Review – The Makanai: Cooking for the Maiko House (Maiko-san Chi no Makanai-san)

I have already made a post about Maiko-san chi no Makanai-san, back when it was released as an anime. I loved the manga and I loved the anime, so I had very high hopes for this live-action adaptation.

I am glad to say I was not disappointed. I binged through this show in two days and I’m already debating watching it again. There’s something so incredibly wholesome and comforting about it; the food, the love and support the characters share, and the quiet and understated tone of the whole thing. There is so much tension in the world right now; we need more cozy shows like this!

This is ostensibly a story of two girls, Kiyo and Sumire, who move from Aomori to Kyoto to become maiko. Sumire blossoms during training but Kiyo stumbles out of training and into the job of makanai, who is essentially the cook for the house where they live, along with their adoptive geiko mothers and maiko sisters. This is where it’s Kiyo’s turn to shine, as she pours all her enthusiasm and support of Sumire and her sisters into her food.

The manga and anime pretty much stopped there, presented in short vignettes followed by recipes or food trivia. Where this show differs is that there’s less focus on the food and more focus on the interpersonal relationships and development of all the background characters, something we hadn’t seen until now. It never veers into the mawkish or melodramatic tone you might expect of a house full of girls competing in an incredibly tough field. Instead the girls encourage and support each other, and what little tension there is eventually becomes a great source of charming comedy or personal introspection. (Yoshino, I am looking at you)

Another lovely thing about this show is how accurate it is. It was filmed partially on-location in the geisha districts of Kyoto, and you can tell they worked very hard to keep things close to the tradition-focused and rarified air that the whole city exudes. There are cameos from real working geiko, there are many mentions of the traditional seasonality of geisha life, the kimono are stunning, and while there will invariably be the occasional slip-up when it comes to minute details or accessories, it’s very clear that all of the traditional elements of the show were done with a huge amount of respect and research, and love.

At its core, this is a show about the many forms of love. The passion an artist has for their craft, the connection of family (both genetic and found), and the unbreakable bond between two best friends. Whether you’re a fan of food, geisha, or just want something incredibly warm and soothing to watch, I can’t recommend this show enough. You can catch it on Netflix in the original Japanese with subtitles as well as dubbed into a multitude of languages. If you have Netflix and have any interest in geisha, food, Japanese culture, or just love warm uplifting television, I urge you to check it out!

Road Map for 2023 (and beyond?)

First of all, let me make it clear that the kimono content will always be the primary focus of my blog. Whether it be outfit coordinations, events, or informational posts, this is never going to stop. However, I have realised that in my current situation I can’t keep up with the rate of mannequin coords I have posted in the past.

There are multiple reasons for this. Firstly, I used to work a maximum of twenty hours a week. Then the pandemic hit and I was fully unemployed for over a year. This meant a ton of free time. I now have the luxury of working from home but I work a full forty hours a week, plus occasional overtime, which leaves me much less in the way of free time. My collection has also gotten so overwhelming that sometimes just looking at it while deciding what to coordinate with is exhausting!

Secondly, I am spending months at a time with my boyfriend in California, and hauling significant portions of my collection and a mannequin back and forth is just entirely unreasonable. His house also doesn’t have the space for me to take over a kimono corner, let alone the entire room.

Lastly, and maybe most importantly, I am dealing with the early stages of a frozen shoulder. This makes it difficult for me to even dress myself in yofuku (you should see me trying to do up my bra, it’s hilarious), let alone dress an uncooperative mannequin in wafuku. I am doing physical therapy and getting injections for it, and we’ve managed to slow its progression, but it’s not really getting better yet.

So what does all this mean for you, my beloved readers and followers? It means I’m going to be making a concentrated effort to bring you more content relating to Japanese arts, culture, and lifestyle, still while focusing on kimono, but broadening my scope somewhat. I also hope to bring more accessible products to you, not only imported things. Between shipping times, fluctuating currencies, and carbon imprints, it’s nice for those of us in the Americas and Europe to be able to experience a bit more wa in our lives with more ease. Expect to see more tea reviews, restaurant reviews (I am going to Morimoto Las Vegas next week and I cannot wait to share my experience with you), book reviews, and health & beauty products (Tatcha and Rituals of Sakura coming up soon). These are all things I will be able to do after work, with a bum shoulder, while away from Montreal, or any combination of the above.

I realise some of you did not sign on for this and if you decide this blog is no longer for you I fully understand. But I hope some of you will choose to stick around and see what the future holds for all of us! And to thank you for sticking around until the end of this ramble, here’s some photos of the beautiful Lego Bonsai tree Keith got me for Christmas. I love that you can easily swap between green leaves and beautiful sakura bonsai! I am terrible with real plants so this is a lovely way for me to enjoy bonsai on my desk without worrying about killing it.

(Sakura tokidoki unicorno not included – she just happened to be on my desk and I couldn’t resist)

2023, New Year’s Revelations

Happy new year! This year I’m not going to make any resolutions, because I’ve learned that life always gets in the way. Instead, within the next few weeks I will be sharing a road map for the future of this blog. Don’t worry, it’s not going anywhere and it’s not going to stop being about kimono. It’s all good news, I promise. I just need some time to formulate my thoughts.

In the meantime, starting the year off with a new coordination seemed like a good way to open things up. My initial plan was going to use my usagi shifuku tsukesage but I couldn’t find it. This relates back to my aforementioned plan and roadmap. My collection is that much of a mess.

I decided instead to use this kurotomesode with the tagasode motif, which seemed like a good kimono-related omen to start the year off with. I paired it with a gold obi with a celebratory tabane-noshi motif and white accessories, for a more traditional coordination than I usually do. I feel like these combine for an outfit that invites good luck and celebration of kimono for 2023, which I need right now!

I apologise for the lighting in these photos, up here in the wilds of Montreal it gets dark very early in the winter, so I don’t have much light to work with. I still think they convey the essence of the coordination so I’m happy enough.

This will be my only coordination for a few months, as I’m flying out to California again on the 7th. I’ll still be updating though! See you soon!

Items used in this coordination

Autumn Fairy Tale

Both this kimono and this obi are nearly impossible to coordinate. I’ve used the kimono before, but despite having had this obi in my possession for nearly a year now, I’d never found a good way to use it. Last night it came to me while I was soaking in the bath, as many great ideas do.

They both have a sort of fantastical, storybook, decidedly un-Japanese vibe to them. The kimono has always reminded me of The Moomins and other Scandinavian childrens’ books, and the obi has a vaguely Middle-Eastern fantasy feel to it that wouldn’t be out of place in One Thousand and One Nights. I also thought the green and brown would complement each other very well, and the gold accents would echo each other nicely too.

Was I right, or was I right? I’m over the moon with how these pieces look together. I decided go with pink accessories to make the pink trees in the kimono stand out a bit more, since they can get a bit lost against the white hill. They also help to add a touch of light and contrast between the kimono and obi, which are both quite dark. It worked very well, I think. From a distance they almost read as white, just like the trees do, but when you get close you get this lovely surprise. There are also tiny pink and gold botan on the haneri, which are decidedly out of season but the colours worked so well I had to run with it. Next time I might add a gold date-eri to break things up a little further, but I think it works fine without it too. It also just occurred to me that my pink lace haori would look amazing with this too, so I will have to try that sometime.

Another neat thing about this outfit is that all the items aside from the obijime are significantly larger than average, which means I might be able to wear it if I ever have the energy to dress myself again. Something to look forward to, maybe?

Items used in this coordination

Happy Halloween 2022!

Tomorrow is Halloween! The day we celebrate errant bloggers rising from the grave, apparently. I am actually working on an entry discussing my increasing absences, and a slight shift in the purpose and focus of this blog, so keep an eye out for that. Don’t worry, it’s not bad news!

In the meantime though, I actually have a coordination for you! I bought this piece last time I was in California. I realise it’s supposed to be a sunset over the landscape, but to me it absolutely looks like a spooky forest fire scene. The spindly black trees and bright orange background just felt very Halloween to me and I decided it would be the perfect piece to get back into the swing of things.

I wanted to keep the Halloween vibe relatively subtle, but I did try to amp up the spooky factor with a black and silver spiderweb haneri and brass bat obidome made out of a vintage menuki. The obi is a solid black mofuku nagoya, paired with white and orange accessories.

I don’t have a catalogue photo of this piece yet, but that’s a problem for another day. It is coming, I promise!

Items used in this coordination