admire it.