Back in black, birthday-style.

In my entry about my birthday purchases, I mentioned that I’d gotten one other special piece that I was going to devote an entire entry to. Well, I finally had some free time today to devote to putting an ensemble together and dressing in that piece. Without further ado, allow me to present my kurotomesode/houmongi hybrid mystery kimono!

At first glance, it looks like a subdued kurotomesode, and that is where it was hanging at the kimono showroom. At first I was going to skip over the whole rack, having no real need for more formal items, but I can never pass up a good ogle. While I was rummaging, I noticed something a bit out of the ordinary about this particular piece – there were designs on the sleeves! Kurotomesode, the most formal kimono for married women, is typefied by several things. They are fully black, they have five white crests (three in the back, two in the front), they often have a white second layer known as a hiyoku, and they have designs on the hem only. This one fit all the criteria, but was thrown off by the decorated sleeves.

For the ensemble, I was inspired by the subdued, chic look of geiko in their formal outfits. I paired it up with a warm gold fukuro obi I received as a birthday gift, a white obiage with red shibori clouds, a green and gold obijime to highlight the green in the kimono. Underneath it all I wore a red juban with a lushly textured white and silver haneri. I also put my pearl necklace on, since it was a birthday gift and I felt it was subtle and classy enough not to look out of place.

Full view of the kimono

Close-up of the hem designs

Inside the hem, and the white hiyoku

Design on the sleeve

Here comes the (mother of the) bride!

This is my second kimono ever! A kuro-tomesode was an odd choice, seeing as how they’re only proper for older, married women going to a very formal event, and I was in my early twenties when I bought this, and never go anywhere fancier than the movies. I was not going out of my way to get one, but when I saw this one, I fell in love. I’m fairly certain it’s a rental, due to the fairly generic kamon, the synthetic lining, and the fact that there is a huge black reference number written on the lining in black marker. XD

The design is also very typically bridal, cranes are a standard motif for wedding items, and the pines are an auspicious design. That all being said, I don’t care! I love it! I tried to tone down the wedding-y feel in this outfit by using a coloured obi and lavender accessories, rather than a gold obi with white accessories.

 

And behold, the huge orange menace in my life officially known as Vinnie

Items used in this coordination

 

Cream Temple and Mountain Houmongi

No bad puns today, nothing remotely good was coming to mind. You can thank me later. 😉

I bought this one on a whim. The listing showed a few serious stains, but they’re all on the inside panel and are hidden when it’s worn. Also, because of the stains, I got it for a steal. It’s a little small on me (story of my life), but it’s so detailed and beautiful that I don’t mind.

It’s got a gorgeous temple and mountain design, with water around the hem, and flowers, glorious flowers! Every time I look, I find something new and interesting. So far I’ve found multitudinous grasses, plum, chrysanthemum, iris, pines, peonies, bamboo, pawlonia, maple.. well, you get the point!

I paired it up with an equally festive and floral orange nagoya obi, and blue and green accessories to bring out the water around the hem. Also, say hi to my kitty, Tribble. She also wears white tabi!

Since I no longer own this kimono, there is no catalogue photo of it, unfortunately.

Items used in this coordination

Bingata-style blue komon

This was a gift from the ever-lovely Naomi. I’d been meaning to wear it for a while, and had planned this outfit for a work event last weekend, but unfortunately I was sick as a dog, and ended up not leaving the house. Today the weather was nice and I had some time, so I figured I’d give the outfit some air, even if I wasn’t going anywhere.

The kimono is beautiful – deep rich indigo-type blue with patterns of woven fences and flowers. It’s new, but has a very vintage feel with the long sleeves. It’s also deliciously large, it gives me nearly a full wingspan, wraps well around my hips, and is long enough to get a great ohashori.

I paired it up with my red hakata hanhaba obi and a green sayagata (key/swastika motif) haneri, plain white tabi, and my black ukon geta with green hanao. Wearing them made me realize how urgently I need to adjust the straps, after a few minutes they were digging into my feet and causing hideous pain. I’d put the red headband on to keep my overly-long bangs out of my face while doing my makeup, but realized the red lips and red satin hairband gave the whole outfit a really cute retro feel.

A huge thank you to my lovely neighbour Tom taking the pictures in his yard. 🙂

Items used in this coordination

Chidori-ble! Chidori irotomesode.

Yes, that title was an attempt at a play on chidori and adorable. Sometimes my witticisms just kind of.. fail. Please accept it.

This is another one of those sort of beginner fluke things. I’ve always loved the chidori, or plover, motif. I think they are pudgy and adorable and quirky. When I saw this, I was struck by how cute and graphic it is, but didn’t really think more into it than that.

It is an iro-tomesode, a formal short-sleeved kimono primarily for older women. Usually they are far more subdued, and have simple soft floral type motifs, they’re worn for weddings and whatnot. It’s rare to see one with such a vibrant, graphic design, especially one that comes up so high. It does allow a great view of the goofy little birds though!

It was Erica who first suggested it may have been a stage item. It had never occurred to me because it is actual silk, not synthetic, and it’s fairly short, obviously not meant to be worn trailing. However, it may have been intended for a woman in a stronger or more manly role, I don’t know. One thing that does support this theory is that the kamon on it, a form of stylized tachibana, are apparently the kamon of a dance school in Kyoto. If anyone has more information about this, I’d love to know!

As for wearing this piece, I’ve done something a little different. At first, I wore it “normally”, pairing it up with a pale cream tsuke-obi and my awesome wrought-iron haori. Please forgive how I look in these photos, I’d just spent 20 minutes chasing a hornet out of the living room before I took them!

Items used in this coordination

Quite some time later, however, I decided to see if I could live up to the stage-y nature of the piece, and dressed in an intentionally boyish style. Padded my tummy, tied my obi low on my hips, the whole nine yards. The obi is actually a hakata hanhaba obi folded in half to emulate the look of a man’s kaku obi. I had way too much fun styling myself for this one.

Ladies, lock up your daughters!

Items used in this coordination