Category: Mannequin Coordinations

A most beautiful gift

, , , , , , , , 0

For someone who has no plans to get married in the remotely near future, I sure do seem to be amassing a lot of wedding items. This one comes courtesy of an online friend who has a heart of gold. She’d had this piece – as well as two others that will be making appearances soon – for quite some time and felt that it was time to pass it along to someone who would genuinely appreciate it. I am beyond touched that she felt I would be worthy of them.

The package arrived in the mail today, and while she had sent me photos of the pieces they did this piece in particular no justice whatsoever. The silk is lush and heavy, the embroidery is stunning, and there’s a full secondary red lining. Despite the fact that I was hot and tired from work, I was determined to see how this piece looked on the mannequin. It took far longer than it should have and I’m not thrilled with the tidiness (or lack thereof) of the kitsuke but I love the combination of warm gold of the obi with the orange and dark, chocolatey, almost-black plum of the kimono. I would very much like to revisit this coordination in the future, once I’ve got a proper set of bridal accessories. I also think this kakeshita would be absolutely stunning combined with the uchikake I acquired not long ago.

Items used in this coordination

To Boldly Kimono Where No One Has Kimono’ed Before

, , , , , 0

As soon as I saw this kimono on eBay, I fell in love. Considering the age of the piece predates Star Trek by quite a bit, I’m certain it wasn’t intentional, but the individual golden yabane motifs made me think immediately of the Starfleet Insignia. If you’re a regular reader, it will come as no surprise to you that I, a self-professed giant geek, am a huge fan of Star Trek. I knew I had to have it, and started envisioning how I would coordinate it right away!

I was really hoping to do it yesterday, in honour of Star Trek’s 50th Anniversary, but it only arrived today. I picked it up from the post office on the way home from a very long day at work and despite my better judgement, I had to dress the mannequin right away. I couldn’t decide if I wanted to accent the gold insignias with the Command Gold of the original Star Trek, or the Command Red of The Next Generation (and subsequent series), and then I remembered I had this great red and mustardy gold hanhaba obi. I tied it in such a way as to feature both colours, which I think was a lovely compromise. Lastly, I used the two pieces of this adorable friendship necklace from my Loot Crate subscription as a perfectly thematic obi-kazari.

Thanks for reading. Live long and prosper. Image result for llap emoji

 This post contains affiliate link(s). If you choose to purchase, I receive a small rebate or commission which goes to the continued maintenance of this site. 

Items used in this coordination

Back to School, Meiji-Style!

, , , , , , , , 0

I have always loved the look of the traditional Meiji/Taisho era schoolgirl outfits; the youthfulness of the hakama, the timeless feel of the yagasuri kimono, the modern and almost masculine touches of little leather ankle boots. When I splurged on this teal hakama a few months back, I’d imagined pairing it with my red and white yagasuri komon. What I hadn’t thought of was including this vintage taffeta haori I love to death, but as soon as I saw the three pieces sitting together in a pile I knew I’d found the perfect finishing touch to this outfit and with lots of schools starting this week, it seemed like an ideal time to pull it all together.

I knew I wanted to use a black obi to help anchor everything, but I don’t actually own a black hanhaba obi. Thankfully, because I was just dressing the mannequin, I could fudge things a little. I used the waist part of a two-piece tsuke-obi and a big obi-makura in the back to give the hakama something to anchor to. The plum motif of the haneri might not be totally seasonally appropriate for a “back to school” outfit, but the colours felt so right I had to run with it.

Aside from the haori (which is incredibly narrow, even by vintage standards), these pieces are all quite large which means I can totally fit into them. The hakama especially makes it easier and more comfortable for me, so expect to see this coordination on yours truly at some point in the near future. A cute pair of ankle boots would make things easy and still be appropriate to the ensemble. I just need to invest in a proper black hanhaba obi and then find somewhere to go and hope that the cooperates!

Items used in this coordination

Tokai-Dos and Tokai-Don’ts

, , , , , , , , , 0

I’ve had this 53 Stations of the Tokaido tsukesage for a long time now. I’ve never worn it myself, but I did put it on my friend Frances one day. The obi, by comparison, was an absolute impulse purchase a few weeks ago – I was buying another item from the seller and this was only $10 so I couldn’t say no! Especially since it’s a lovely stylisation of Station 49 – Saka-no-shita, which is a station I don’t have on any items in my collection yet. For the price, its absolutely gorgeous. The bulk of the design is woven in, and then touches are pulled out with beautifully lush embroidery to add depth and texture. It’s a bit slippery to tie, but definitely not the most challenging obi I’ve had to work with.

Generally the rules of kitsuke say not to match the motif on your kimono to the motif on your obi, and to contrast the colour of one against the other. However, when I saw these two pieces next to each other, my mind drifted back to my first experiment in very monochrome and matchy outfits, and I wanted to give it another shot. Rules are an excellent starting point, but sometimes breaking them with forethought and intention can produce some amazing results.

I’ve always loved the peachy pink sunset accents on the kimono and decided to make them pop with the accessories. I feel like this resulted in an overall very calm and serene outfit with a bit of punch, and I love it!

I do apologise for the quality of the photos today; my camera was being difficult so I used my mobile phone camera. It worked, but it’s not ideal. However, I make no apologies for the utterly terrible word-play in the title.

Items used in this coordination

Here Comes the Bride

, , , , , , 2

The bride is not me! Let me get that out of the way! But if you follow me on Instagram you’ll have seen this uchikake already. If you’re not following me on Instagram, now’s a great time to start.

I found this beautiful vintage uchikake on a local classified listings site, and contacted the seller right away. We managed to arrange a meeting, and I’m very glad. The gentleman selling it was lovely, very friendly. The uchikake was passed down in his family, originally belonging to his step-mother’s mother, and he seemed very keen to make sure it would go to someone who would really appreciate it for what it is. I hope I’m giving it a good home!

It’s a bit hard to age, but based on how it looks and feels in person combined with what he told me of its history, I’d put it somewhere in early Showa. The metallic bits are synthetic, but the lining and base fabric look and behave like silk. It’s a really interesting combination.

I knew I wanted to do a bridal-style kitsuke with it, and my Taisho-era kakeshita seemed like a good place to start. Even if they’re not the same era, they really work together. Unfortunately, I don’t have a proper set of bridal kitsuke accessories yet, so I had to make do using a normal furisode obiage and obijime, and a shigoki obi beneath the obi, along with a normal kimono wallet in lieu of the traditional decorative wallet known as hakoseko. Overall, though, I think it looks beautiful. Obviously, this is not something I’m ever going to wear personally (except for a lecture or display at some point, I suppose), but it’s so beautiful I have a feeling I’m going to be leaving it on the mannequin for longer than usual.

Items used in this coordination