Tag: vintage

Montreal JCCC Fashion Show 2023

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Ooof. No, that year in the title is not a typo. I’m just three tanukis in a michiyuki when it comes to following up on things.

In the spring of 2023, I was invited to participate as a stylist and vendor in Everyone Can Kimono!, a fashion show and event put on by the Japanese-Canadian Cultural Centre here in Montreal. It aimed to encourage a love of kimono and show that it really is for anyone who is passionate about it! Being a giant awkward white woman, I was humbled and honoured to be considered. And yes, I stuck out like a sore thumb in the dressing areas, but I was welcomed openly and encouraged by all the other stylists, which was so lovely.

Sasa and Yurie did an incredible job organising everything, and helped me find some absolutely fantastic and gorgeous models to show off the ensembles I put together. I got to feature some of my favourite vintage pieces, including a few I’d never been able to use before on a person or mannequin. My models were all so gracious and enthusiastic and dressing them all was an absolutely dream.

Here are my lovely models. Due to the casual vintage nature of most of these coordinates as well as their unfamiliarity with kimono, I went with a looser and less restricted style of kitsuke, which I think worked perfectly. Don’t get me wrong, I love the tight, padded, nearly-regimented style of the modern kimono-school variety, but there’s something so effortless about more relaxed dressing that helps remind us that these used to be everyday garments.

Don’t they all look amazing and poised, and like they’ve been wearing kimono for years? They were so good!

Of course, there were plenty of other stylists who are all way more skilled and visionary than I am, and it was humbling to be included in such a talented group. Here’s a gallery of all the other fantastic outfits. It was an incredible blend of traditional, modern, and totally alternative stylings.

There was also a Q&A session at the end of the show, and I got roped into helping answer a few questions, particularly about vintage kitsuke. Some of the medication I’m on makes me particularly susceptible to heat, so behold me in all my fat sweaty glory. Yes, that is a tenugui with lemons on my head. It’s called fashion, look it up.

And some lovely group shots of all the models, as well as the whole team of stylists, honoured guests, and JCCC staff! I managed to avoid being in these because I was setting up a booth to sell off parts of my collection it was time to say goodbye to. A few pieces found good homes, and I hope their new owners cherish them like I did.

This has gone on to be a yearly event, but I’ve been in California for the past two years and haven’t been able to participate or attend. If you’re ever in Montreal in the spring, keep an eye out for announcements and definitely try to come see the show if you can! Maybe one day the timing will work out and I’ll be able to be involved again, but either way I still urge you to support small local kimono initiatives like this whenever possible 🙂

Life, the Universe and Everything

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This is one of those coordinations I’ve wanted to do from the very moment I got this kimono, and have just been putting off for one reason or another for years. It was high time I fixed that! This past Thursday was my 42nd birthday, and this coordinate has auspicious motifs of hayama and kagami (arrows and mirrors) and my favourite colour (teal) so I decided it was finally time to do it.

This kimono is definitely interesting – it’s brighter and more bold than most kurotomesode of the era, and it’s definitely very long for its age. The hem has a slight roll to it, so it’s a bit heavier than the rest of the fabric. This, along with the length, lead me to suspect it was a hikizuri, meant to be worn trailing. I’d like to think it may have been a geisha’s piece, worn at the new year, but this is just a suspicion of mine and I have no way to verify it. Whatever it is, I absolutely love it and should coordinate it more often.

The cool afternoon lighting in my living room makes the teal look bluer in these photos, but it definitely sits right between green and blue in person. I decided to use reds and blues in the accessories to emphasize how bold and punchy this piece is, and to sort of reinforce the geisha-adjacent feel of it. I also decided to let it drape, hikizuri style, to show off the beautiful flow of it, and tied the obi wider than normal to match. The collars are a bit wonky, but sometimes I just cannot get them to cooperate due to the shape of the mannequin. Alas.

This birthday has been a good one and I have very upbeat feelings about this coming loop around the sun. I hope I can share lots of new content and great news with you all soon!

Items used in this coordination

The Seventies called; they want their outfit back

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I haven’t used this gorgeous showa-fabulous houmongi Sophie got me for my birthday a while back anywhere near frequently enough. I decided to have some fun with it today, and realised this obi (which I nearly sold! what was I thinking?) is the absolute perfect seventies-style match for it.

As timeless as the shape of a kimono may be, the patterns and colours are just as susceptible to trends as western clothing is. This particular shade of orange, especially paired with gold, and the big warm-toned and almost pop-art flowers, are very emblematic of the middle of the second half of the Showa era, from the late 60s to the early 80s. I could just as easily see this general colour and pattern scheme on a polyester pantsuit as I could on this particular coordination.

I decided to keep things relatively quiet with the accessories, since the kimono and obi are so flashy already. This soft leafy green picks up the green accents in the design so it seemed like the best choice, but the obijime did get a bit lost against the obi. Then I remembered this padded, decorative little cord I picked up at the Daiso last time I was in California. It’s a bit too thin and delicate to be a functional obijime by itself but it’s absolutely perfect wrapped around as an accent. The black and bold colours just call back to the kimono so well and I’m so happy I remembered I had it!

Items used in this coordination

Slava Ukraini! Heroiam slava!

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Слава Україні! Героям слава!
Slava Ukraini! Heroiam slava!
Glory to Ukraine! Glory to the heroes!

This was not the outfit I’d planned for this weekend at all. But things changed dramatically earlier this week when a power-mad despot invaded a beautiful independent country full of brave people. If you’re a regular reader here, you know that I tend to deal with anxiety and grief by throwing myself into coordinating outfits. It’s a strange coping mechanism, but it helps me.

The Ukrainian flag seemed like an ideal jumping off point; in fact when I was sitting on the floor of the kimono room, feeling overwhelmed and re-thinking my entire coordination plan, my father came into the room and said “Do you have something in blue and yellow?” It was comforting to know his brain was on the exact same wavelength mine was.

I have several blue kimono, none of which are exactly the right shade, sadly. I chose this one because it’s my favourite and because the bokashi haze around the hem lightens the whole piece up, bringing it closer to the flag. Originally I’d had a gold obi in mind, but then I remembered the yellow side of this Tokaido hanhaba I own. Is it technically too casual for this kimono? Yes. Do I care? No. A matching haneri and a beaded obijime that’s the exact correct shade of blue complete the outfit. The formality is all over the place, but today that wasn’t my priority.

If you’re feeling as helpless as I am, I urge you to donate to either the UNHCR or the International Committee of the Red Cross to help assist in their efforts in helping people on the ground. Any funds generated by this blog (my two Patreon Patrons, I thank you!) will be donated to the UNHCR this month on my part.

Items used in this coordination

Happy New Year 2022

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Hello! I am very sorry I haven’t been around lately. I started working full-time for the first time in over a decade and it really knocked me for a loop. I also spent a month in California back in November, and this gorgeous vintage kurotomesode happened to follow me home. Part of me wanted to share it right away but then I realised the arrow motif was very reminiscent of hamaya and was therefore absolutely perfect for a New Year’s coordinate. I felt that New Year’s Day was a perfect day to re-devote myself to this blog. It’s not a resolution, per se, because I am utterly terrible at  keeping those, but it did seem like a good day to set a new goal.

I did debate going “proper” and pairing this piece with a typical gold fukuro obi and white accessories, but as usual my love for dusty vintage colours won out and I ran with this maru obi instead. One of the motifs on it is sho-chiku-bai or the three friends of winter, a lucky winter motif, so it felt appropriate nonetheless. Red accessories and a textured white haneri added a bit of punch without stealing the focus, and I’m quite pleased with the end result.

Here’s to a year of health, happiness, and hope. A year of finding the time and the passion to focus on what makes you feel happy and fulfilled. I am going to make a concerted effort to devote more time to my hobbies, both kimono and my miniatures. I already have several outfits and entries planned out for the next little while, so I just need to keep this motivation and momentum going. How about you? What are your hopes and goals for 2022? I’d love to know, so please leave a comment!

Items used in this coordination