Here comes the (mother of the) bride!

This is my second kimono ever! A kuro-tomesode was an odd choice, seeing as how they’re only proper for older, married women going to a very formal event, and I was in my early twenties when I bought this, and never go anywhere fancier than the movies. I was not going out of my way to get one, but when I saw this one, I fell in love. I’m fairly certain it’s a rental, due to the fairly generic kamon, the synthetic lining, and the fact that there is a huge black reference number written on the lining in black marker. XD

The design is also very typically bridal, cranes are a standard motif for wedding items, and the pines are an auspicious design. That all being said, I don’t care! I love it! I tried to tone down the wedding-y feel in this outfit by using a coloured obi and lavender accessories, rather than a gold obi with white accessories.

 

And behold, the huge orange menace in my life officially known as Vinnie

Items used in this coordination

 

Birthday splurging.

Several weeks ago I was lucky enough to be able to go visit my dearest friend in Boulder, Colorado. Aside from being a beautiful city with a firm grip on my soul, Boulder is also home to a rather unexpected Vintage Kimono Showroom. Janine, the lovely owner, was kind enough to give me an early start on her holiday sale, since I was only going to be in town for a week. I went on my birthday, of all days, since my friend was stuck at work.

I managed to snag some really awesome pieces. I did my best to not go overboard, buying only things that I found really special. One piece in particular was so special that it’s going to get its own entry soon, I am just waiting on an obi to coordinate it with. In the meantime, here are the other things I picked up, behind the cut!

First up, a great little vintage yabane komon.

Based on the colours and sleeve length, I’d guesstimate it at early Showa. The sleeves are lined in red, but just by a few inches, I think someone may have added it in on their own. The fabric on this one is quite odd, it feels almost like a cotton-silk blend. It’s nice and airy, despite being fully lined, and I feel as though I could almost wear it year-round.

I also snagged two gorgeous haori, including my first-ever vintage one. The modern one is lovely, a thick black silk with karabana (fantasy flowers) in soft pastels. The way it’s dyed gives it a great artsy feel.

I actually wore this out to my birthday dinner, along with a green cowl-neck sweater and jeans, as well as the lovely pearl necklace I got from my friend. No photos of the outfit, but feel free to enjoy a blurry shot of my ugly mug enjoying a stuffed scallop!

The other haori is amazing. It’s a lush, crisp taffeta silk in a great teal, red, black and white stripe. The sleeves are deliciously long, it’s nice to finally have a haori I can wear with my vintage kimono.

The other great thing about vintage haori is the lining fabric they used to use. Often times they were much more vivid and crazy than the haori themselves.

My last addition were two obijime.

A cute, straightforward two-sided red and black casual obijime

And an adorable vivid fluorescent red-orange obijime with pastel hakata detail. I’m really loving these hakata obiage I keep finding. Another great thing about this one is that I can wear obidome with it 😀

Overall, I’m really happy with everything I got, and I am looking forward to sharing the other special piece soon!

Chidori-ble! Chidori irotomesode.

Yes, that title was an attempt at a play on chidori and adorable. Sometimes my witticisms just kind of.. fail. Please accept it.

This is another one of those sort of beginner fluke things. I’ve always loved the chidori, or plover, motif. I think they are pudgy and adorable and quirky. When I saw this, I was struck by how cute and graphic it is, but didn’t really think more into it than that.

It is an iro-tomesode, a formal short-sleeved kimono primarily for older women. Usually they are far more subdued, and have simple soft floral type motifs, they’re worn for weddings and whatnot. It’s rare to see one with such a vibrant, graphic design, especially one that comes up so high. It does allow a great view of the goofy little birds though!

It was Erica who first suggested it may have been a stage item. It had never occurred to me because it is actual silk, not synthetic, and it’s fairly short, obviously not meant to be worn trailing. However, it may have been intended for a woman in a stronger or more manly role, I don’t know. One thing that does support this theory is that the kamon on it, a form of stylized tachibana, are apparently the kamon of a dance school in Kyoto. If anyone has more information about this, I’d love to know!

As for wearing this piece, I’ve done something a little different. At first, I wore it “normally”, pairing it up with a pale cream tsuke-obi and my awesome wrought-iron haori. Please forgive how I look in these photos, I’d just spent 20 minutes chasing a hornet out of the living room before I took them!

Items used in this coordination

Quite some time later, however, I decided to see if I could live up to the stage-y nature of the piece, and dressed in an intentionally boyish style. Padded my tummy, tied my obi low on my hips, the whole nine yards. The obi is actually a hakata hanhaba obi folded in half to emulate the look of a man’s kaku obi. I had way too much fun styling myself for this one.

Ladies, lock up your daughters!

Items used in this coordination

Koinobori, No boring!

So I have been slacking with the cataloguing. Today I am going to feature another favourite obi of mine. Interestingly, it was a gift from the same dear friend who got me the blackbird obi I mentioned in a previous entry.

This obi has another quirky, relatively unique motif, koinobori.

The motif is koinobori, or koi flags/banners.

From Wikipedia

Koinobori (鯉幟, Koi-nobori?), meaning “carp streamer” in Japanese, are carp-shaped wind socks traditionally flown in Japan to celebrate Tango no Sekku (端午の節句), a traditional calendrical event which is now designated a National holiday; Children’s Day[1].

The obi is technically very seasonal, because of this, and shouldn’t really be worn aside from the first week of May, when Children’s Day is.

Luckily, this year I went to my work’s toy convention on the first weekend of May earlier this year. It’s a day filled with superheroes and fantastic tales, a great place to celebrate Boy’s Day. I paired it up with a purple tsukesage and minty green and purple accessories.

I suspect this obi is quite old. It is very soft, the silk worn thin in a few places, and it’s very short. Unfortunately, because of this even with an obi-tying aid, I still get a relatively small otaiko from it. I still love it though.

And just for fun, a girl in a kimono kicking butt with a lightsaber. I do love my job.

Slaying my White Whale

I mentioned my “white whale” komon in this entry, and earlier this week the obi I’d purchased specifically with it in mind arrived. Today the weather was nice and I finally had some time to pull together an outfit, and I am thrilled with how it all came together.

I combined the busy arabesque komon with a nearly-solid obi with a bit of simple kinkoma embroidery in gold, tabi in a similar shade of eggplant, a goldish yellow haneri, and a yellow shibori obiage and matching yellow obiage with hakata details. As a final touch, I added one of my precious treasures, an obidome that was awarded to the Aikoku Fujinkai (patriotic women’s association) sometime before WWII. I will be writing an entry about this item itself in the future, when I’ve collected more information.

I look like a doofus in a few of these, but at least I look like a happy doofus!

Items used in this coordination