Tag: Taisho

New kimono and obi

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It’s difficult to get everything I own catalogued when I keep buying new things! Nothing terribly exciting to see here, just posting reference photos of some of the new komon and hakata obi I’ve acquired recently. I also got a new iromuji not long ago, but since I haven’t catalogued my other iromuji yet, I plan to just do them all together.

Taisho Pink Ume Komon


This is a gorgeous vintage piece. It’s covered in thick ume branches and sweet flowers, a few of which are outlined in gold and silver. I snagged this for an amazing price, due to a few unfortunate water spots on the front. They’re not terribly visible, and I’m going to look into removing them eventually.

Purple Lamé Komon


This is the kimono I wore here, so yes, if you’re a regular reader (thank you!) you’ve seen it before. It’s a bit of a weird thing, being heavy lined synthetic, but covered in high-summer motifs. If you can’t be warm, at least you can think warm!

Striped Mauve Komon


This is the kimono I wore here. It’s a nice, big, synthetic piece that has an old feel to it. Cute multi-season designs of kiku (chrysanthemum), sakura (cherry blossom), and yukiwa (snow crystal design).

Pink and White Hakata Obi


A sweet pale pink and white hakata fukuro obi that I got for a steal, due to a few spots of rust discolouration on the ends. I figure so long as it’s tied in something other than otaiko musubi, it won’t ever be visible. Haven’t worn it yet, but I’m looking forward to it!

Reversible Red and White Hakata



Two, two, two obi in one! One side is a gorgeous, dramatic white-on-red hakata, and the other is a great versatile bright red with gold, silver, and white diamonds and various designs. I’m shocked this didn’t sell for more, and thrilled that I won it.

Indigo Girl

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I’d been waffling about buying a Taisho-era indigo piece for a while when this came up on Ichiroya, and while it was a bit more than I usually pay for kimono, the colour, size, and condition of it were all worth the investment in my mind. This is a houmongi with era-typical long sleeves and a beautiful, multiseasonal floral design. It’s got branches of ume (plum blossom), iris, botan (peony), and bamboo around the hem, and a bold, graphic stem of tachibana, which is probably my favourite floral motif. I love how squishy and fun they look!

It also has some gorgeous, lush embroidery on some of the geometric designs

However, I think one of my favourite things about this kimono is probably one of the most subtle. Woven directly into the fabric, before the dyeing process was started, is a gorgeous red and gold windowpane plaid. You’d never see detailing like this on a modern houmongi, as nowadays that sort of design is considered strictly informal. Naomi wrote a great piece on the qualities of indigo dye, and the transitional phenomenon of putting stripes (which are very casual by modern standards) on more formal kimono. It’s a trend I think is beautiful and needs to come back into vogue.

I’ve worn this kimono once, but only inside the yard, as I’m a little worried about wearing such an old piece out and about. Maybe one day when the right time and place come up, I will do so. I chose to pair it with a late-Showa era obi, which may seem odd but the clouds, grasses, and colours just seemed perfect with it. The obiage and obijime were a gift from a friend, and bring out the soft blue and olive tones in the kimono perfectly. For a vintage feel, I chose some burnt paulownia geta instead of zori.

Black Taisho bridal furisode

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This is probably one of the jewels of my collection; a black-based, five crested bridal hikizuri. The hem is padded but it is too short for me to wear trailing, so I wear it as a normal furisode. I came across it on eBay and couldn’t bear to risk getting involved in a bidding war. Thankfully there was a reasonable Buy It Now option so I just went for it.

It’s not in the best condition, some of the gold couching is coming off and one of the sleeves was a bit detached when it arrived, but it doesn’t detract from the overall beauty of the piece. I have fixed the sleeve, and am looking for someone who can fix the couching. The embroidery and details on it are breathtaking. I have never seen such lush, textured needlework before.

I chose to pair it up with a green and gold hakata obi and orange and green accessories. I love this outfit. It’s a shame I do not feel comfortable wearing such an old and delicate piece out, nor do I have anywhere formal enough for it to be appropriate.

Items used in this coordination