All I want for Christmas is my two front teeth geta

Pardon the cheesy title.  I seem to have a fondness for them! While browsing evilBay yesterday I realized I need to take some time and focus on the “lacking” spots in my kimono wardrobe, and started making a list. That quickly spiralled downhill into a wishlist of sorts, which I figured I would share, despite not expecting any of it as actual gifts XD. Consider this a “to buy” list for my own personal reference.

Relatively neutral, non-shibori obiage.
For some reason, I have a huge lack of these. Nearly all my obiage are either very vivid in colour, or covered in ornate shibori, or both. This makes casual outfits a bit of a challenge, especially things like wool komon. The biggest obstacle for me here is that obiage tend to be bundled with obijime, which I absolutely do not need. I bought a huge mixed lot and am set for a while. I also bought a mixed lot of shibori obiage, but for some reason have had no luck with simpler ones.

Cute juban that actually fit.
Being the gigantic hulking glamazon that I am, finding kimono that fit can be a challenge. However, kimono are made to be overly long and adjusted at the waist, so generally I can make do. Juban (the traditional middle layer of clothing, a form of underrobe that are usually partially visible), however, are not meant to be folded at the waist, and so should be as long as the measurement from shoulder to ankle. That measurement, on me, is the entire height of a typical Japanese woman, from what I can tell based on sizes. Unfortunately, this means that juban tend to be waaay too short on me. I have some that are two pieces, and so the skirt can be tied low on my hips, and that helps. I also have one that is actually a converted unlined kimono, and it works. However, I would like more variety, since the hems and sleeves of these pieces do show quite a bit, and should add some oomph to an outfit. If anyone ever sees juban over 55″/140cm, please let me know!

More 53 Stations of the Tokaido motifs.
If you’re reading this blog you’re probably already aware, but my collection has a sub-collection. I am slowly amassing kimono items that have motifs based on Hiroshige’s 53 Stations of the Tokaido series of prints. I am going to do an entire entry on this in the future, to catalogue the pieces I have and explain a bit of the history behind the theme as well as try to pin-point what it is about this series I find so captivating, but that’s for a later date. For the time being, I’m going to keep my eyes peeled for any related items, particularly ones that have stations I do not already own. Any items here would be awesome; so far I only have three obi and one folding dance fan. Eventually, I hope to have an entire outfit, no matter how tacky and clashing it may end up.

More lobsters, and sea creatures in general!
For some reason, I find the spiny lobster motif absolutely hilarious and adorable. I recently finally managed to snag myself an obi with one on it, but this has not satiated my need for ridiculous lobster, much to my dismay. Now would be a good time to bring my dream motif, large-scale cephalopods. However, in all my years of collecting, the only time I’ve come across anything remotely related to this was  a man’s haori with Hokusai’s Dream of the Fisherman’s Wife (note, that link is not safe for work if your work is strict) print inside the lining. Not exactly what I am looking for!

Vintage, wide vertical striped kimono.
I love the look of wide, bright contrasting stripes. Unfortunately, I’ve not been able to find any that fit me and are within my budget. This is sort of low on my priority list because I have a ton of kimono I’ve not worn out yet.

Hakata, hakata, hakata!
Another of my lustmotifs. Hakata is a form of weaving traditional to a specific region of Japan, and is typically used for obi.  I have several already, but I’m always on the lookout for more, especially in unusual or interesting colourways.

Slaying my White Whale

I mentioned my “white whale” komon in this entry, and earlier this week the obi I’d purchased specifically with it in mind arrived. Today the weather was nice and I finally had some time to pull together an outfit, and I am thrilled with how it all came together.

I combined the busy arabesque komon with a nearly-solid obi with a bit of simple kinkoma embroidery in gold, tabi in a similar shade of eggplant, a goldish yellow haneri, and a yellow shibori obiage and matching yellow obiage with hakata details. As a final touch, I added one of my precious treasures, an obidome that was awarded to the Aikoku Fujinkai (patriotic women’s association) sometime before WWII. I will be writing an entry about this item itself in the future, when I’ve collected more information.

I look like a doofus in a few of these, but at least I look like a happy doofus!

Items used in this coordination

Have A Hanhaba!

In the continuing process of cataloguing everything, I present to you my meagre collection of hanhaba obi!

I have noticed that my predilection for hakata in all forms seems even more obvious when it comes to hanaba – for the time being, they’re all I’ve got!

Red striped hakata
I love the texture of this. It’s so lush up close, and the thin stripes are in some very unexpected colours, like a rich eggplant purple and soft sage green.

Two-sided taupe hakata
This is a lovely, subdued neutral hakata. It reminds me a bit of old crown molding. It’s almost white on one side, and a dark rich mushroomy taupe on the other.


Refined cream hakata
This is probably my favourite hanhaba obi. From a distance it’s a smooth, soft warm cream colour with thin stripes. It’s really up close where it shines. It’s a very delicate hakata in shades of white, a bright fresh blue, and a soft brick red. It’s also deliciously long and a pleasure to tie.

Blue and white hakata
This obi was actually bundled with a tiny synthetic kimono. I had no real interest in the kimono (and have since turned it into a juban) but wanted the obi pretty intensely. I was thrilled to bits when I got both pieces for $0.99! It just reminded me so much of Greek textiles, I had to have it.

Blackbirds singing in the dead of night

This obi is one of the most beautiful and frustrating things in my collection. It was a gift from a dear friend – I saw the strange black birds and fell in love, but was short of cash at the time.

When it arrived to me, the black silk backing was rotting away and leaving dust on everything, so it has been removed.

The strangest thing about it, however, is the proportions. The designs are evenly spaced every 24″/60cm. The obi itself is 133″/338cm, which is short for a full fukuro. The oddest bit, however, is that it’s obviously meant to be tied in niijudaiko, the formal double-layered musubi.

The last set of blackbirds is upside-down, and has less embroidery on the wingtips than the second-to-last set. However, the obi is so short it’s barely possible to tie it in standard otaiko musubi. I realize I am wider around the midsection than the average Japanese woman, but not to such a significant extent. Also, when tied in any normal manner, no birds end up anywhere visible on the front.

I do love the obi, and the fact that it was a gift makes it even more special to me, so I am seriously considering cutting it up and making it into a pre-tied obi, because I doubt there is any other way I could ever wear it.

I would love to hear suggestions as to what to do with this, and possible other musubi it may work with.

Edit: It turns out this may be a relatively obscure form of obi known as hikinuki obi, they are a form of stage wear that is meant to be tied quickly in front and moved to the back. It would explain both the pattern layout and the unusual motif. I will have to try tying it in this manner and see!

Update: I have finally repaired this obi. See the how-to and finished product here.