Knowledge: Types of Obi

Once you’ve figured out what kind of kimono is appropriate for your event or lifestyle, you’ll need to pair it with an obi. Deciding which kind of obi to wear can be even more overwhelming than picking the kimono. Hopefully this will help guide you in the right general direction!

Heko
Heko obi are very casual, and are used primarily by children wearing yukata. It’s starting to become more common for adults to wear them, but again they’re in a very casual context. They are the only obi that is very soft and flowing, and almost looks more like a delicate scarf than any other obi. They’re typically tied in loose, flowing bows.
Hanhaba
Hanhaba essentially means “half width”, and that is exactly what these obi are. Most obi need to be folded in half while wrapped around the waist, and start out at a measurement of approximately one foot or 30cm wide. Hanhaba obi are half this width, and are generally much easier to tie in all sorts of cute musubi (bows). They’re normally quite casual, but every so often you can find one made of finer, more solid fabrics that are more appropriate for slightly dressier kimono.
Tenga
These are a relatively new and not-so-common obi that are the size of hanhaba, but tend to have a lot of metallic brocade or embroidery and celebratory motifs. They can be worn with more formal kimono than a regular hanhaba would.
Nagoya
Nagoya obi have a very distinctive shape, they are narrow for approximately two thirds of the length and then they flare out to full width for the end. This makes them much easier to wrap around the waist, but still able to tie a slightly dressier musubi like otaiko or tsunodashi. They can vary from quite casual to quite dressy. Casual nagoya obi are often a solid colour with a small design embroidered or painted on the section that ends up on the front of the waist, and another coordinating design that ends up on the back of the drum bow. More dressy nagoya obi tend to have an all-over pattern and can often include metallic threads. Sometimes the wider end will also be long enough to tie a very formal drum like the niijudaiko. The type of kimono they can be worn with depends on the formality of the kimono.
Chuuya
Literally night-and-day obi, chuya have fallen out of favour. They were very much in style during earlier eras, and are typefied their reversible duality – pale sublte “daytime” designs on one side and dark or more vivid “nighttime” designs on the other. They may also be patterned on one side and solid black on the other. These obi are 12″ wide, like fukuro, and can be used in a fair number of musubi, but due to the fact that they are generally nearly 100 years old, they tend to be slightly fragile. They are also often softer and “floppier” than modern wide obi, which adds a bit of casual feel to an outfit.
Fukuro
The longest obi, and therefore the easiest to tie fun and funky musubi with. They are the same width, approximately 30cm, the entire length. They are generally patterned on only 60% of the obi – the parts that remain hidden are solid to save on weight and money. Higher-end fukuro obi may be fully patterned. They are generally worn with furisode, houmongi, and tomesode, but can also be paired with iromuji and tsukesage in certain situations.
Maru
Maru obi are are the most formal obi. They are fully patterned on both sides, and often contain a fair bit of metallic brocade. Patterns can be either very tiny scale (typically seen on much older maru obi) or quite bold and large (more modern). They can be worn with any formal kimono, however they are usually a bit shorter than fukuro obi, which makes tying furisode-appropriate musubi a bit of a challenge.
Tsuke-obi, also known as tsukuri obi or easy obi
These are kind of an odd duck. They are pre-tied, generally in two pieces. One narrow part ties snugly around the waist, and then a tied bow or knot tucks into the back. They’re used by women who don’t have a lot of experience dressing, women in a rush, or people who have to do frequent and quick costume changes like dancers or theatre performers. You can’t lump tsuke obi into one formality category, as they exist in nearly every level; from casual yukata obi to heavy gold fukuro obi in elaborate musubi to darari-style (see below) for dances and cosplay. Some people consider them “cheating”, but I consider them a good way to save a few minutes, or a good way to salvage an old or stained obi that would otherwise be unuseable. I am in the process of converting one myself, and will post the results once I am satisfied with them.
Darari
Darari, or dangling obi, are worn strictly by maiko, or apprentice geisha. They are more than twice as long as a regular obi, and will nearly always have the mon (crest) of the geisha house the maiko lives at on one end, to help identify where they are from. The patterns are always bold and vibrant, much like the maiko themselves. They are tied in a manner also referred to as darari, with two long hanging tails that remind me of folded butterfly wings.

*Darari obi image used with permission courtesy of Christina Stoppa/GoldenPhoenix/Kurokami

*Thanks to Ichiroya for the permitted use of their images. Originally these items were all available for purchase and the images linked back to the sale listings, but they have been sold!

Giving an old obi new life

When I first started this blog, I posted about my amazing crow obi, and mentioned that the silk backing had rotted out due to age, and I had plans to replace it.

Fast forward um, a year and a bit, and my procrastinating self has finally accomplished something! The obi fabric and original lining had been sitting folded in a bag for quite a while and I decided it was high time to finally give it the respect it deserves. If you’ve ever been curious about the construction of an obi, or have an obi yourself that needs to be redone, please read on!

The first step was to separate the obi silk from the obi-shin (stiffening core). They were not sewn together, but have been stuck to each other for what may be nearly a century at this point, so this involved a bit of careful peeling apart.

Isn’t my kitty ironing board cute? You’ll be seeing an awful lot of it in this entry XD

Once the two pieces were separated, I carefully ironed the seam allowance of the obi silk open. I ironed it enough to make the piece lie flat, but left the original fold line visible so I would have a straight line to sew along later without having to mark up the fabric.

Here is the whole piece with the seam allowance ironed flat. You can see how much the colour has faded over the years, but since the allowance will be hidden this isn’t really a problem. I just thought it was interesting and worth sharing.

The next step was to pin the wrong sides together of the obi silk and the black satin I was using for a backing piece. This was exceptionally tedious and I pricked my fingers several times!

Here’s the entire thing pinned together and taking up too much space on my floor. Yes, there is a disgusting area rug on top of disgusting wall-to-wall carpet on my basement. The floor gets cold so I’d rather icky and comfortable over stylish but clammy!

Once everything was pinned together, the next logical step was sewing. Lots and lots and lots of sewing. Due to the fragile nature of the silk and the fact that the obi gets tugged and pulled a lot, this all had to be done by hand, in a closely-spaced but loose slip stitch. I saved a huge amount of time by doing Japanese-style hand-stitching. This is hard to explain, but it basically involves holding the needle still and rocking the thread back and forth until a handful of stitches are lined up on the needle, and then pulling it through. This video gives an amazing visual demonstration with no explanation needed. Once you get the hang of sewing like this, it is an enormous time-saver.

Once both long sides are completely sewn, I ironed the seam allowances down again so it would lie flat. I found it easiest to do one fabric and then the other, rather than trying to press both sides at the same time.

Once the outer parts of the obi were sewn together, I folded them carefully, put them aside, and got to work on the shin (core). An obi is constructed somewhat like a sandwich, with the two visible pieces of silk on the outside, like the “bread”, and the shin in the centre, like a filling. The shin is usually a piece of heavy cloth, sometimes flannel, sometimes duck-cloth, and it serves to give body and stiffness to the obi. Without the shin, the obi would not lie flat and smooth when wrapped and tied around the body. If you’ve ever seen a cosplayer with a really crumpled, lumpy obi that has sort of collapsed on itself over the course of the day, odds are they made themselves an obi without using any sort of a shin or core.

The obi had a shin inside of it, a sort of brushed flannel-y material, but it had gotten incredibly soft over the years, so I decided to reinforce it. I found a roll of obi-shin fabric on eBay, but if you can’t find one specifically, any thicker fabric with a bit of body will work. Because the fabric of the obi itself is so thin, I figured a bit of extra stiffness would be good and used both the old shin and the new one together.

I used the old shin to determine the size of the new one. After I’d folded it to match the size of the old piece, I pinned it down and ironed it flat so it would stay in shape.

I pinned both shin together temporarily, just to make them easier to deal with and prevent things from shifting around while I worked.

With the two pieces pinned together, it was much easier to lay them out and tuck them into the folded seam allowances of the obi lining. Thankfully, I had assistance in the form of a Tribble. And yes, that is her tongue sticking out in the large version. For a mutt-cat, she is incredibly brachycephalic and tends to leave her tongue hanging out a bit because it doesn’t fit in her mouth properly. Poor boo.

Once all the pieces were sandwiched together inside-out, the next step was to turn the whole thing right-side-out. First step was to remove all the pins to make sure none got trapped inside when I was done. Unfortunately I do not have any photos of this phase, because both my arms were very busy and my father was helping me. I will do my best to explain how we did it. I held the end open while he reached inside and carefully pinched all four layers and pulled them outwards through the other end. If you’ve ever cased a sausage, it was a similar procedure. After it was properly turned, I used some delicate fabrics hemming tape to shut the ends. I could have sewn it, but I’ve used the hemming tape before and was pleased with how gentle and permanent the results were so I figured I’d save a little time.

And here she is, finally finished! I’m very proud that I actually finished this, and am very pleased with the results.

Because I can’t go anywhere without buying something!

Thank you to Rick and the team at Websytz for getting my technical issues sorted out!

I recently got back from a wonderful week in Boulder, Colorado. It was really nice spending time with my friends, catching up with people, and just enjoying what I’ve truly come to believe is my second home.

Of course, I had to make a visit to Janine at the Vintage Kimono Showroom. I had no plans to buy anything, but she had one incredibly amazing haori and an obi that I’d admired the last time I was there, and somehow they magically ended up coming home with me. I also had the fortune of ordering Wearing Propaganda – Textiles on the Home Front and having it shipped to my best friend to save money, so that came home with me too. I’ll be doing a review soon. But I digress; onto the amazing stuff I bought.

Pink bellflower hakata obi


I actually first found this obi the last time I was there but somehow talked myself out of it. When I saw that it was still waiting for me, I had to cave in. I love hakata of all kinds, but especially the sort that’s not geometric, because it’s so much less common.

Eye-searingly awesome meisen spider kiku haori

I finally have meisen that fits me! So yes, admittedly it’s a haori and not a kimono, but I don’t care. It’s vibrant, it’s tacky, it’s amazing, and I love it. I have no idea what I’m going to pair this one up with, but I really don’t care. I couldn’t let it escape my grubby little clutches.

I’d originally found a subtle purple and cream striped haori while at the showroom but when Janine brought this beauty out I just couldn’t say no. It’s not something I will ever find again, and I could not pass up the opportunity. The lining is also adorable, tiny little kokeshi dolls.


I also came home to a box of goodies from Naomi, so I’ll be sharing the contents of that soon enough.

Tokaido Fukuro Obi, through the kindness of another

Every once in a while, someone does something amazingly kind that you absolutely don’t deserve, and it reminds you that there are still some truly kind and exceptional people out there. Suara, one of the members of the Immortal Geisha forums, is one of those people.

As I’ve mentioned before, I love anything with the Tokaido 53 Stations motif, and there was a gorgeous obi on eBay that I had my heart set on. Several friends and family members all offered up some cash to help me get it, and I put in a ridiculously high maximum bid. Things went perfectly until the very last second, when I was sniped. I was devastated. I posted a rather angry and expletive-laced rant on the forums, and did my best to move on.

A few days later, another beautiful obi with the same motif but different stations got posted, and I was determined to get it. Unfortunately, I’d suffered the violent death of my backup hard-drive and had to re-prioritize my finances. I bid what I could, got outbid, and yet again posted on the forums, expressing my frustrations.

Fast-forward a few weeks, after a rather long and stressful few days, when I come home to this in my inbox:

Dear Moony,

The last obi for over $170,– made you so sad and I know how much you like this series of Obis. That is why I bid and fought for this obi as a small present to you. A present to say thank you for your kind help, not only to me but also as a mod for many many people here at IG. I tryed to let this obi send to you directly, but I did not have your name and address, nor you Ebay name, and I think, the seller did not realy know what I wanted. So instead of taking any risk, that a wrong person gets it, it is on its way to me, and if you would be so kind to send me your name and address, I will send it right to you ok?

I think that you are a wonderful person, so please except this small gift to show my apreciation.

Kind regards from Germany,

Suara

I was at a total loss for words – in fact, I started crying. While the entire forum is a close-knit community, I’d never dealt directly and personally with Suara, never had any interactions that I’d have imagined would have made such an impression. I was, and still am, beyond touched.

I made a promise to wear the obi and photograph it as soon as possible – unfortunately when it arrived this morning it was too hot for boxers and a tank top, let alone a kimono suitable for this amazing piece. However, I did think that the situation deserved at least catalogue photos, because it’s too beautiful not to share.

The obi base is a soft neutral with a slight shimmer – not quite gold, and not quite cream. The three stations on it are Ishiyakushi, Ohtsu, and Odawara. They’re woven in with great detail in a mix of warm browns and beiges and cool blue and green. The obi is lush and gorgeous, and will make an amazing complement to my strange chidori houmongi/kurotomesode hybrid, as well as several other kimono.

Station 9, Odawara

Station 44, Ishiyakushi

Station 53, Ohtsu

*A quick note on my station numbering – some people may have noticed that it doesn’t always correspond with the numbering used on all websites. The problem is that some places start the road with Nihonbashi being 0 while some consider it station 1. I stick with the numbering system the first reference I used, which starts at 0.

Hey, hey, wait a minute, Mister Postman!

Sometimes, I suspect the mail carriers in this area really dislike me. I’m constantly getting big packages. Today, I really surpassed myself with three separate deliveries! One, a book called When Art Became Fashion: Kosode in Edo-Period Japan, arrived in the regular post and I will be writing a review of it when I have time to read it properly. First impressions are very positive though.

The other packages were larger, and more unwieldy, and the mail carrier was kind enough to leave them with my neighbours since I was at the cardiologist. Getting home was like having an unexpected birthday, or Christmas come early! So much pretty stuff! Since there are so many things included here, I have used smaller-than-usual photographs. Please click on them to view big versions, they will open in a new window.

Black zori with red chirimen accents

One of the few things I actually truly needed was another pair of casual, comfortable zori. Nearly all the footwear I owned prior to this was very dressy, all in shiny metallic vinyl or silk brocade. These fit nicely and I absolutely love the colour combo and the little chirimen silk insert in the stacked heel. They were a total bargain at $10!

Grey purse with kiku and black trim

This purse, and the one below it, were being sold by one of the sellers I regularly buy kimono from. They’re modern, and made of heavy denim-like cotton, but the designs are definitely kimono-inspired. This one in particular I can definitely see using every day. I love the contrast of the soft, girly fabric and the hard leatherette and metal details.

Red purse with ume and cream trim

This purse was bought at the same time as the previous one. It’s much bigger than I anticipated (I suspect the measurements listed were off), but definitely no complaints there! It’s fun and bright and while I don’t anticipate using it every day, it will definitely be a way to add a splash of colour and personality to a quiet outfit, either kimono or western clothing.

Now comes the find of the month, a bundle of five vintage obi for a total of twelve dollars (plus S&H). They were listed as “scrap fabric,” but as you’ll see four of them are completely wearable as-is, and the fifth one I am going to attempt to salvage and turn into a two-part easy obi.

Vintage cream nagoya obi with fans, thread spindles, and flowers

This is the main reason I bid on the bundle in the first place. I am just head over heels in love with this obi. The colours and style of yuzen make me suspect it’s late Taisho or early Showa, and even if it’s not it still evokes the feel nicely. I plan to wear it with my indigo Taisho houmongi sometime soon.

Mustard obi with flowers

I openly admit I am not very fond of the base colour of this obi, it’s a sort of a strange gold/mustard, but the woven flowers are very pretty and versatile, so I’m sure I will find a good use for it.

Cream obi with orange and silver waves

I’ve wanted something with a smooth wave motif for a while now, and this more than satisfies my urge. It’s vibrant and graphic and I like it very much.

White obi with red and gold flowers

The auction photos really didn’t do this one justice. It looked like a cute but relatively boring obi with some gold weaving and round dots. In person, both the gold and the red have such a rich silky shimmer to them that they look like rubies set in gold filigree.

Blue obi with herons

This was dubbed the Narwhal Bird Obi by my friend Kansai_Gal and I can totally see why XD. Unfortunately, it’s also the obi that is severely damaged – the silk is shredded to ribbons right above the folded area where the main heron is. Hopefully, I will be able to carefully cut it and sew it into a two-part obi. I will record my attempts and write an entry about that sometime in the near future. If worse comes to worst, I will simply turn it into haneri and possibly an obiage. The fabric will get used, one way or another.