Have a Very Hime New Year!

Right before Christmas, my sweet mother tried to help save my sanity at work by finding scans of a few volumes of Kimono-Hime and sending them to me to read. Clearly, this was a horrible mistake. When I got the adorable lobster tsuke-obi mentioned in the previous entry, I decided I’d do a really non-standard coordination inspired by the Kimono-Hime magazines. I decided to have some fun with layering, and rather than use a juban, I used my yabane komon and arranged it to be visible at the hem and sleeves as well as the collar. I hiked my hems up and used some of my favourite pumps and silver-and-black striped knee socks. While I certainly wouldn’t wear this outfit in any “normal” context, I’m actually really happy with how it came together. It feels more like a dress than kimono, and I sort of love that!

Kimono-hime inspired outfit with lobster obi Kimono-hime inspired outfit with lobster obi Kimono-hime inspired outfit with lobster obi

Kimono-hime inspired outfit with lobster obi

Kimono-hime inspired outfit with lobster obi

My mom also got me this gorgeous hand-blown glass lobster, and I couldn’t resist posing with it. Of course, Vinnie had to get in on the action too.
Kimono-hime inspired outfit with lobster obi

Kimono-hime inspired outfit with lobster obi

I went a little overboard with the photos for this one, and rather than make this too image-heavy, if you want to see the rest please check my Flickr :)i

Tsuke-obi – cheat or genius?

Sorry for the lack of updates! Sometime between Christmas and Boxing day I received the heartwarming and thoughtful gift of gastroenteritis. I’m starting to feel better, but still don’t have a lot of energy for kitsuke. Since I’ve acquired a few new ones lately, I thought it would be a good time to discuss tsuke-obi, or pre-tied obi.

There are a few camps when it comes to tsuke-obi. Some people are staunchly against them in any situation, some people have to rely on them because they’re not confident enough yet, and some, like myself, think that well-made ones have their place in any decent kimono wardrobe. They’re a godsend when you’re not feeling well and don’t have the energy to deal with an obi, or if you need to dress a bunch of people in a hurry. They’re useful for fancy furisode musubi that would otherwise require two people to tie. They’re also great for dressing people who don’t have a lot of experience wearing kimono, since they don’t need to be tied as tightly as a “real” obi would be.

Some of them definitely look cheap and are obviously pre-tied. The brightly coloured polyester types with a large butterfly bow that often come with yukata sets are a prime example of these. Except in the direst of situations, I’d never recommend going out and getting one of those, because nothing says “I can’t be bothered!” more than one. Especially if worn with anything dressier than a yukata! However, there are definitely nicer examples. Often times they’re made with solid old obi that have been damaged, or were owned and loved by someone who may have gotten too old to tie her obi efficiently. Some of them are also mass-manufactured, but in a way as to look more like “real” obi. They come in several different musubi, or bows, such as otaiko, niijudaiko, and some larger and more elaborate ones for furisode. Often times, once these are tied on properly and an obiage and obijime added, it’s virtually impossible to tell they are pre-tied. I’ve got a few of them, and two of them are probably some of my favourite obi in my collection.

Pente Lobster obi
Pente Lobster Tsuke-obi
Pente Lobster Tsuke-obi

This is such a stunning piece. I found it on eBay right before the holidays and my folks encouraged me to go ahead and get it and it would be a gift from them. I’m so thrilled. I’ve mentioned my fondness for lobster motif before, and this is not my first lobster obi, but it felt different enough from the one I had that I felt fully justified in buying it.

Pente is an interesting and relatively uncommon technique – it’s a thin layer of paint daubed onto the surface of usually solid black silk. It was popular after WWII when there were a lot of damaged pieces floating about and people generally didn’t have huge budgets for fancy embroidery techniques or high-end dye methods. It was also used to re-work mofuku (funerary wear) into something more useful for everyday, stretching the wardrobe budget further. Unfortunately, due to the nature of most paint, it’s incredibly fragile. It sits on the surface of the garment rather than sinking in, and decades of tugging and pulling on the obi while it’s being tied leaves most vintage pente obi in states of disrepair, paint flaking off or peeling in huge chunks. Because of this I generally avoid anything pente, but because this was a tsuke-obi there was virtually no stress on the paint and it’s in flawless condition.

One of the other interesting and relatively unique things about this particular obi is the way it’s tied. Like most pre-tied obi, it’s in a standard otaiko musubi, but unlike more mass-market ones, it’s tied on a quirky, jaunty angle. This really helps make it look like a “real” obi, and definitely gives it a lot more personality than a perfectly level one.

Black and white hakata obi
hakata
hakata-2
I make no secret of my ridiculous love affair with all things hakata, but somehow I’d never managed to acquire a standard black and white weave. When I found this one I fully expected it to go for more than I was willing to spend, but I figured I’d throw out a bid and see what happened. Imagine my shock when nobody else bid! This is another variation of an easy obi, it’s not really pre-tied, just separated into a narrow waist bit and a wider bit to tie the actual drum with. It requires a bit more time and effort than a fully tied one, but also allows for more leeway in tying.

Cream tsuke-obi with navy, ruby, and silver foliage
White Tsuke-Obi
This is the first tsuke-obi I purchased, and was really the one that made me a convert. It’s a heavy almost silk blend that almost feels like parchment or canvas. The majority of the vines and leaves are dyed, but the red and silver ones, and a small selection of the navy ones, are embroidered over top, which adds a depth you don’t usually see in mass-market pre-tied obi.

Red synthetic with black flocked irises
Red Tsuke-Obi
This one is a synthetic, washable faux-tsumugi in a bright fire-engine red. It also has the strangest inflatable obi-makura (obi-pillow) sewn into it. I bought it mainly because of the flocking, which I loved, but it’s become a mainstay for a quick hit of colour.

Shabu-shabu with Ame and Mischie!

Tonight I met up with a few of the awesome girls from the Immortal Geisha forums for a warming dinner of shabu-shabu. It’s cold and damp and snowy and icy here, so I decided to wear my black, white, and red wool kimono and hike it up a bit with some boots. I figured it would be a great time to wear my new red-orange Tokaido obi, and had a bit of fun accessorizing with a sandy beige and red keffiyeh (shemagh).

Shabu Shabu

Ame went along the same lines and wore an adorable black wool ensemble, but mischie was very brave and wore a gorgeous black silk houmongi with ume. It was entirely accidental, but we were all wearing black, white, and red outfits!

Shabu Shabu Shabu Shabu
Shabu Shabu

The food was delicious. We went to Kagayaki Shabu-Shabu in Montreal’s Chinatown. It was warming and flavourful and perfect for the weather.

Shabu Shabu
Shabu Shabu

After we finished dinner, we went to a fancy hotel nearby to take photos over their gorgeous koi pond and to relax and have a drink. As usual, I could not resist being a giant ham. Look! Fishies!
Shabu Shabu

Ame with her Pink Lady
Shabu Shabu

Mischie with a cappucino (in a super pretty cup!)
Shabu Shabu

And me being a jackass with a Bloody Cesar. Hey baby, come here often?
Shabu Shabu

I had a great time, and can’t wait to have another kimono meetup. Maybe not until it warms up a little though!

Red Tokaido Nagoya

If you’re anything of a regular reader, you’ll know of my fondness for items with the 53 Stations of the Tokaido motif. I also love the colour red. So when I saw this online, I clearly had to go for it!

I like it because it’s simple and vibrant, and also has two stations I did not have yet on obi. I had Nihonbashi on a fan, but I like having them on wearable pieces better. I also find it interesting that the other station, Kanagawa, is from Aritaya, one of the “other” editions of the prints (the standard one used for this sort of thing being the Hoeido edition).

Red Tokaido hakata obi

Start point, Nihonbashi Bridge
Red Tokaido hakata obi

Station 4, Kanagawa (Aritaya edition)
Red Tokaido hakata obi



Geisha-inspired Meta-kimono outfit

I was so smitten with the kimono that arrived yesterday that I decided to put it on today, despite not having anywhere to go. Sometimes it’s nice to wear kimono just for the sake of wearing kimono – especially delicate vintage pieces.

There’s still a bit of ambiguity about what this piece actually is, but the general consensus on the Immortal Geisha forums is that it’s likely a vintage hikizuri. Because of that, I decided to go with a geisha-inspired outfit. Not a full on costume, but proper kimono with a bit of “flair”, if you will. I paired the kimono up with a red juban, a black and white hakata obi, and used a red shigoki obi in lieu of a momi (the red cloth geisha wear wrapped around their torso under the obi). I am really pleased with how this pulled together, and took far more photos than I usually do. Sorry about that!

[AFG_gallery id=’42’]

Because of the formality, the styling choices, and the age of the kimono, this is not an outfit I’d feel particularly comfortable wearing out of the house, but I think it turned out well and I felt very pretty in it.