What first drew me to ikebana was the clean-lined simplicity of it all, the focus on a few sparse blooms without all the fluff and clutter that tends to be found in western-style flower deisgn. I’ve been experimenting a fair bit lately but I was itching to do a very sleek and low moribana-style arrangement, and when I found this gorgeous monstera leaf at the florist I knew it would be the perfect anchor for my next project. This interesting flower was all by its lonesome in a bucket in the flower fridge, and the texture and shape of it felt like a wonderful counterpoint to the glossy green foliage. I’m afraid I don’t remember what the flower is, but if anyone recognises it I’d love to know. The arrangement feels very heady and tropical to me, well-suited for to the oppressively muggy weather we’ve been having lately. I chose a very simple container to anchor them, in keeping with the clean and modernist vibe. I’m also quite pleased by how well the whole arrangement pops against the warm brown backdrop. This one might be incredibly simple, but it’s also incredibly effective.
Category: Ikebana
Shape and Colour Ikebana
I bought this set of bud vases at everyone’s favourite enormous Scandinavian home goods store a while ago, with the intention of doing something with them, but I hadn’t decided on what. When I found a rose that was a very pale celadon green while out running errands today, I knew I’d found my project. I loved the idea of focusing on shape and colour here, and having three very balanced separate units forming one cohesive and harmonious grouping. I did debate using three different flowers to coordinate with the three different textures of vases, but in the end I felt that using the classic and neutral shape of the roses had the most impact. Thankfully, finding the pink and white ones was a breeze after the stroke of luck that was finding a greenish tinted one (I will be honest, I have no idea if it’s natural or if it was dyed for the florist’s, but either way it worked out quite well for me!) I think the soft, organic roses contrast the tactile and architectural quality of the vases perfectly, and the seeing the three of them together is like hearing three distinct notes coming together in one lovely chord. I arranged them simply on a dark surface to ensure all attention was on them without any background distractions, and I love the way they pop, pop, pop!
Day lily Ikebana
The Japanese concept of mono no aware (物の哀れ), or the sense of beauty that comes from the awareness of the transience of all things, is most often exemplified by the beautiful but short-lived cherry blossom season. However, while I was going through our garden looking for inspiration recently, it struck me that these gorgeous fire-like day lily blooms are another flower that is perfectly suited the concept, having as short and vivid a lifespan as they do.
I wanted to balance the modern, sharp, nearly abstract shapes of the lilies with something much softer and more delicate, and the gentle sweeping lines of our grapevine seemed like the perfect contrast. I then chose a very organic and vintage-feeling container and paired it in turn with a clean-lined and almost harsh pedestal. I aimed to create an arrangement that seemed as timeless as it was fleeting, things with a sense of age framed against things that have existed only for a moment. I love how they come together to form both visual and emotional balance, something I am working on as I continue my journey into ikebana.
Fresh Green Ikebana
The rainy season is here, so of course it’s time for a lush ajisai (hydrangea) ikebana.
I actually did this one while I was in California last month; I’d had the bamboo-shaped vessel mailed to my friend there to save on shipping costs. I actually found the hydrangea while we were grocery shopping. I loved the refreshing pale green colour and the dense texture of the blooms, and thought they would be an excellent contrast to the stark white of the vase. I stuck to one plant material for this one to emphasise texture, contrast, and simplicity. It feels well-balanced and evokes a cool feeling to counter-act the summer heat and humidity. I do like the restraint of one type of plant material and suspect I will do more arrangements focusing on one type flower at a time.
However, I’m not sure this was as successful as I’d like it to have been because from a distance I think it looks like a bunch of cauliflower! I will have to try something different with this vase in the future.
Architectural Ikebana
Most of the arrangements I’ve done so far have been fairly loose and natural in feeling, working with the shape of the flowers instead of forcing them. I really wanted to try something more sculptural and geometric and work with straight lines and the very linear quality of lucky bamboo (which isn’t really bamboo) seemed like an excellent starting point. While I was at the florist’s I saw these gorgeous miniature purple calla lilies and I knew I’d found the perfect counterpart for the bamboo.
I focused on the diagonal lines to draw the eye from the top of the arrangement to the bottom. Initially I’d just wrapped the vase in the faux banana leaf but the colour balance felt off. I found this ribbon while packing for vacation; it’s actually the belt from a dress I have. The mauve was a perfect match for the calla lilies, and it really helps to anchor the whole arrangement and make it feel much more balanced. Overall, this one turned out very close to what I’d initially had in mind, and I’m very happy with it!
Shape and Colour Ikebana
I bought this set of bud vases at everyone’s favourite enormous Scandinavian home goods store a while ago, with the intention of doing something with them, but I hadn’t decided on what. When I found a rose that was a very pale celadon green while out running errands today, I knew I’d found my project. I loved the idea of focusing on shape and colour here, and having three very balanced separate units forming one cohesive and harmonious grouping. I did debate using three different flowers to coordinate with the three different textures of vases, but in the end I felt that using the classic and neutral shape of the roses had the most impact. Thankfully, finding the pink and white ones was a breeze after the stroke of luck that was finding a greenish tinted one (I will be honest, I have no idea if it’s natural or if it was dyed for the florist’s, but either way it worked out quite well for me!) I think the soft, organic roses contrast the tactile and architectural quality of the vases perfectly, and the seeing the three of them together is like hearing three distinct notes coming together in one lovely chord. I arranged them simply on a dark surface to ensure all attention was on them without any background distractions, and I love the way they pop, pop, pop!
Day lily Ikebana
The Japanese concept of mono no aware (物の哀れ), or the sense of beauty that comes from the awareness of the transience of all things, is most often exemplified by the beautiful but short-lived cherry blossom season. However, while I was going through our garden looking for inspiration recently, it struck me that these gorgeous fire-like day lily blooms are another flower that is perfectly suited the concept, having as short and vivid a lifespan as they do.
I wanted to balance the modern, sharp, nearly abstract shapes of the lilies with something much softer and more delicate, and the gentle sweeping lines of our grapevine seemed like the perfect contrast. I then chose a very organic and vintage-feeling container and paired it in turn with a clean-lined and almost harsh pedestal. I aimed to create an arrangement that seemed as timeless as it was fleeting, things with a sense of age framed against things that have existed only for a moment. I love how they come together to form both visual and emotional balance, something I am working on as I continue my journey into ikebana.
Fresh Green Ikebana
The rainy season is here, so of course it’s time for a lush ajisai (hydrangea) ikebana.
I actually did this one while I was in California last month; I’d had the bamboo-shaped vessel mailed to my friend there to save on shipping costs. I actually found the hydrangea while we were grocery shopping. I loved the refreshing pale green colour and the dense texture of the blooms, and thought they would be an excellent contrast to the stark white of the vase. I stuck to one plant material for this one to emphasise texture, contrast, and simplicity. It feels well-balanced and evokes a cool feeling to counter-act the summer heat and humidity. I do like the restraint of one type of plant material and suspect I will do more arrangements focusing on one type flower at a time.
However, I’m not sure this was as successful as I’d like it to have been because from a distance I think it looks like a bunch of cauliflower! I will have to try something different with this vase in the future.
Architectural Ikebana
Most of the arrangements I’ve done so far have been fairly loose and natural in feeling, working with the shape of the flowers instead of forcing them. I really wanted to try something more sculptural and geometric and work with straight lines and the very linear quality of lucky bamboo (which isn’t really bamboo) seemed like an excellent starting point. While I was at the florist’s I saw these gorgeous miniature purple calla lilies and I knew I’d found the perfect counterpart for the bamboo.
I focused on the diagonal lines to draw the eye from the top of the arrangement to the bottom. Initially I’d just wrapped the vase in the faux banana leaf but the colour balance felt off. I found this ribbon while packing for vacation; it’s actually the belt from a dress I have. The mauve was a perfect match for the calla lilies, and it really helps to anchor the whole arrangement and make it feel much more balanced. Overall, this one turned out very close to what I’d initially had in mind, and I’m very happy with it!