I is for Ikebana

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Ikebana, 生け花, 活け花, traditional flower arrangement


If you’ve been a reader here for a while, you’ve likely seen my efforts to teach myself the basics of ikebana. I do feel like I’ve reached a place where I can’t really grow any more without more focused teaching and direction, but the world isn’t exactly in a state where that’s an option currently. Maybe I’ll look into it once things go back to normal, whenever that might be.

Getting fresh flowers right now isn’t exactly a walk in the park. But my lovely father, who had to leave the house to get food and fill prescriptions, was sweet enough to snag these for me from the flower-seller at the local mall. I love the vibrant contrast in them; they almost feel like an inverted Japanese flag. I went for a straightforward three-height arrangement with only a bit of greenery to anchor it. It may not be anything terribly exciting, but fresh flowers bring me a little brightnessright now, and I

H is for Hanafuda

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Hanafuda, 花札, flower cards, traditional playing cards

Did you know that the Nintendo we all know and love started out as a company that made playing cards? Their original product was a set of hanafuda cards! Hanafuda are small, traditional Japanese cards featuring designs of flowers and seasonal motifs. Like our more familiar decks of playing cards, there are lots of different games and variations you can play with hanafuda.  To this day, Nintendo still makes novelty hanafuda sets. So do several other companies in Japan. You can find decks featuring Super Mario Bros, Kirby, beloved movies like Spirited Away, and even a Pokemon set!

However, if you’d like your own free set, I’m here for you. I’ve created a muted, monochrome set based on the original designs but using the colour scheme from this blog I love so much. All you need to do is print out this PDF on heavy-weight card paper (I had blue and white so I used blue for the background side but plain white works just as well). Then glue each card sheet to one background sheet with stick glue, put a heavy weight on them to dry them flat (I used books), and then cut them out after 24 hours or so.

Click here to download the PDF

For game instructions, Wikipedia has your back. Enjoy your new hanafuda deck, and have fun!

G is for Gosho-Guruma

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Gosho-guruma, 御所車図, Imperial Carts

Confession time: these representations of the carts used by imperial nobles are quite possibly one of my least-favourite kimono motifs. To me they look like deformed marshmallows. Because of that, using gosho-guruma as today’s word for the letter G didn’t even occur to me at first. But then I remembered I have this one kimono I love, despite the motifs. I guess the fact that they’re partially hidden behind lovely flowers helps a lot!

I’ve been wanting to see how this kimono looks with this particular orange obi ever since I bought it. I think it’s perfect for this particular coordination, since it’s very low-contrast against the kimono, which helps make the cart motifs the main feature. I pulled out accessory colours from the floral arrangements in front of the carts. I’m not sure how well this particular obijime works, but I don’t hate it. I just think it might have been better with a more muted one to match the low-contrast feel of the rest of the ensemble.

Overall I think I did a good job of featuring a motif I am not fond of! That’s the important part.

Items used in this coordination

F is for Fudangi

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Fudangi, 不断着, home wear/casual clothes/ordinary dress

That’s a delightfully vague definition. Much like the infernal “office casual” it’s a term that leaves a lot of room for interpretation. So what exactly is fudangi? The general consensus for kitsuke is that it comprises anything from wool or cotton kimono that you’d wear around the house to komon and obi without metallic accents that you’d wear to run errands or meet up with friends for lunch. Often it’s much looser and more relaxed when it comes to the rules, but you still want to avoid anything overly formal. Obi should be hanhaba or casual nagoya, obijime should be thin, fancier textiles like shibori or yuzen-dyed silk should be used sparingly if at all. Think of rough-woven and rustic textiles like wool, meisen weave, etc. Fun accessories like haneri and obidome are always a good way to inject some personality in.

To give a better idea, I’ve collected some of my favourite coordinations from last year, where I made an effort to put together an outfit that exemplified fudangi at least once per month. As you can see, there’s plenty of room for variation, all while staying relaxed and comfortable.

As much as I love really gorgeous formal furisode and kurotomesode, there’s a lot to be said for casual, cool, comfortable outfits like these.

E is for Ebi

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Ebi, 海老 , shrimp, lobster, or other long-tailed crustacean

Quite possibly one of my favourite motifs! I love all sea-creature motifs, but I seem to have a soft spot for the goofy-looking rock lobsters often found on wafuku. I had several choices to work with for today’s coordination (you can see them all below) but in the end this pente lobster tsuke-obi won out. I just love it so much.

I paired it with this gorgeous soft brown Taisho-era houmongi. I love how the black pops against the muted brown, and the beige clouds on the kimono echo the shells on the back of the obi. Red accessories draw further attention to the ebi itself and anchor the red sleeve lining. The finishing touch was a brown obijime tied in a way to faintly evoke a lobster trap or net.

As much as I love this obi I tend to forget how long it’s pre-tied in the back. It would suit a taller person (like me, hello!) much better than the mannequin, I think. I don’t mind though, I still love the finished outfit to bits.

So far these are all the items I have with ebi motif in one form or another, but I’ll never say no to more!

Items used in this coordination