Year: 2021

Bamboo for resilience, Paper cranes for hope

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I try not to get too angry or too political on this blog, but there comes a point when keeping quiet is complicit with violence. I’ve devoted half my life to the study and appreciation of Japanese arts, and now more than ever I feel the need to speak up against the wave of racist violence being perpetrated against Asian-Americans of all cultures. While the most recent horrific attacks have been aimed at Korean and Chinese women, the types of people who commit these atrocities typically don’t know or don’t care about the difference.

Those of us who share a passion for one or more aspects of an eastern culture have a duty to help defend the beautiful, diverse people and cultures to whom we owe so much. So what can we do? Stand up. Speak up. Whether you witness something as egregious as a physical assault on an elderly woman, or people in power using racist terms like Kung Flu, or something as “minor” (and I say that sarcastically) as a relative lumping multiple Asian countries into some vague orientalist monoculture, step in and defend the peoples of those cultures you love and respect so much.

Of course, my way of channelling my frustration and anger usually involves the mannequin. I knew the best starting point would be my orizuru (paper crane) obi and haori, as hope for a more understanding and peaceful world. I paired them with this gorgeous Taisho-era bamboo komon, as bamboo is strong and resilient. It feels like an optimistic coordination in a dark time. I know in the grand scheme of things, this is a bit of an empty gesture, but it helps me to cope.

I wish I had a cute or pithy way to end this entry, but I just can’t find it in me today. Thank you for understanding.

Items used in this coordination

Hina-Matsuri 2021

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Typically for Hina-Matsuri I do a somewhat thematic coordination or DIY a set of dolls. This year, however, my motivation hasn’t been where it should be, and I was worried I’d let the day go by without anything. But then I remembered that somehow last year I managed to get not one, not two, but three separate sets of Obina & Mebina dolls! I’ve posted some of them on Instagram previously but this seemed like the perfect time to share better photos and details.

First, I have this lovely traditional hakata ceramic set. These were totally unexpected – I found the Emperor on a shelf mixed in with the other “decorative clutter” at the local Goodwill-owned thrift store. I nearly didn’t take him, since he was alone, but then it occurred to me the Empress was likely somewhere nearby so I went hunting. I found her a few shelves over and I’m so happy I was able to reunite them and give them a home where they can be appreciated and treasured. Unbelievably, they were only $1.50 each! I don’t think they’re particularly old or “valuable”, but they’re incredibly charming and were such a treasure to find.

Next up is this cute (and slightly ridiculous) cat set by Decole Concombre. They’re quite tiny and made of resin, so they’re nothing fancy and not particularly elegant, but they are adorable and I love them to bits. Like all of Concombre’s figures, they look a bit like they only have one brain cell to share between them, which only adds to their charm, I think. I also have a kimono-clad bride and groom set that are very similar, and I think if I were ever to get married, they’d make a hilarious cake-topper.

Last, but certainly not least, my favourite anime power-couple, Haruka & Michiru (Sailor Uranus & Sailor Neptune). I actually ordered these quite a long time ago and had them shipped to Keith’s, so I was finally able to get them when I went a few months back! They were absolutely worth the wait; they are too cute for words. It’s my first time seeing a lesbian couple as Emperor and Empress, but it totally works with these two! Their outfits are accurate to typical hina dolls, but include references to their characters and Sailor Senshi powers which is a really nice touch. I also love that they also came with the little raised dais and byobu screen backdrop.

I know you guys want more kimono coords, and I promise I’ll have one sometime later this week!

Mini-Review – Maiko-san Chi no Makanai-san (Kiyo in Kyoto) Anime

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If there are three things I love in my media, it’s slice-of-life, food, and kimono. I got a good dose of all those while watching Kakuriyo no Yadomeshi and then all three of them with bonus drama while watching Watadou, and now there’s a new anime out to fill that niche even better! Only one episode is out so far, so this won’t be any sort of an in-depth review, but I’ve been anticipating this anime ever since I found out the manga (which I love) was being adapted.

Kiyo preparing a huge lunch for the maiko – All images courtesy of NHK

Known in Japanese as Maiko-san Chi no Makanai-san and in English as Kiyo in Kyoto, this is the story of Kiyo, a teenager who moves to Kyoto and becomes the live-in cook for an Okiya (maiko residence) where her friend Sumire is in training to become a maiko. One of the things that makes their dynamic, and the whole show really, so wholesome is how supportive of Sumire Kiyo is. Initially they were training together, but it’s explained that Kiyo was too clumsy and not graceful enough, so she is taken on as the cook. Rather than be jealous that her good friend is en-route to become a very popular geisha, Kiyo is her biggest cheerleader. It’s sweet and charming and we need more positivity and happiness like this right now.’

Sumire and Kiyo in the kitchen – All images courtesy of NHK

The girls all dressed up for work – All images courtesy of NHK

There’s a broad range of kimono in just this one episode, from the day-wear of the maiko while they’re out running errands to the more elegant outfits of the Matron and dance Sensei. And of course, there are the elaborate, colourful outfits of the maiko which we see only briefly but I’m sure will become more of a central visual element as the show continues.

Squid Mince, an Aomori comfort food – All images courtesy of NHK

A cute segment is where Kiyo and Sumire discuss their “dish of the day”, a dish or food tradition mentioned in the show. There were several in this episode, and they do feel a bit filler-ish and repetitive, but they’re still informative and interesting so I don’t mind them yet. That might change after multiple episodes though XD. I’ll likely be doing a follow-up on this series (and a few others I’ve been meaning to share) in an Anime with Kimono Eye-Candy entry sometime soon.

You can watch the first episode of Maiko-san Chi no Makanai-san/Kiyo in Kyoto in Japanese with English subtitles and occasional English narration explaining culture and traditions of the geisha district on NHK World right here!

 

Blushing Valentine Bride

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I absolutely intended to do this yesterday, but the universe clearly had other plans. It’s never too late for a little bit of winter romance though, so here we are! For February and Valentine’s Day, I decided to do a bit of a non-traditional wedding coordination. Generally, wedding outfits will be either all white (or white with metallic accents) or boldly coloured, depending on the time, location, and whether it’s for the ceremony or reception. This time though, I decided to go white with one bright accent colour; what could be more romantic than rosy pink?

I used a pink iromuji as the under-layer, since the colour was a perfect match, and I’m glad I went for it. I love the solid colours but play of texture – the kimono has a subtle sayagata rinzu, the iromuji is much more heavily textured, there’s the nubbly shibori of the obiage, the smooth flat surface of the obi, and even the shiny bumpy quality of the beaded obiage. Everything plays against everything else to create an outfit that despite being only two colours still remains visually very interesting.

Typically, a bigger musubi like tateya or something fancy created by a bridal studio would be used with a wedding ensemble. However, this obi has no stiffener and is very floppy, which really reduces the ways it can be tied without looking sad and anaemic, so I went with a very timeless soft bunko musubi. This also seemed like the perfect time to use the heart obijime knot (tutorial here). Since beaded obijime tend to be a bit slippery and often shorter than usual I wasn’t able to do it perfectly, but it’s still quite cute I think!

I’ve also gone ahead and reactivated my Patreon account. I know times are tough and money is tight for just about everyone, so I’m not expecting anything. But if you’ve got a few dollars to spare and enjoy the content I provide, please consider pledging! Every penny earned from there will go directly back into this blog, to cover new pieces, new reference materials, website hosting, and the like.

Items used in this coordination

Showa-ing Off

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Sometimes it amazes me how small the online kimono enthusiast community can be. A while back I was browsing eBay and saw a bundle of some pieces I really liked for sale by a local seller. I reached out to them to ask if they’d be willing to offer local (but socially distanced!) pick-up and about an hour later I get a Facebook message from my friend Sasa, asking if the message was from me!  😆

One of the main reasons I wanted the bundle was this particular kimono; it reminds me very much of the first “big loss” I ever had on eBay, the first time I truly fell in love with a piece and was outbid in the last few seconds. It’s got a very distinct mid-late Showa era feel to it, the bold colours contrasting against a very soft background, the fantastical floral motifs that almost feel inspired by 60s psychedelia. I chose to pair it with this slightly older obi that echoes the teal-green foliage and has hints of a pale peachy pink that ties in to the kimono background.

I really love how well it all ties together. The obijime is an utterly perfect match for the kimono, and the red obiage provides just enough punch while echoing the bold red tones in the kimono designs. The soft kimono and bold obi contrast very well and the whole thing just feels very mid/late Showa era. I’m quite pleased!

Items used in this coordination